Bibliography for DT2300: Aesthetics of Anxiety BETA

Barlow, Judith E. Plays by American Women, 1900-1930. New York, N.Y.: Applause Theatre Book Publishers, 1985. Print.

Crucifixion. N.p. Print.

‘Dirty Harry (1971)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00EB3D15?bcast=121086592>.

Dmytryk, Edward et al. ‘(Farewell, My Lovely) Orginial Title: Murder My Sweet’. 2008 : n. pag. Print.

‘Double Indemnity (1944)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00088910?bcast=122723402>.

Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Berkeley, Calif: University of California Press, 2008. Print.

---. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Berkeley, Calif: University of California Press, 2008. Print.

---. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Berkeley, Calif: University of California Press, 2008. Print.

Gordon, Mel. Expressionist Texts. New York: PAJ Publications, 1986. Print.

---. ‘German Expressionist Acting’. The Drama Review: TDR 19.3 (1975): n. pag. Web.

Hayman, Ronald. The German Theatre: A Symposium. London: Wolff, 1975. Print.

Innes, Christopher. Avant Garde Theatre, 1892-1992. London: Routledge, 1993. Print.

Innes, Christopher, and C. D. Innes. Avant Garde Theatre, 1892-1992. London: Routledge, 1993. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=2091>.

J. A. Place and L. S. Peterson. ‘SOME VISUAL MOTIFS OF FILM NOIR’. Film Comment 10.1 (1974): 30–35. Web. <http://www.jstor.org/stable/43451251?seq=1#page_scan_tab_contents>.

Jameson, Fredric. The Geopolitical Aesthetic: Cinema and Space in the World System. Bloomington: Indiana University Press, 1992. Print.

Kaplan, E. Ann. Women and Film: Both Sides of the Camera. London: Routledge, 1988. Print.

---. Women and Film: Both Sides of the Camera. New York: Routledge, 1988. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3060342>.

---. Women in Film Noir. New ed. London: B.F.I., 1998. Print.

Lang, Fritz et al. ‘The Big Heat’. 2001 : n. pag. Print.

Lang, Fritz, Alfred Abel, and Brigitte Helm. ‘Metropolis’. 2010 : n. pag. Print.

---. ‘Metropolis’. 2010 : n. pag. Print.

Lang, Fritz, and Rudolf Klein-Rogge. ‘Spione = Spies’. 2005 : n. pag. Print.

Lang, Fritz, and Peter Lorre. ‘M’. 2004 : n. pag. Print.

Lang, Fritz, Otto Wernicke, and Rudolf Klein-Rogge. ‘The Testament of Dr Mabuse = Das Testament Des Dr Mabuse’. : n. pag. Print.

Laughton, Charles, Robert Mitchum, and Shelley Winters. ‘The Night of the Hunter’. : n. pag. Print.

‘Metropolis (1927)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570>.

‘---’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000FC741?bcast=116788570>.

Murnau, F. W., and Emil Jannings. ‘Faust’. : n. pag. Print.

Murnau, Friedrich Wilhelm, and Max Schreck. ‘Nosferatu’. 2000 : n. pag. Print.

Neale, S. ‘Masculinity as Spectacle’. Screen 24.6 (1983): 2–17. Web.

O’Neill, Eugene. The Hairy Ape: And Other Plays. London: Cape, 1923. Print.

Pabst, G. W. et al. ‘Diary of a Lost Girl = Das Tagebuch Einer Verlorenen’. : n. pag. Print.

Pabst, G. W., and Louise Brooks. ‘Pandora’s Box’. 2002 : n. pag. Print.

Pabst, G. W, and Greta Garbo. ‘The Joyless Street’. 1995 : n. pag. Print.

‘Paint It Black: The Family Tree of Film Noir’. Web. <https://atomicanxietyblog.files.wordpress.com/2012/09/51818818-raymond-durgnat-the-family-tree-of-the-film-noir.pdf>.

Pakula, Alan J, and Warren Beatty. ‘The Parallax View’. 2004 : n. pag. Print.

Paul Schrader. ‘Notes on Film Noir’. Film Comment 8.1 (1972): 8–13. Web. <http://www.jstor.org/stable/43752885?seq=1#page_scan_tab_contents>.

---. ‘Notes on Film Noir’. Film Comment 8.1 (1972): 8–13. Web. <http://www.jstor.org/stable/43752885?seq=1#page_scan_tab_contents>.

Pollack, Sydney, Robert Redford, and Faye Dunaway. ‘3 Days of the Condor’. 2006 : n. pag. Print.

Ritchie, J. M., and H. F. Garten. Seven Expressionist Plays: Kokoschka to Barlach. German expressionist drama. London: Calder and Boyars, 1968. Print.

Scorsese, Martin, and Robert De Niro. ‘Taxi Driver’. 2004 : n. pag. Print.

Siodmak, Robert et al. ‘The Killers’. 2008 : n. pag. Print.

‘Taxi Driver (1976)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004F3045?bcast=123286416>.

‘The Big Heat (1953)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0001FCA3?bcast=75883854>.

‘The Cabinet of Dr Caligari (1920)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004D7890?bcast=106840826>.

‘The Lady from Shanghai (1948)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000C44D3?bcast=33174758>.

‘The Manchurian Candidate (1962)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0050576F?bcast=114256435>.

Toller, Ernst, and Hermann Kesten. Seven Plays. London: John Lane, 1935. Print.

Watkins, Peter. ‘Punishment Park’. 2009 : n. pag. Print.

Welles, Orson et al. ‘The Lady from Shanghai’. : n. pag. Print.

Welles, Orson, and Charlton Heston. ‘Touch of Evil’. 2008 : n. pag. Print.

Wiene, Robert, and Werner Krauss. ‘The Cabinet of Dr Caligari’. 2000 : n. pag. Print.

Wilder, Billy et al. ‘Double Indemnity’. 2007 : n. pag. Print.