Bibliography for DT3113 The Actor's Voice BETA

Barton, John. 2009. ‘The Two Traditions’. In Playing Shakespeare. London: Methuen Drama.

Benedetti, Jean. 1988. ‘Foundations’. In Stanislavski. London: Methuen.

Berry, Cicely. 2000. Voice and the Actor. London: Virgin.

Carey, David, and Rebecca Clark Carey. 2008. Vocal Arts Workbook and DVD: A Practical Course for Achieving Clarity and Expression With Your Voice. London: Methuen Drama.

Hall, Peter. 2014a. ‘Caesura’. In Shakespeare’s Advice to the Players, 32–34. London: Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9e9600cb-f258-e811-80cd-005056af4099.

———. 2014b. ‘Sanctity of the Line’. In Shakespeare’s Advice to the Players, 24–25. London: Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9d9600cb-f258-e811-80cd-005056af4099.

———. 2014c. ‘Structure of the Line’. In Shakespeare’s Advice to the Players, 28–29. London: Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9c9600cb-f258-e811-80cd-005056af4099.

———. 2014d. ‘Verse’. In Shakespeare’s Advice to the Players, 26–27. London: Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9b9600cb-f258-e811-80cd-005056af4099.

Linklater, Kristin. 2009a. ‘Figures of Speech’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009b. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009c. Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009d. ‘Iambic Pentameter’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009e. ‘Line Endings’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009f. ‘Organically, Cosmically and Etymologically Speaking’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009g. ‘Rhyme’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009h. ‘Verse and Prose Alternation’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009i. ‘Vowels and Consanants’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009j. ‘Words and Images’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

———. 2009k. ‘Words into Phrases’. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. London: Nick Hern.

Linklater, Kristin, and Andre Slob. 2006a. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and Expanded [ed.]. London: Nick Hern.

———. 2006b. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and Expanded [ed.]. London: Nick Hern.

———. 2006c. Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language. Rev. and Expanded [ed.]. London: Nick Hern.

McCallion, Michael. 1998. The Voice Book: For Everyone Who Wants to Make the Most of Their Voice. New ed. London: Faber.

Mills, Jenni. 2004a. The Broadcast Voice. Oxford: Focal.

———. 2004b. The Broadcast Voice. Oxford: Focal. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288782.

Mills, Liz. 2009. ‘When the Voice Itself Is Image’. Modern Drama 52 (4): 389–404. https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/376433.

Rodenburg, Patsy. 1997. The Actor Speaks: Voice and the Performer. London: Methuen.

———. 2006a. ‘Rhyme’. In Speaking Shakespeare. London: Bloomsbury Methuen Drama.

———. 2006b. Speaking Shakespeare. London: Bloomsbury Methuen Drama.

———. 2015a. ‘Declaring Your Vocal Rights’. In The Right to Speak: Working With the Voice, Second edition. London: Bloomsbury Methuen Drama.

———. 2015b. The Right to Speak: Working With the Voice. Second edition. London: Bloomsbury Methuen Drama.

Turner, J. Clifford, and Malcolm Morrison. 1977. Voice and Speech in the Theatre. 3rd ed., Revised by Malcolm Morrison. London: Pitman.

Wakeling, Corey. 2015. ‘“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays’. TDR: The Drama Review 59 (3): 91–107. https://muse.jhu.edu/article/589730.