[1]
Demme and LaGravanese, ‘A Decade Under the Influence’. 2003.
[2]
F. Truffaut, ‘Shoot the Pianist’. 1960.
[3]
D. Nystrom, ‘The New Hollywood’, in The Wiley-Blackwell history of American film, Malden: Wiley-Blackwell, 2012 [Online]. Available: http://doi.wiley.com/10.1002/9780470671153.wbhaf062
[4]
Arthur Penn, ‘Bonnie and Clyde’. Warner Bros. Entertainment Inc., 2008 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0
[5]
‘Bonnie and Clyde (1967)’. ITV London, 2013 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052
[6]
Mike Nichols, ‘The Graduate’. Optimum Releasing, S.l., 2008 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0
[7]
‘The Graduate (1967)’. ITV3, 2014 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695
[8]
R. Beuka, ‘Retrospectives "Just One… “Plastics””: Suburban Malaise, Masculinity, and Oedipal Drive In’, Journal of Popular Film and Television, vol. 28, no. 1, pp. 12–21, 2000, doi: 10.1080/01956050009602817.
[9]
P. Kael, ‘Bonnie and Clyde’, in Kiss Kiss Bang Bang, London: Calder & Boyars, 1970.
[10]
W. Buckland, ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, Y. Tzioumakis and P. Kramer, Eds. New York: Bloomsbury Academic, 2018, pp. 19–34.
[11]
W. Buckland, ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, Y. Tzioumakis and P. Kramer, Eds. New York: Bloomsbury Academic, 2018, pp. 19–34 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501337901
[12]
Dennis Hopper, ‘Easy Rider’. Columbia Tristar, 1999., S.l., 1969 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0
[13]
‘Easy Rider (1969)’. 5Spike, 2018 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676
[14]
‘Midnight Cowboy (1969)’. Channel 4, 2007 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212
[15]
B. Ortega Murphy and J. S. Harder, ‘1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies’, Canadian Review of American Studies, 1993. .
[16]
R. B. Ray, ‘The Left and Right Cycles’, in A Certain Tendency of the Hollywood Cinema, 1930-1980, Princeton, N.J.: Princeton University Press, 1985, pp. 296–325 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129853910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,A%20Certain%20Tendency%20of%20the%20Hollywood%20Cinema,%201930-1980&sortby=rank&offset=0
[17]
‘The Dirty Dozen (1967)’. ITV4, 2011 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920
[18]
‘The Deer Hunter (1978)’. ITV4, 2016 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172
[19]
T. Symmons, ‘Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War’, in The New Hollywood Historical Film: 1967-78, London: Palgrave Macmillan, 2016, pp. 87–124 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529305
[20]
Sylvia Shin Huey Chong, ‘Restaging the War: “The Deer Hunter” and the Primal Scene of Violence’, Cinema Journal, vol. 44, no. 2, 2005 [Online]. Available: https://www.jstor.org/stable/3661096?seq=1#metadata_info_tab_contents
[21]
‘The Wild Bunch (1969)’. ITV4, 2015 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240
[22]
Robert Altman, ‘McCabe and Mrs. Miller’. Warner Brothers, 2003 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0
[23]
W. Dixon, ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch’, in Sam Peckinpah’s The Wild Bunch, Cambridge University Press, 1999.
[24]
D. W. Wheeler, ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s “The Wild Bunch”’, in Sam Peckinpah’s ‘The Wild Bunch’, pp. 155–174 [Online]. Available: https://hdl.handle.net/2027/fulcrum.w6634404z
[25]
D. Knight, ‘The Northwestern: “McCabe and Mrs. Miller”’, in The philosophy of the Western, Lexington, Ky: University Press of Kentucky, 2010.
[26]
D. Knight, ‘The Northwestern: “McCabe and Mrs. Miller”’, in The Philosophy of the Western, Lexington, Ky: University Press of Kentucky, 2010, pp. 241–257 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780813173856
[27]
‘Sweet Sweetback’s Baadasssss Song’. 1971.
