Bibliography for MA3014: The Hollywood Renaissance 1966 - 1981 BETA

Alan J Pakula. 2002. ‘Klute’. S.l.: Warner Home Video. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0.

Arthur Penn. 2005. ‘Night Moves’. S.l.: Warner Home Video. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0.

———. 2008. ‘Bonnie and Clyde’. Warner Bros. Entertainment Inc. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0.

Benjamin Wiggins. 2012. ‘“You Talkin’ Revolution, Sweetback”: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking’. Black Camera 4 (1): 28–52. https://muse.jhu.edu/article/488215.

Beuka, Robert. 2000. ‘Retrospectives "Just One… “Plastics””: Suburban Malaise, Masculinity, and Oedipal Drive In’. Journal of Popular Film and Television 28 (1): 12–21. https://doi.org/10.1080/01956050009602817.

‘Bonnie and Clyde (1967)’. 2013. ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052.

Buckland, Warren. 2018a. ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’. In The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, edited by Yannis Tzioumakis and Peter Kramer, 19–34. New York: Bloomsbury Academic.

———. 2018b. ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’. In The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, edited by Yannis Tzioumakis and Peter Kramer, 19–34. New York: Bloomsbury Academic. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501337901.

Corkin, Stanley. 2011. ‘Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976)’. In Starring New York: Filming the Grime and the Glamour of the Long 1970s, 134–61. New York: Oxford University Press.

Corrigan, Timothy. 1998. ‘Auteurs and the New Hollywood’. In The New American Cinema, 38–63. Durham: Duke University Press. http://catdir.loc.gov/catdir/toc/fy035/97035210.html.

Demme, and LaGravanese. 2003. ‘A Decade Under the Influence’.

Dennis Hopper. 1969. ‘Easy Rider’. S.l.: Columbia Tristar, 1999. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0.

Diner, Hasia. 2011. ‘The Right Film at the Right Time: Hester Street as a Reflection of Its Era’. In The Modern Jewish Experience in World Cinema, 98–105. Waltham, Mass: Brandeis University Press.

Dixon, Wheeler. 1999. ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch’. In Sam Peckinpah’s The Wild Bunch. Cambridge University Press.

‘Easy Rider (1969)’. 2018. 5Spike. https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676.

Elsaesser, Thomas. 2004a. ‘The Pathos of Failure: Notes on the Unmotivated Hero’. In The Last Great American Picture Show: New Hollywood Cinema in the 1970s, 279–92. Amsterdam: Amsterdam University Press.

———. 2004b. ‘The Pathos of Failure: Notes on the Unmotivated Hero’. In The Last Great American Picture Show: New Hollywood Cinema in the 1970s, 279–92. Amsterdam: Amsterdam University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681.

Francis Ford Coppola. n.d. ‘The Conversation’. S.l.: Buena Vista. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0.

George Lucas. 2003. ‘American Graffiti’. S.l.: Universal. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0.

‘Jaws (1975)’. 2018. ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543.

John G Avildsen. 2007. ‘Rocky’. S.l.: MGM Home Entertainment. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank.

Kael, Pauline. 1970. ‘Bonnie and Clyde’. In Kiss Kiss Bang Bang. London: Calder & Boyars.

Kellner, Douglas, and Michael Ryan. 1990. ‘Crisis Films’. In Camera Politica: The Politics and Ideology of Contemporary Hollywood Film, 49–65. Bloomington: Indiana University Press.

‘Klute (1971)’. 2015. BBC1 London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715.

Knight, Deborah. 2010a. ‘The Northwestern: “McCabe and Mrs. Miller”’. In The Philosophy of the Western. Lexington, Ky: University Press of Kentucky.

———. 2010b. ‘The Northwestern: “McCabe and Mrs. Miller”’. In The Philosophy of the Western, 241–57. Lexington, Ky: University Press of Kentucky. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780813173856.

Langford, Barry. 2007a. ‘American Graffiti’. In America First: Naming the Nation in US Film, 157–76. London: Routledge.

