Barlow, Judith E., Plays by American Women, 1900-1930 (Applause Theatre Book Publishers, 1985)
Crucifixion, (n.d.)
Dirty Harry (1971), ITV4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00EB3D15?bcast=121086592>
Dmytryk, Edward, and others, (Farewell, My Lovely) Orginial Title: Murder My Sweet, Universal Pictures, 2008
Double Indemnity (1944), FilmFour, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00088910?bcast=122723402>
Eisner, Lotte H., The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt (University of California Press, 2008)
——, The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt (University of California Press, 2008)
——, The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt (University of California Press, 2008)
Gordon, Mel, Expressionist Texts (PAJ Publications, 1986)
——, ‘German Expressionist Acting’, The Drama Review: TDR, 19.3 (1975), doi:10.2307/1144991
Hayman, Ronald, The German Theatre: A Symposium (Wolff, 1975)
Innes, Christopher, Avant Garde Theatre, 1892-1992 (Routledge, 1993)
——, and C. D. Innes, Avant Garde Theatre, 1892-1992 (Routledge, 1993) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=2091>
J. A. Place and L. S. Peterson, ‘SOME VISUAL MOTIFS OF FILM NOIR’, Film Comment, 10.1 (1974), pp. 30–35 <http://www.jstor.org/stable/43451251?seq=1#page_scan_tab_contents>
Jameson, Fredric, The Geopolitical Aesthetic: Cinema and Space in the World System (Indiana University Press, 1992)
Kaplan, E. Ann, Women and Film: Both Sides of the Camera (Routledge, 1988)
——, Women and Film: Both Sides of the Camera (Routledge, 1988) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3060342>
——, Women in Film Noir, New ed (B.F.I., 1998)
Lang, Fritz, and others, The Big Heat, Columbia Pictures, 2001
——, Alfred Abel, and Brigitte Helm, Metropolis, 2 disc special edition, Kino, 2010
——, Alfred Abel, and Brigitte Helm, Metropolis, 2 disc special edition, Kino, 2010
——, and Rudolf Klein-Rogge, Spione = Spies, Eureka, 2005
——, and Peter Lorre, M, Criterion, 2004
——, Otto Wernicke, and Rudolf Klein-Rogge, The Testament of Dr Mabuse = Das Testament Des Dr Mabuse, Eureka, n.d., The Masters of cinema series
Laughton, Charles, Robert Mitchum, and Shelley Winters, The Night of the Hunter, MGM., n.d.
Metropolis (1927), FilmFour, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570>
——, FilmFour, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570>
Murnau, F. W., and Emil Jannings, Faust, Eureka, n.d.
Murnau, Friedrich Wilhelm, and Max Schreck, Nosferatu, Eureka Video, 2000
Neale, S., ‘Masculinity as Spectacle’, Screen, 24.6 (1983), pp. 2–17, doi:10.1093/screen/24.6.2
O’Neill, Eugene, The Hairy Ape: And Other Plays (Cape, 1923)
Pabst, G. W., and others, Diary of a Lost Girl = Das Tagebuch Einer Verlorenen, Eureka / Masters of Cinema, n.d.
——, and Louise Brooks, Pandora’s Box, Second Sight, 2002
Pabst, G. W, and Greta Garbo, The Joyless Street, Timeless Multimedia, 1995
Paint It Black: The Family Tree of Film Noir, n.d. <https://atomicanxietyblog.files.wordpress.com/2012/09/51818818-raymond-durgnat-the-family-tree-of-the-film-noir.pdf>
Pakula, Alan J, and Warren Beatty, The Parallax View, Paramount Pictures, 2004
Paul Schrader, ‘Notes on Film Noir’, Film Comment, 8.1 (1972), pp. 8–13 <http://www.jstor.org/stable/43752885?seq=1#page_scan_tab_contents>
——, ‘Notes on Film Noir’, Film Comment, 8.1 (1972), pp. 8–13 <http://www.jstor.org/stable/43752885?seq=1#page_scan_tab_contents>
Pollack, Sydney, Robert Redford, and Faye Dunaway, 3 Days of the Condor, Universal, 2006
Ritchie, J. M., and H. F. Garten, Seven Expressionist Plays: Kokoschka to Barlach (Calder and Boyars, 1968), German expressionist drama
Scorsese, Martin, and Robert De Niro, Taxi Driver, Columbia Tristar, 2004
Siodmak, Robert, and others, The Killers, Universal Pictures, 2008
Taxi Driver (1976), FilmFour, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004F3045?bcast=123286416>
The Big Heat (1953), BBC2 England, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0001FCA3?bcast=75883854>
The Cabinet of Dr Caligari (1920), Arte, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004D7890?bcast=106840826>
The Lady from Shanghai (1948), BBC4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000C44D3?bcast=33174758>
The Manchurian Candidate (1962), ITV4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0050576F?bcast=114256435>
Toller, Ernst, and Hermann Kesten, Seven Plays (John Lane, 1935)
Watkins, Peter, Punishment Park, Doriane, 2009, Peter Watkins box set
Welles, Orson, and others, The Lady from Shanghai, Columbia Tri-Star, n.d.
——, and Charlton Heston, Touch of Evil, Universal, 2008
Wiene, Robert, and Werner Krauss, The Cabinet of Dr Caligari, Eureka, 2000
Wilder, Billy, and others, Double Indemnity, Universal, 2007
