Alan J Pakula, ‘Klute’ (S.l.: Warner Home Video, 2002) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131438920002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Klute&sortby=rank&offset=0>
Arthur Penn, ‘Bonnie and Clyde’ (Warner Bros. Entertainment Inc., 2008) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130161950002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Bonnie%20and%20Clyde&sortby=rank&offset=0>
———, ‘Night Moves’ (S.l.: Warner Home Video, 2005) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129273720002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Night%20Moves&sortby=rank&offset=0>
Benjamin Wiggins, ‘“You Talkin’ Revolution, Sweetback”: On Sweet Sweetback’s Baadasssss Song and Revolutionary Filmmaking’, Black Camera, 4.1 (2012), 28–52 <https://muse.jhu.edu/article/488215>
Beuka, Robert, ‘Retrospectives "Just One… “Plastics””: Suburban Malaise, Masculinity, and Oedipal Drive In’, Journal of Popular Film and Television, 28.1 (2000), 12–21 <https://doi.org/10.1080/01956050009602817>
‘Bonnie and Clyde (1967)’ (ITV London, 2013) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000C1B87?bcast=93033052>
Buckland, Warren, ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, ed. by Yannis Tzioumakis and Peter Kramer (New York: Bloomsbury Academic, 2018), pp. 19–34
———, ‘The Film Editors Who Invented the Hollywood Renaissance: Ralph Rosenblum, Sam O’Steen and Dede Allen’s Bonnie and Clyde (1967)”’, in The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era, ed. by Yannis Tzioumakis and Peter Kramer (New York: Bloomsbury Academic, 2018), pp. 19–34 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501337901>
Corkin, Stanley, ‘Vigilance!: Death Wish (1974), Taxidriver (1976), and Marathon Man (1976)’, in Starring New York: Filming the Grime and the Glamour of the Long 1970s (New York: Oxford University Press, 2011), pp. 134–61
Corrigan, Timothy, ‘Auteurs and the New Hollywood’, in The New American Cinema (Durham: Duke University Press, 1998), pp. 38–63 <http://catdir.loc.gov/catdir/toc/fy035/97035210.html>
Demme, and LaGravanese, ‘A Decade Under the Influence’, 2003
Dennis Hopper, ‘Easy Rider’ (S.l.: Columbia Tristar, 1999., 1969) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131446220002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Easy%20Rider&sortby=rank&offset=0>
Diner, Hasia, ‘The Right Film at the Right Time: Hester Street as a Reflection of Its Era’, in The Modern Jewish Experience in World Cinema (Waltham, Mass: Brandeis University Press, 2011), pp. 98–105
Dixon, Wheeler, ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s The Wild Bunch’, in Sam Peckinpah’s The Wild Bunch (Cambridge University Press, 1999)
‘Easy Rider (1969)’ (5Spike, 2018) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0009B86D?bcast=126755676>
Elsaesser, Thomas, ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2004), pp. 279–92
———, ‘The Pathos of Failure: Notes on the Unmotivated Hero’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2004), pp. 279–92 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789048503681>
Francis Ford Coppola, ‘The Conversation’ (S.l.: Buena Vista.) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123496330002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,The%20Conversation&sortby=rank&offset=0>
George Lucas, ‘American Graffiti’ (S.l.: Universal, 2003) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2131736680002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,American%20Graffiti&sortby=rank&offset=0>
‘Jaws (1975)’ (ITV London, 2018) <https://learningonscreen.ac.uk/ondemand/index.php/prog/01695B5D?bcast=128033543>
John G Avildsen, ‘Rocky’ (S.l.: MGM Home Entertainment, 2007) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127112870002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,Rocky&sortby=rank>
Kael, Pauline, ‘Bonnie and Clyde’, in Kiss Kiss Bang Bang (London: Calder & Boyars, 1970)
Kellner, Douglas, and Michael Ryan, ‘Crisis Films’, in Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (Bloomington: Indiana University Press, 1990), pp. 49–65
‘Klute (1971)’ (BBC1 London, 2015) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0008244F?bcast=114862715>
Knight, Deborah, ‘The Northwestern: “McCabe and Mrs. Miller”’, in The Philosophy of the Western (Lexington, Ky: University Press of Kentucky, 2010)
———, ‘The Northwestern: “McCabe and Mrs. Miller”’, in The Philosophy of the Western (Lexington, Ky: University Press of Kentucky, 2010), pp. 241–57 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780813173856>
Langford, Barry, ‘American Graffiti’, in America First: Naming the Nation in US Film (London: Routledge, 2007), pp. 157–76
———, ‘American Graffiti’, in America First: Naming the Nation in Us Film (London: Routledge, 2007), pp. 157–76 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203605912>
Lucas, George, ‘American Graffiti | Box of Broadcasts’, 1973 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0009E039?bcast=88628096>
Martin Scorsese, ‘Taxi Driver’ (S.l.: Columbia Tristar, 2004) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122639310002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Taxi%20Driver&sortby=rank&offset=0>