[28]
J. M. Silver, ‘Hester Street | Kanopy’. 1975 [Online]. Available: https://rhul.kanopy.com/video/hester-street
[29]
Benjamin Wiggins, ‘“You Talkin’ Revolution, Sweetback”: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking’, Black Camera, vol. 4, no. 1, pp. 28–52, 2012 [Online]. Available: https://muse.jhu.edu/article/488215
[30]
H. Diner, ‘The Right Film at the Right Time: Hester Street as a Reflection of Its Era’, in The modern Jewish experience in world cinema, Waltham, Mass: Brandeis University Press, 2011, pp. 98–105.
[31]
Roman Polanski, ‘Chinatown’. Paramount, S.l., 2007 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0
[32]
R. Polanski, ‘Chinatown | Box of Broadcasts’. 1974 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718
[33]
Francis Ford Coppola, ‘The Conversation’. Buena Vista., S.l. [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0
[34]
‘The Conversation (1974)’. FilmFour, 2012 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187
[35]
J. Patzig, ‘The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor’, PhiN: Philologie im Netz, 2007. [Online]. Available: http://web.fu-berlin.de/phin/phin40/p40t2.htm
[36]
Alan J Pakula, ‘Klute’. Warner Home Video, S.l., 2002 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0
[37]
‘Klute (1971)’. BBC1 London, 2015 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715
[38]
Martin Scorsese, ‘Taxi Driver’. Columbia Tristar, S.l., 2004 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0
[39]
‘Taxi Driver (1976)’. FilmFour, 2015 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069
[40]
S. Corkin, ‘Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976)’, in Starring New York: Filming the Grime and the Glamour of the Long 1970s, New York: Oxford University Press, 2011, pp. 134–161.
[41]
L. Webb, ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City, vol. 4, Amsterdam: Amsterdam University Press, 2014.
[42]
L. Webb, ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City, Amsterdam, NETHERLANDS: Amsterdam University Press, 2014 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1901123
[43]
Arthur Penn, ‘Night Moves’. Warner Home Video, S.l., 2005 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0
[44]
John G Avildsen, ‘Rocky’. MGM Home Entertainment, S.l., 2007 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank
[45]
‘Rocky (1976)’. Channel 5, 2013 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508
[46]
T. Elsaesser, ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s, Amsterdam: Amsterdam University Press, 2004, pp. 279–292.
[47]
T. Elsaesser, ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s, Amsterdam: Amsterdam University Press, 2004, pp. 279–292 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681
[48]
C. Motley, ‘Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism’, Film & History: An Interdisciplinary Journal of Film and Television Studies, vol. 35, no. 2, pp. 60–66, 2005, doi: 10.1353/flm.2005.0051.
[49]
William Friedkin, ‘The Exorcist’. Warner, S.l., 1999 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0
[50]
‘The Exorcist (1973)’. ITV4, 2012 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444
[51]
Steven Spielberg, ‘Jaws’. Universal, S.l., 2005 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0
[52]
‘Jaws (1975)’. ITV London, 2018 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543
[53]
D. Kellner and M. Ryan, ‘Crisis Films’, in Camera Politica: The Politics and Ideology of Contemporary Hollywood Film, Bloomington: Indiana University Press, 1990, pp. 49–65.
[54]
George Lucas, ‘American Graffiti’. Universal, S.l., 2003 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0
[55]
G. Lucas, ‘American Graffiti | Box of Broadcasts’. 1973 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096
[56]
Warren Beatty, ‘Reds’. Paramount, S.l., 2007 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0
[57]
‘Reds (1981)’. ITV3, 2010 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518
[58]
B. Langford, ‘American Graffiti’, in America first: naming the nation in US film, London: Routledge, 2007, pp. 157–176.
[59]
B. Langford, ‘American Graffiti’, in America First: Naming the Nation in Us Film, London: Routledge, 2007, pp. 157–176 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203605912
[60]
T. Corrigan, ‘Auteurs and the New Hollywood’, in The New American Cinema, Durham: Duke University Press, 1998, pp. 38–63 [Online]. Available: http://catdir.loc.gov/catdir/toc/fy035/97035210.html