1.
Demme, LaGravanese: A Decade Under the Influence, (2003).
2.
Truffaut, F.: Shoot the Pianist, (1960).
3.
Nystrom, D.: The New Hollywood. In: The Wiley-Blackwell history of American film. Wiley-Blackwell, Malden (2012). https://doi.org/10.1002/9780470671153.wbhaf062.
4.
Arthur Penn: Bonnie and Clyde, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0, (2008).
5.
Bonnie and Clyde (1967), https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052, (2013).
6.
Mike Nichols: The Graduate, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0, (2008).
7.
The Graduate (1967), https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695, (2014).
8.
Beuka, R.: Retrospectives "Just One… ‘Plastics’”: Suburban Malaise, Masculinity, and Oedipal Drive In. Journal of Popular Film and Television. 28, 12–21 (2000). https://doi.org/10.1080/01956050009602817.
9.
Kael, P.: Bonnie and Clyde. In: Kiss Kiss Bang Bang. Calder & Boyars, London (1970).
10.
Buckland, W.: The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”. In: Tzioumakis, Y. and Kramer, P. (eds.) The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era. pp. 19–34. Bloomsbury Academic, New York (2018).
11.
Buckland, W.: The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”. In: Tzioumakis, Y. and Kramer, P. (eds.) The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era. pp. 19–34. Bloomsbury Academic, New York (2018).
12.
Dennis Hopper: Easy Rider, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0, (1969).
13.
Easy Rider (1969), https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676, (2018).
14.
Midnight Cowboy (1969), https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212, (2007).
15.
Ortega Murphy, B., Harder, J.S.: 1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies.
16.
Ray, R.B.: The Left and Right Cycles. In: A Certain Tendency of the Hollywood Cinema, 1930-1980. pp. 296–325. Princeton University Press, Princeton, N.J. (1985).
17.
The Dirty Dozen (1967), https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920, (2011).
18.
The Deer Hunter (1978), https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172, (2016).
19.
Symmons, T.: Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War. In: The New Hollywood Historical Film: 1967-78. pp. 87–124. Palgrave Macmillan, London (2016).
20.
Sylvia Shin Huey Chong: Restaging the War: ‘The Deer Hunter’ and the Primal Scene of Violence. Cinema Journal. 44, (2005).
21.
The Wild Bunch (1969), https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240, (2015).
22.
Robert Altman: McCabe and Mrs. Miller, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0, (2003).
23.
Dixon, W.: Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch. In: Sam Peckinpah’s The Wild Bunch. Cambridge University Press (1999).
24.
Wheeler, D.W.: Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s ‘The Wild Bunch’. In: Sam Peckinpah’s ‘The Wild Bunch’. pp. 155–174.
25.
Knight, D.: The Northwestern: ‘McCabe and Mrs. Miller’. In: The philosophy of the Western. University Press of Kentucky, Lexington, Ky (2010).
26.
Knight, D.: The Northwestern: ‘McCabe and Mrs. Miller’. In: The Philosophy of the Western. pp. 241–257. University Press of Kentucky, Lexington, Ky (2010).
27.
Sweet Sweetback’s Baadasssss Song, (1971).
28.
Silver, J.M.: Hester Street | Kanopy, https://rhul.kanopy.com/video/hester-street, (1975).
29.
Benjamin Wiggins: ‘You Talkin’ Revolution, Sweetback’: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking. Black Camera. 4, 28–52 (2012).
30.
Diner, H.: The Right Film at the Right Time: Hester Street as a Reflection of Its Era. In: The modern Jewish experience in world cinema. pp. 98–105. Brandeis University Press, Waltham, Mass (2011).
31.
Roman Polanski: Chinatown, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0, (2007).
32.
Polanski, R.: Chinatown | Box of Broadcasts, https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718, (1974).
33.
Francis Ford Coppola: The Conversation, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0.
34.
The Conversation (1974), https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187, (2012).
35.
Patzig, J.: The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor, http://web.fu-berlin.de/phin/phin40/p40t2.htm.
36.
Alan J Pakula: Klute, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0, (2002).
37.
Klute (1971), https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715, (2015).
38.
Martin Scorsese: Taxi Driver, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0, (2004).
39.
Taxi Driver (1976), https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069, (2015).
40.
Corkin, S.: Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976). In: Starring New York: Filming the Grime and the Glamour of the Long 1970s. pp. 134–161. Oxford University Press, New York (2011).
41.
Webb, L.: Cinema and Crisis in the Entrepreneurial City. In: The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City. Amsterdam University Press, Amsterdam (2014).
42.
Webb, L.: Cinema and Crisis in the Entrepreneurial City. In: The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City. Amsterdam University Press, Amsterdam, NETHERLANDS (2014).
43.
Arthur Penn: Night Moves, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0, (2005).
44.
John G Avildsen: Rocky, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank, (2007).
45.
Rocky (1976), https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508, (2013).
46.
Elsaesser, T.: The Pathos of Failure: Notes on the Unmotivated Hero. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. pp. 279–292. Amsterdam University Press, Amsterdam (2004).
47.
Elsaesser, T.: The Pathos of Failure: Notes on the Unmotivated Hero. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. pp. 279–292. Amsterdam University Press, Amsterdam (2004).
48.
Motley, C.: Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism. Film & History: An Interdisciplinary Journal of Film and Television Studies. 35, 60–66 (2005). https://doi.org/10.1353/flm.2005.0051.
49.
William Friedkin: The Exorcist, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0, (1999).
50.
The Exorcist (1973), https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444, (2012).
51.
Steven Spielberg: Jaws, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0, (2005).
52.
Jaws (1975), https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543, (2018).
53.
Kellner, D., Ryan, M.: Crisis Films. In: Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. pp. 49–65. Indiana University Press, Bloomington (1990).
54.
George Lucas: American Graffiti, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0, (2003).
55.
Lucas, G.: American Graffiti | Box of Broadcasts, https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096, (1973).
56.
Warren Beatty: Reds, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0, (2007).
57.
Reds (1981), https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518, (2010).
58.
Langford, B.: American Graffiti. In: America first: naming the nation in US film. pp. 157–176. Routledge, London (2007).
59.
Langford, B.: American Graffiti. In: America First: Naming the Nation in Us Film. pp. 157–176. Routledge, London (2007).
60.
Corrigan, T.: Auteurs and the New Hollywood. In: The New American Cinema. pp. 38–63. Duke University Press, Durham (1998).