‘Midnight Cowboy (1969)’ (Channel 4, 2007) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B58EB?bcast=28012212>
Mike Nichols, ‘The Graduate’ (S.l.: Optimum Releasing, 2008) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122678100002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20graduate&sortby=rank&offset=0>
Motley, Clay, ‘Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism’, Film & History: An Interdisciplinary Journal of Film and Television Studies, 35.2 (2005), 60–66 <https://doi.org/10.1353/flm.2005.0051>
Nystrom, Derek, ‘The New Hollywood’, in The Wiley-Blackwell History of American Film (Malden: Wiley-Blackwell, 2012) <https://doi.org/10.1002/9780470671153.wbhaf062>
Ortega Murphy, Bren, and Jeffery Scott Harder, ‘1960s Counterculture and the Legacy of American Myth: A Study of Three Films | Canadian Review of American Studies’, Canadian Review of American Studies, 1993
Patzig, Johannes, ‘The Crisis of Americanism in Hollywood’s Paranoia Films of the 1970s: The Conversation, Chinatown and Three Days of the Condor’, PhiN: Philologie Im Netz, 2007, 32–66 <http://web.fu-berlin.de/phin/phin40/p40t2.htm>
Polanski, Roman, ‘Chinatown | Box of Broadcasts’, 1974 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EA1A?bcast=124626718>
Ray, Robert B, ‘The Left and Right Cycles’, in A Certain Tendency of the Hollywood Cinema, 1930-1980 (Princeton, N.J.: Princeton University Press, 1985), pp. 296–325 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2129853910002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,A%20Certain%20Tendency%20of%20the%20Hollywood%20Cinema,%201930-1980&sortby=rank&offset=0>
‘Reds (1981)’ (ITV3, 2010) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0019D28E?bcast=55433518>
Robert Altman, ‘McCabe and Mrs. Miller’ (Warner Brothers, 2003) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130174770002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,McCabe%20&%20Mrs%20Miller,AND&sortby=rank&mode=advanced&offset=0>
‘Rocky (1976)’ (Channel 5, 2013) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000A09B9?bcast=94323508>
Roman Polanski, ‘Chinatown’ (S.l.: Paramount, 2007) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2124607250002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Chinatown&sortby=date&facet=frbrgroupid,include,298672398&offset=0>
Silver, Joan Micklin, ‘Hester Street | Kanopy’, 1975 <https://rhul.kanopy.com/video/hester-street>
Steven Spielberg, ‘Jaws’ (S.l.: Universal, 2005) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2122739890002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,jaws&sortby=date&facet=frbrgroupid,include,1519226656&offset=0>
‘Sweet Sweetback’s Baadasssss Song’, 1971
Sylvia Shin Huey Chong, ‘Restaging the War: “The Deer Hunter” and the Primal Scene of Violence’, Cinema Journal, 44.2 (2005) <https://www.jstor.org/stable/3661096?seq=1#metadata_info_tab_contents>
Symmons, Tom, ‘Having Our Cake and Eating It: The Dirty Dozen (1967), the World War II Combat Film, and the Vietnam War’, in The New Hollywood Historical Film: 1967-78 (London: Palgrave Macmillan, 2016), pp. 87–124 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137529305>
‘Taxi Driver (1976)’ (FilmFour, 2015) <https://learningonscreen.ac.uk/ondemand/index.php/prog/086F644D?bcast=116606069>
‘The Conversation (1974)’ (FilmFour, 2012) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000191F3?bcast=82899187>
‘The Deer Hunter (1978)’ (ITV4, 2016) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00083095?bcast=123153172>
‘The Dirty Dozen (1967)’ (ITV4, 2011) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0018B55C?bcast=75762920>
‘The Exorcist (1973)’ (ITV4, 2012) <https://learningonscreen.ac.uk/ondemand/index.php/prog/004E9CFC?bcast=90352444>
‘The Graduate (1967)’ (ITV3, 2014) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00004089?bcast=109476695>
‘The Wild Bunch (1969)’ (ITV4, 2015) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000E3533?bcast=116683240>
Truffaut, François, ‘Shoot the Pianist’, 1960
Warren Beatty, ‘Reds’ (S.l.: Paramount, 2007) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125101490002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,Reds&sortby=rank&offset=0>
Webb, Lawrence, ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis: Seventies Film and the Reinvention of the City (Amsterdam: Amsterdam University Press, 2014), iv
———, ‘Cinema and Crisis in the Entrepreneurial City’, in The Cinema of Urban Crisis : Seventies Film and the Reinvention of the City (Amsterdam, NETHERLANDS: Amsterdam University Press, 2014) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1901123>
Wheeler, Dixon W, ‘Re-Visioning the Western: Code, Myth, and Genre in Peckinpah’s “The Wild Bunch”’, in Sam Peckinpah’s ‘The Wild Bunch’, pp. 155–74 <https://hdl.handle.net/2027/fulcrum.w6634404z>
William Friedkin, ‘The Exorcist’ (S.l.: Warner, 1999) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123016400002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20Exorcist&sortby=date&facet=frbrgroupid,include,1288049150&offset=0>
