Alan J Pakula. (2002). Klute. Warner Home Video. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0
Arthur Penn. (2005). Night Moves. Warner Home Video. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0
Arthur Penn. (2008). Bonnie and Clyde. Warner Bros. Entertainment Inc. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0
Benjamin Wiggins. (2012). ‘You Talkin’ Revolution, Sweetback’: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking. Black Camera, 4(1), 28–52. https://muse.jhu.edu/article/488215
Beuka, R. (2000). Retrospectives "Just One… ‘Plastics’”: Suburban Malaise, Masculinity, and Oedipal Drive In. Journal of Popular Film and Television, 28(1), 12–21. https://doi.org/10.1080/01956050009602817
Bonnie and Clyde (1967). (2013). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052
Buckland, W. (2018a). The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”. In Y. Tzioumakis & P. Kramer (Eds.), The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era (pp. 19–34). Bloomsbury Academic.
Buckland, W. (2018b). The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”. In Y. Tzioumakis & P. Kramer (Eds.), The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era (pp. 19–34). Bloomsbury Academic. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501337901
Corkin, S. (2011). Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976). In Starring New York: Filming the Grime and the Glamour of the Long 1970s (pp. 134–161). Oxford University Press.
Corrigan, T. (1998). Auteurs and the New Hollywood. In The New American Cinema (pp. 38–63). Duke University Press. http://catdir.loc.gov/catdir/toc/fy035/97035210.html
Demme, & LaGravanese. (2003). A Decade Under the Influence.
Dennis Hopper. (1969). Easy Rider. Columbia Tristar, 1999. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0
Diner, H. (2011). The Right Film at the Right Time: Hester Street as a Reflection of Its Era. In The modern Jewish experience in world cinema (pp. 98–105). Brandeis University Press.
Dixon, W. (1999). Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch. In Sam Peckinpah’s The Wild Bunch. Cambridge University Press.
Easy Rider (1969). (2018). 5Spike. https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676
Elsaesser, T. (2004a). The Pathos of Failure: Notes on the Unmotivated Hero. In The Last Great American Picture Show: New Hollywood Cinema in the 1970s (pp. 279–292). Amsterdam University Press.
Elsaesser, T. (2004b). The Pathos of Failure: Notes on the Unmotivated Hero. In The Last Great American Picture Show: New Hollywood Cinema in the 1970s (pp. 279–292). Amsterdam University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681
Francis Ford Coppola. (n.d.). The Conversation. Buena Vista. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0
George Lucas. (2003). American Graffiti. Universal. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0
Jaws (1975). (2018). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543
John G Avildsen. (2007). Rocky. MGM Home Entertainment. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank
Kael, P. (1970). Bonnie and Clyde. In Kiss Kiss Bang Bang. Calder & Boyars.
Kellner, D., & Ryan, M. (1990). Crisis Films. In Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (pp. 49–65). Indiana University Press.
Klute (1971). (2015). BBC1 London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715
Knight, D. (2010a). The Northwestern: ‘McCabe and Mrs. Miller’. In The philosophy of the Western. University Press of Kentucky.
Knight, D. (2010b). The Northwestern: ‘McCabe and Mrs. Miller’. In The Philosophy of the Western (pp. 241–257). University Press of Kentucky. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780813173856
Langford, B. (2007a). American Graffiti. In America first: naming the nation in US film (pp. 157–176). Routledge.
Langford, B. (2007b). American Graffiti. In America First: Naming the Nation in Us Film (pp. 157–176). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203605912
Lucas, G. (1973). American Graffiti | Box of Broadcasts. https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096
Martin Scorsese. (2004). Taxi Driver. Columbia Tristar. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0
Midnight Cowboy (1969). (2007). Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212
Mike Nichols. (2008). The Graduate. Optimum Releasing. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0
Motley, C. (2005). Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism. Film & History: An Interdisciplinary Journal of Film and Television Studies, 35(2), 60–66. https://doi.org/10.1353/flm.2005.0051
Nystrom, D. (2012). The New Hollywood. In The Wiley-Blackwell history of American film. Wiley-Blackwell. https://doi.org/10.1002/9780470671153.wbhaf062
Ortega Murphy, B., & Harder, J. S. (1993). 1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies. Canadian Review of American Studies.
Patzig, J. (2007). The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor. PhiN: Philologie Im Netz. http://web.fu-berlin.de/phin/phin40/p40t2.htm
Polanski, R. (1974). Chinatown | Box of Broadcasts. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718
Ray, R. B. (1985). The Left and Right Cycles. In A Certain Tendency of the Hollywood Cinema, 1930-1980 (pp. 296–325). Princeton University Press. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129853910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,A%20Certain%20Tendency%20of%20the%20Hollywood%20Cinema,%201930-1980&sortby=rank&offset=0
Reds (1981). (2010). ITV3. https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518
Robert Altman. (2003). McCabe and Mrs. Miller. Warner Brothers. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0
Rocky (1976). (2013). Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508
Roman Polanski. (2007). Chinatown. Paramount. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0
Silver, J. M. (1975). Hester Street | Kanopy. https://rhul.kanopy.com/video/hester-street
Steven Spielberg. (2005). Jaws. Universal. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0
Sweet Sweetback’s Baadasssss Song. (1971).
Sylvia Shin Huey Chong. (2005). Restaging the War: ‘The Deer Hunter’ and the Primal Scene of Violence. Cinema Journal, 44(2). https://www.jstor.org/stable/3661096?seq=1#metadata_info_tab_contents
Symmons, T. (2016). Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War. In The New Hollywood Historical Film: 1967-78 (pp. 87–124). Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529305
Taxi Driver (1976). (2015). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069
The Conversation (1974). (2012). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187
The Deer Hunter (1978). (2016). ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172
The Dirty Dozen (1967). (2011). ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920
The Exorcist (1973). (2012). ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444
The Graduate (1967). (2014). ITV3. https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695
The Wild Bunch (1969). (2015). ITV4. https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240
Truffaut, F. (1960). Shoot the Pianist.
Warren Beatty. (2007). Reds. Paramount. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0
Webb, L. (2014a). Cinema and Crisis in the Entrepreneurial City. In The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City (Vol. 4). Amsterdam University Press.
Webb, L. (2014b). Cinema and Crisis in the Entrepreneurial City. In The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City. Amsterdam University Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1901123
Wheeler, D. W. (n.d.). Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s ‘The Wild Bunch’. In Sam Peckinpah’s ‘The Wild Bunch’ (pp. 155–174). https://hdl.handle.net/2027/fulcrum.w6634404z
William Friedkin. (1999). The Exorcist. Warner. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0
