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Innes, C., Innes, C.D.: Avant garde theatre, 1892-1992. Routledge, London (1993).
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Hayman, R.: The German theatre: a symposium. Wolff, London (1975).
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Ritchie, J.M., Garten, H.F.: Seven Expressionist Plays: Kokoschka to Barlach. Calder and Boyars, London (1968).
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Pabst, G.W., Brooks, L., Rasp, F., Meinhard, E.: Diary of a lost girl = Das Tagebuch einer Verlorenen.
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Pabst, G.W., Garbo, G.: The Joyless Street, (1995).
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Lang, F., Lorre, P.: M, (2004).
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Toller, E., Kesten, H.: Seven plays. John Lane, London (1935).
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Gordon, M.: Expressionist texts. PAJ Publications, New York (1986).
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Lang, F., Klein-Rogge, R.: Spione = Spies, (2005).
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Lang, F., Wernicke, O., Klein-Rogge, R.: The testament of Dr Mabuse = Das Testament des Dr Mabuse.
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Laughton, C., Mitchum, R., Winters, S.: The night of the hunter.
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Barlow, J.E.: Plays by American women, 1900-1930. Applause Theatre Book Publishers, New York, N.Y. (1985).
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Wilder, B., MacMurray, F., Stanwyck, B., Robinson, E.G.: Double indemnity, (2007).
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Double Indemnity (1944), https://learningonscreen.ac.uk/ondemand/index.php/prog/00088910?bcast=122723402.
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Paint it Black: the Family Tree of Film Noir, https://atomicanxietyblog.files.wordpress.com/2012/09/51818818-raymond-durgnat-the-family-tree-of-the-film-noir.pdf.
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J. A. Place and L. S. Peterson: SOME VISUAL MOTIFS OF FILM NOIR. Film Comment. 10, 30–35 (1974).
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Siodmak, R., Veiller, A., Hemingway, E., Lancaster, B., Gardner, A.: The killers, (2008).
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Dmytryk, E., Powell, D., Trevor, C., Shirley, A.: (Farewell, My Lovely) Orginial Title: Murder my sweet, (2008).
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Welles, O., Hayworth, R., Welles, O., Sloane, E.: The lady from Shanghai.
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The Lady from Shanghai (1948), https://learningonscreen.ac.uk/ondemand/index.php/prog/000C44D3?bcast=33174758.
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Kaplan, E.A.: Women in Film noir. B.F.I., London (1998).
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Kaplan, E.A.: Women and film: both sides of the camera. Routledge, London (1988).
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Kaplan, E.A.: Women and film: both sides of the camera. Routledge, New York (1988).
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Welles, O., Heston, C.: Touch of evil, (2008).
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Lang, F., Ford, G., Grahame, G., Marvin, L.: The big heat, (2001).
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The Big Heat (1953), https://learningonscreen.ac.uk/ondemand/index.php/prog/0001FCA3?bcast=75883854.
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Scorsese, M., De Niro, R.: Taxi driver, (2004).
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Taxi Driver (1976), https://learningonscreen.ac.uk/ondemand/index.php/prog/004F3045?bcast=123286416.
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Neale, S.: Masculinity as Spectacle. Screen. 24, 2–17 (1983). https://doi.org/10.1093/screen/24.6.2.
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Pakula, A.J., Beatty, W.: The Parallax View, (2004).
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Jameson, F.: The geopolitical aesthetic: cinema and space in the world system. Indiana University Press, Bloomington (1992).
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Watkins, P.: Punishment park, (2009).
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Pollack, S., Redford, R., Dunaway, F.: 3 days of the condor, (2006).