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K. Linklater and A. Slob, Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language, Rev. and Expanded [ed.]. London: Nick Hern, 2006.
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J. Mills, The Broadcast Voice. Oxford: Focal, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288782
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P. Rodenburg, The Actor Speaks: Voice and the Performer. London: Methuen, 1997.
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P. Rodenburg, Speaking Shakespeare. London: Bloomsbury Methuen Drama, 2006.
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K. Linklater, ‘Vowels and Consanants’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Words and Images’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Words into Phrases’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Organically, Cosmically and Etymologically Speaking’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Figures of Speech’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Iambic Pentameter’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Rhyme’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Line Endings’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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K. Linklater, ‘Verse and Prose Alternation’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, London: Nick Hern, 2009.
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P. Hall, ‘Verse’, in Shakespeare’s Advice to the Players, London: Oberon Books, 2014, pp. 26–27 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=9b9600cb-f258-e811-80cd-005056af4099
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P. Hall, ‘Structure of the Line’, in Shakespeare’s Advice to the Players, London: Oberon Books, 2014, pp. 28–29 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=9c9600cb-f258-e811-80cd-005056af4099
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P. Hall, ‘Sanctity of the Line’, in Shakespeare’s Advice to the Players, London: Oberon Books, 2014, pp. 24–25 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=9d9600cb-f258-e811-80cd-005056af4099
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P. Hall, ‘Caesura’, in Shakespeare’s Advice to the Players, London: Oberon Books, 2014, pp. 32–34 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=9e9600cb-f258-e811-80cd-005056af4099
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J. Barton, ‘The Two Traditions’, in Playing Shakespeare, London: Methuen Drama, 2009.
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P. Rodenburg, ‘Rhyme’, in Speaking Shakespeare, London: Bloomsbury Methuen Drama, 2006.
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J. Benedetti, ‘Foundations’, in Stanislavski, London: Methuen, 1988.
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C. Wakeling, ‘“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays’, TDR: The Drama Review, vol. 59, no. 3, pp. 91–107, 2015 [Online]. Available: https://muse.jhu.edu/article/589730
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L. Mills, ‘When the Voice Itself Is Image’, Modern Drama, vol. 52, no. 4, pp. 389–404, 2009 [Online]. Available: https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/376433