———. 2007b. ‘American Graffiti’. In America First: Naming the Nation in Us Film, 157–76. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203605912.

Lucas, George. 1973. ‘American Graffiti | Box of Broadcasts’. https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096.

Martin Scorsese. 2004. ‘Taxi Driver’. S.l.: Columbia Tristar. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0.

‘Midnight Cowboy (1969)’. 2007. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212.

Mike Nichols. 2008. ‘The Graduate’. S.l.: Optimum Releasing. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0.

Motley, Clay. 2005. ‘Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism’. Film & History: An Interdisciplinary Journal of Film and Television Studies 35 (2): 60–66. https://doi.org/10.1353/flm.2005.0051.

Nystrom, Derek. 2012. ‘The New Hollywood’. In The Wiley-Blackwell History of American Film. Malden: Wiley-Blackwell. https://doi.org/10.1002/9780470671153.wbhaf062.

Ortega Murphy, Bren, and Jeffery Scott Harder. 1993. ‘1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies’. Canadian Review of American Studies. 1993.

Patzig, Johannes. 2007. ‘The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor’. PhiN: Philologie Im Netz. 2007. http://web.fu-berlin.de/phin/phin40/p40t2.htm.

Polanski, Roman. 1974. ‘Chinatown | Box of Broadcasts’. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718.

Ray, Robert B. 1985. ‘The Left and Right Cycles’. In A Certain Tendency of the Hollywood Cinema, 1930-1980, 296–325. Princeton, N.J.: Princeton University Press. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129853910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,A%20Certain%20Tendency%20of%20the%20Hollywood%20Cinema,%201930-1980&sortby=rank&offset=0.

‘Reds (1981)’. 2010. ITV3. https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518.

Robert Altman. 2003. ‘McCabe and Mrs. Miller’. Warner Brothers. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0.

‘Rocky (1976)’. 2013. Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508.

Roman Polanski. 2007. ‘Chinatown’. S.l.: Paramount. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0.

Silver, Joan Micklin. 1975. ‘Hester Street | Kanopy’. https://rhul.kanopy.com/video/hester-street.

Steven Spielberg. 2005. ‘Jaws’. S.l.: Universal. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0.

‘Sweet Sweetback’s Baadasssss Song’. 1971.

Sylvia Shin Huey Chong. 2005. ‘Restaging the War: “The Deer Hunter” and the Primal Scene of Violence’. Cinema Journal 44 (2). https://www.jstor.org/stable/3661096?seq=1#metadata_info_tab_contents.

Symmons, Tom. 2016. ‘Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War’. In The New Hollywood Historical Film: 1967-78, 87–124. London: Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529305.

‘Taxi Driver (1976)’. 2015. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069.

‘The Conversation (1974)’. 2012. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187.

‘The Deer Hunter (1978)’. 2016. ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172.

‘The Dirty Dozen (1967)’. 2011. ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920.

‘The Exorcist (1973)’. 2012. ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444.

‘The Graduate (1967)’. 2014. ITV3. https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695.

‘The Wild Bunch (1969)’. 2015. ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240.

Truffaut, François. 1960. ‘Shoot the Pianist’.

Warren Beatty. 2007. ‘Reds’. S.l.: Paramount. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0.

Webb, Lawrence. 2014a. ‘Cinema and Crisis in the Entrepreneurial City’. In The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City. Vol. 4. Amsterdam: Amsterdam University Press.

———. 2014b. ‘Cinema and Crisis in the Entrepreneurial City’. In The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City. Amsterdam, NETHERLANDS: Amsterdam University Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1901123.

Wheeler, Dixon W. n.d. ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s “The Wild Bunch”’. In Sam Peckinpah’s ‘The Wild Bunch’, 155–74. https://hdl.handle.net/2027/fulcrum.w6634404z.

William Friedkin. 1999. ‘The Exorcist’. S.l.: Warner. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0.