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Hall, P. (2014a). Caesura. In Shakespeare’s Advice to the Players (pp. 32–34). Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9e9600cb-f258-e811-80cd-005056af4099
Hall, P. (2014b). Sanctity of the Line. In Shakespeare’s Advice to the Players (pp. 24–25). Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9d9600cb-f258-e811-80cd-005056af4099
Hall, P. (2014c). Structure of the Line. In Shakespeare’s Advice to the Players (pp. 28–29). Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9c9600cb-f258-e811-80cd-005056af4099
Hall, P. (2014d). Verse. In Shakespeare’s Advice to the Players (pp. 26–27). Oberon Books. https://contentstore.cla.co.uk/secure/link?id=9b9600cb-f258-e811-80cd-005056af4099
Linklater, K. (2009a). Figures of Speech. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
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Linklater, K. (2009d). Iambic Pentameter. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
Linklater, K. (2009e). Line Endings. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
Linklater, K. (2009f). Organically, Cosmically and Etymologically Speaking. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
Linklater, K. (2009g). Rhyme. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
Linklater, K. (2009h). Verse and Prose Alternation. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
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Linklater, K. (2009k). Words into Phrases. In Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text. Nick Hern.
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Linklater, K., & Slob, A. (2006c). Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language (Rev. and expanded [ed.]). Nick Hern.
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Mills, J. (2004b). The Broadcast Voice. Focal. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288782
Mills, L. (2009). When the Voice Itself Is Image. