Alan J Pakula, Klute, Warner Home Video, 2002 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0>
Arthur Penn, Bonnie and Clyde, Warner Bros. Entertainment Inc., 2008 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0>
——, Night Moves, Warner Home Video, 2005 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0>
Benjamin Wiggins, ‘“You Talkin’ Revolution, Sweetback”: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking’, Black Camera, 4.1 (2012), pp. 28–52 <https://muse.jhu.edu/article/488215>
Beuka, Robert, ‘Retrospectives "Just One… “Plastics””: Suburban Malaise, Masculinity, and Oedipal Drive In’, Journal of Popular Film and Television, 28.1 (2000), pp. 12–21, doi:10.1080/01956050009602817
Bonnie and Clyde (1967), ITV London, 2013 <https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052>
Buckland, Warren, ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, ed. by Yannis Tzioumakis and Peter Kramer (Bloomsbury Academic, 2018), pp. 19–34
——, ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, ed. by Yannis Tzioumakis and Peter Kramer (Bloomsbury Academic, 2018), pp. 19–34 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501337901>
Corkin, Stanley, ‘Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976)’, in Starring New York: Filming the Grime and the Glamour of the Long 1970s (Oxford University Press, 2011), pp. 134–61
Corrigan, Timothy, ‘Auteurs and the New Hollywood’, in The New American Cinema (Duke University Press, 1998), pp. 38–63 <http://catdir.loc.gov/catdir/toc/fy035/97035210.html>
Demme, and LaGravanese, A Decade Under the Influence, 2003
Dennis Hopper, Easy Rider, Columbia Tristar, 1999., 1969 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0>
Diner, Hasia, ‘The Right Film at the Right Time: Hester Street as a Reflection of Its Era’, in The Modern Jewish Experience in World Cinema (Brandeis University Press, 2011), pp. 98–105
Dixon, Wheeler, ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch’, in Sam Peckinpah’s The Wild Bunch (Cambridge University Press, 1999)
Easy Rider (1969), 5Spike, 2018 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676>
Elsaesser, Thomas, ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press, 2004), pp. 279–92
——, ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press, 2004), pp. 279–92 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681>
Francis Ford Coppola, The Conversation, Buena Vista., n.d. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0>
George Lucas, American Graffiti, Universal, 2003 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0>
Jaws (1975), ITV London, 2018 <https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543>
John G Avildsen, Rocky, MGM Home Entertainment, 2007 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank>
Kael, Pauline, ‘Bonnie and Clyde’, in Kiss Kiss Bang Bang (Calder & Boyars, 1970)
Kellner, Douglas, and Michael Ryan, ‘Crisis Films’, in Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (Indiana University Press, 1990), pp. 49–65
Klute (1971), BBC1 London, 2015 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715>
Knight, Deborah, ‘The Northwestern: “McCabe and Mrs. Miller”’, in The Philosophy of the Western (University Press of Kentucky, 2010)
——, ‘The Northwestern: “McCabe and Mrs. Miller”’, in The Philosophy of the Western (University Press of Kentucky, 2010), pp. 241–57 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780813173856>
Langford, Barry, ‘American Graffiti’, in America First: Naming the Nation in US Film (Routledge, 2007), pp. 157–76
——, ‘American Graffiti’, in America First: Naming the Nation in Us Film (Routledge, 2007), pp. 157–76 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203605912>
Lucas, George, American Graffiti | Box of Broadcasts, 1973 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096>
Martin Scorsese, Taxi Driver, Columbia Tristar, 2004 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0>
Midnight Cowboy (1969), Channel 4, 2007 <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212>
Mike Nichols, The Graduate, Optimum Releasing, 2008 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0>
Motley, Clay, ‘Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism’, Film & History: An Interdisciplinary Journal of Film and Television Studies, 35.2 (2005), pp. 60–66, doi:10.1353/flm.2005.0051
Nystrom, Derek, ‘The New Hollywood’, in The Wiley-Blackwell History of American Film (Wiley-Blackwell, 2012), doi:10.1002/9780470671153.wbhaf062
Ortega Murphy, Bren, and Jeffery Scott Harder, ‘1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies’, Canadian Review of American Studies, 1993, xxiii
Patzig, Johannes, ‘The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor’, PhiN: Philologie Im Netz, 2007, xl, pp. 32–66 <http://web.fu-berlin.de/phin/phin40/p40t2.htm>
Polanski, Roman, Chinatown | Box of Broadcasts, 1974 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718>
Ray, Robert B, ‘The Left and Right Cycles’, in A Certain Tendency of the Hollywood Cinema, 1930-1980 (Princeton University Press, 1985), pp. 296–325 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129853910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,A%20Certain%20Tendency%20of%20the%20Hollywood%20Cinema,%201930-1980&sortby=rank&offset=0>
Reds (1981), ITV3, 2010 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518>
Robert Altman, McCabe and Mrs. Miller, Warner Brothers, 2003 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0>
Rocky (1976), Channel 5, 2013 <https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508>
Roman Polanski, Chinatown, Paramount, 2007 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0>
Silver, Joan Micklin, Hester Street | Kanopy, 1975 <https://rhul.kanopy.com/video/hester-street>
Steven Spielberg, Jaws, Universal, 2005 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0>
Sweet Sweetback’s Baadasssss Song, 1971
Sylvia Shin Huey Chong, ‘Restaging the War: “The Deer Hunter” and the Primal Scene of Violence’, Cinema Journal, 44.2 (2005) <https://www.jstor.org/stable/3661096?seq=1#metadata_info_tab_contents>
Symmons, Tom, ‘Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War’, in The New Hollywood Historical Film: 1967-78 (Palgrave Macmillan, 2016), pp. 87–124 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529305>
Taxi Driver (1976), FilmFour, 2015 <https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069>
The Conversation (1974), FilmFour, 2012 <https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187>
The Deer Hunter (1978), ITV4, 2016 <https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172>
The Dirty Dozen (1967), ITV4, 2011 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920>
The Exorcist (1973), ITV4, 2012 <https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444>
The Graduate (1967), ITV3, 2014 <https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695>
The Wild Bunch (1969), ITV4, 2015 <https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240>
Truffaut, François, Shoot the Pianist, 1960
Warren Beatty, Reds, Paramount, 2007 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0>
Webb, Lawrence, ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City (Amsterdam University Press, 2014), iv
——, ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City (Amsterdam University Press, 2014) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1901123>
Wheeler, Dixon W, ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s “The Wild Bunch”’, in Sam Peckinpah’s ‘The Wild Bunch’ (n.d.), pp. 155–74 <https://hdl.handle.net/2027/fulcrum.w6634404z>
William Friedkin, The Exorcist, Warner, 1999 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0>
