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Lang F, Wernicke O, Klein-Rogge R. The testament of Dr Mabuse = Das Testament des Dr Mabuse. The Masters of cinema series.
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Barlow JE. Plays by American Women, 1900-1930. Applause Theatre Book Publishers; 1985.
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J. A. Place and L. S. Peterson. SOME VISUAL MOTIFS OF FILM NOIR. Film Comment. 1974;10(1):30-35. http://www.jstor.org/stable/43451251?seq=1#page_scan_tab_contents
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Kaplan EA. Women in Film Noir. New ed. B.F.I.; 1998.
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Kaplan EA. Women and Film: Both Sides of the Camera. Routledge; 1988.
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Kaplan EA. Women and Film: Both Sides of the Camera. Routledge; 1988. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3060342
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Welles O, Heston C. Touch of evil. Published online 2008.
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Lang F, Ford G, Grahame G, Marvin L. The big heat. Published online 2001.
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The Big Heat (1953). https://learningonscreen.ac.uk/ondemand/index.php/prog/0001FCA3?bcast=75883854
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Scorsese M, De Niro R. Taxi driver. Published online 2004.
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Taxi Driver (1976). https://learningonscreen.ac.uk/ondemand/index.php/prog/004F3045?bcast=123286416
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Neale S. Masculinity as Spectacle. Screen. 1983;24(6):2-17. doi:10.1093/screen/24.6.2
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Dirty Harry (1971). https://learningonscreen.ac.uk/ondemand/index.php/prog/00EB3D15?bcast=121086592
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Pakula AJ, Beatty W. The Parallax View. Published online 2004.
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Jameson F. The Geopolitical Aesthetic: Cinema and Space in the World System. Indiana University Press; 1992.
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The Manchurian Candidate (1962). https://learningonscreen.ac.uk/ondemand/index.php/prog/0050576F?bcast=114256435
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Watkins P. Punishment park. 2009;Peter Watkins box set.
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Pollack S, Redford R, Dunaway F. 3 days of the condor. Published online 2006.