Bibliography for DT3113 The Actor's Voice BETA

Barton, John. ‘The Two Traditions’. Playing Shakespeare. London: Methuen Drama, 2009. Print.

Benedetti, Jean. ‘Foundations’. Stanislavski. London: Methuen, 1988. Print.

Berry, Cicely. Voice and the Actor. London: Virgin, 2000. Print.

Carey, David, and Rebecca Clark Carey. Vocal Arts Workbook and DVD: A Practical Course for Achieving Clarity and Expression With Your Voice. London: Methuen Drama, 2008. Print.

Hall, Peter. ‘Caesura’. Shakespeare’s Advice to the Players. London: Oberon Books, 2014. 32–34. Web. <https://contentstore.cla.co.uk/secure/link?id=9e9600cb-f258-e811-80cd-005056af4099>.

---. ‘Sanctity of the Line’. Shakespeare’s Advice to the Players. London: Oberon Books, 2014. 24–25. Web. <https://contentstore.cla.co.uk/secure/link?id=9d9600cb-f258-e811-80cd-005056af4099>.

---. ‘Structure of the Line’. Shakespeare’s Advice to the Players. London: Oberon Books, 2014. 28–29. Web. <https://contentstore.cla.co.uk/secure/link?id=9c9600cb-f258-e811-80cd-005056af4099>.

---. ‘Verse’. Shakespeare’s Advice to the Players. London: Oberon Books, 2014. 26–27. Web. <https://contentstore.cla.co.uk/secure/link?id=9b9600cb-f258-e811-80cd-005056af4099>.

Linklater, Kristin. ‘Figures of Speech’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Iambic Pentameter’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Line Endings’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Organically, Cosmically and Etymologically Speaking’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Rhyme’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Verse and Prose Alternation’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Vowels and Consanants’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Words and Images’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

---. ‘Words into Phrases’. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern, 2009. Print.

Linklater, Kristin, and Andre Slob. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and expanded [ed.]. London: Nick Hern, 2006. Print.

---. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and expanded [ed.]. London: Nick Hern, 2006. Print.

---. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and expanded [ed.]. London: Nick Hern, 2006. Print.

McCallion, Michael. The Voice Book: For Everyone Who Wants to Make the Most of Their Voice. New ed. London: Faber, 1998. Print.

Mills, Jenni. The Broadcast Voice. Oxford: Focal, 2004. Print.

---. The Broadcast Voice. Oxford: Focal, 2004. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288782>.

Mills, Liz. ‘When the Voice Itself Is Image’. Modern Drama 52.4 (2009): 389–404. Web. <https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/376433>.

Rodenburg, Patsy. ‘Declaring Your Vocal Rights’. The Right to Speak: Working With the Voice. Second edition. London: Bloomsbury Methuen Drama, 2015. Print.

---. ‘Rhyme’. Speaking Shakespeare. London: Bloomsbury Methuen Drama, 2006. Print.

---. Speaking Shakespeare. London: Bloomsbury Methuen Drama, 2006. Print.

---. The Actor Speaks: Voice and the Performer. London: Methuen, 1997. Print.

---. The Right to Speak: Working With the Voice. Second edition. London: Bloomsbury Methuen Drama, 2015. Print.

Turner, J. Clifford, and Malcolm Morrison. Voice and Speech in the Theatre. 3rd ed., revised by Malcolm Morrison. London: Pitman, 1977. Print.

Wakeling, Corey. ‘“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays’. TDR: The Drama Review 59.3 (2015): 91–107. Web. <https://muse.jhu.edu/article/589730>.