Barlow, J.E. (1985) Plays by American women, 1900-1930. New York, N.Y.: Applause Theatre Book Publishers.
Crucifixion (no date).
‘Dirty Harry (1971)’ (no date). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00EB3D15?bcast=121086592.
Dmytryk, E. et al. (2008) ‘(Farewell, My Lovely) Orginial Title: Murder my sweet’. [S.l.]: Universal Pictures.
‘Double Indemnity (1944)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00088910?bcast=122723402.
Eisner, L.H. (2008a) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Berkeley, Calif: University of California Press.
Eisner, L.H. (2008b) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Berkeley, Calif: University of California Press.
Eisner, L.H. (2008c) The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Berkeley, Calif: University of California Press.
Gordon, M. (1975) ‘German Expressionist Acting’, The Drama Review: TDR, 19(3). Available at: https://doi.org/10.2307/1144991.
Gordon, M. (1986) Expressionist texts. New York: PAJ Publications.
Hayman, R. (1975) The German theatre: a symposium. London: Wolff.
Innes, C. (1993) Avant Garde Theatre, 1892-1992. London: Routledge.
Innes, C. and Innes, C.D. (1993) Avant garde theatre, 1892-1992 [electronic book]. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=2091.
J. A. Place and L. S. Peterson (1974) ‘SOME VISUAL MOTIFS OF FILM NOIR’, Film Comment, 10(1), pp. 30–35. Available at: http://www.jstor.org/stable/43451251?seq=1#page_scan_tab_contents.
Jameson, F. (1992) The geopolitical aesthetic: cinema and space in the world system. Bloomington: Indiana University Press.
Kaplan, E.A. (1988a) Women and film: both sides of the camera. London: Routledge.
Kaplan, E.A. (1988b) Women and film: both sides of the camera [electronic book]. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3060342.
Kaplan, E.A. (1998) Women in Film noir. New ed. London: B.F.I.
Lang, F. et al. (2001) ‘The big heat’. [S.l.]: Columbia Pictures.
Lang, F., Abel, A. and Helm, B. (2010a) ‘Metropolis’. [S.l.]: Kino.
Lang, F., Abel, A. and Helm, B. (2010b) ‘Metropolis’. [S.l.]: Kino.
Lang, F. and Klein-Rogge, R. (2005) ‘Spione = Spies’. [S.l.]: Eureka.
Lang, F. and Lorre, P. (2004) ‘M’. [S.l.]: Criterion.
Lang, F., Wernicke, O. and Klein-Rogge, R. (no date) ‘The testament of Dr Mabuse = Das Testament des Dr Mabuse’. [S.l.]: Eureka.
Laughton, C., Mitchum, R. and Winters, S. (no date) ‘The night of the hunter’. [S.l.]: MGM.
‘Metropolis (1927)’ (no date a). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570.
‘Metropolis (1927)’ (no date b). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570.
Murnau, F.W. and Jannings, E. (no date) ‘Faust’. [S.l.]: Eureka.
Murnau, F.W. and Schreck, M. (2000) ‘Nosferatu’. [S.l.]: Eureka Video.
Neale, S. (1983) ‘Masculinity as Spectacle’, Screen, 24(6), pp. 2–17. Available at: https://doi.org/10.1093/screen/24.6.2.
O’Neill, E. (1923) The hairy ape: and other plays. London: Cape.
Pabst, G.W. et al. (no date) ‘Diary of a lost girl = Das Tagebuch einer Verlorenen’. [S.l.]: Eureka / Masters of Cinema.
Pabst, G.W. and Brooks, L. (2002) ‘Pandora’s box’. [S.l.]: Second Sight.
Pabst, G.W. and Garbo, G. (1995) ‘The Joyless Street’. [S.l.]: Timeless Multimedia.
‘Paint it Black: the Family Tree of Film Noir’ (no date). Available at: https://atomicanxietyblog.files.wordpress.com/2012/09/51818818-raymond-durgnat-the-family-tree-of-the-film-noir.pdf.
Pakula, A.J. and Beatty, W. (2004) ‘The Parallax View’. Paramount Pictures.
Paul Schrader (1972a) ‘notes on film noir’, Film Comment, 8(1), pp. 8–13. Available at: http://www.jstor.org/stable/43752885?seq=1#page_scan_tab_contents.
Paul Schrader (1972b) ‘notes on film noir’, Film Comment, 8(1), pp. 8–13. Available at: http://www.jstor.org/stable/43752885?seq=1#page_scan_tab_contents.
Pollack, S., Redford, R. and Dunaway, F. (2006) ‘3 days of the condor’. [S.l.]: Universal.
Ritchie, J.M. and Garten, H.F. (1968) Seven Expressionist Plays: Kokoschka to Barlach. London: Calder and Boyars.
Scorsese, M. and De Niro, R. (2004) ‘Taxi driver’. [S.l.]: Columbia Tristar.
Siodmak, R. et al. (2008) ‘The killers’. [S.l.]: Universal Pictures.
‘Taxi Driver (1976)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004F3045?bcast=123286416.
‘The Big Heat (1953)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001FCA3?bcast=75883854.
‘The Cabinet of Dr Caligari (1920)’ (no date). Arte. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004D7890?bcast=106840826.
‘The Lady from Shanghai (1948)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000C44D3?bcast=33174758.
‘The Manchurian Candidate (1962)’ (no date). ITV4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0050576F?bcast=114256435.
Toller, E. and Kesten, H. (1935) Seven plays. London: John Lane.
Watkins, P. (2009) ‘Punishment park’. [S.l.]: Doriane.
Welles, O. et al. (no date) ‘The lady from Shanghai’. [S.l.]: Columbia Tri-Star.
Welles, O. and Heston, C. (2008) ‘Touch of evil’. Universal.
Wiene, R. and Krauss, W. (2000) ‘The cabinet of Dr Caligari’. [S.l.]: Eureka.
Wilder, B. et al. (2007) ‘Double indemnity’. [S.l.]: Universal.