Bibliography for DT3113 The Actor's Voice BETA

Barton, John. 2009. ‘The Two Traditions’. In Playing Shakespeare. Methuen Drama.

Benedetti, Jean. 1988. ‘Foundations’. In Stanislavski. Methuen.

Berry, Cicely. 2000. Voice and the Actor. Virgin.

Carey, David, and Rebecca Clark Carey. 2008. Vocal Arts Workbook and DVD: A Practical Course for Achieving Clarity and Expression With Your Voice. Methuen Drama.

Hall, Peter. 2014a. ‘Caesura’. In Shakespeare’s Advice to the Players. Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9e9600cb-f258-e811-80cd-005056af4099.

Hall, Peter. 2014b. ‘Sanctity of the Line’. In Shakespeare’s Advice to the Players. Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9d9600cb-f258-e811-80cd-005056af4099.

Hall, Peter. 2014c. ‘Structure of the Line’. In Shakespeare’s Advice to the Players. Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9c9600cb-f258-e811-80cd-005056af4099.

Hall, Peter. 2014d. ‘Verse’. In Shakespeare’s Advice to the Players. Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9b9600cb-f258-e811-80cd-005056af4099.

Linklater, Kristin. 2009a. ‘Figures of Speech’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009b. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009c. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009d. ‘Iambic Pentameter’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009e. ‘Line Endings’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009f. ‘Organically, Cosmically and Etymologically Speaking’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009g. ‘Rhyme’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009h. ‘Verse and Prose Alternation’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009i. ‘Vowels and Consanants’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009j. ‘Words and Images’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin. 2009k. ‘Words into Phrases’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.

Linklater, Kristin, and Andre Slob. 2006a. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and Expanded [ed.]. Nick Hern.

Linklater, Kristin, and Andre Slob. 2006b. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and Expanded [ed.]. Nick Hern.

Linklater, Kristin, and Andre Slob. 2006c. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and Expanded [ed.]. Nick Hern.

McCallion, Michael. 1998. The Voice Book: For Everyone Who Wants to Make the Most of Their Voice. New ed. Faber.

Mills, Jenni. 2004a. The Broadcast Voice. Focal.

Mills, Jenni. 2004b. The Broadcast Voice. Focal. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288782.

Mills, Liz. 2009. ‘When the Voice Itself Is Image’. Modern Drama 52 (4): 389–404. https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/376433.

Rodenburg, Patsy. 1997. The Actor Speaks: Voice and the Performer. Methuen.

Rodenburg, Patsy. 2006a. ‘Rhyme’. In Speaking Shakespeare. Bloomsbury Methuen Drama.

Rodenburg, Patsy. 2006b. Speaking Shakespeare. Bloomsbury Methuen Drama.

Rodenburg, Patsy. 2015a. ‘Declaring Your Vocal Rights’. In The Right to Speak: Working With the Voice, Second edition. Bloomsbury Methuen Drama.

Rodenburg, Patsy. 2015b. The Right to Speak: Working With the Voice. Second edition. Bloomsbury Methuen Drama.

Turner, J. Clifford, and Malcolm Morrison. 1977. Voice and Speech in the Theatre. 3rd ed., Revised by Malcolm Morrison. Pitman.

Wakeling, Corey. 2015. ‘“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays’. TDR: The Drama Review 59 (3): 91–107. https://muse.jhu.edu/article/589730.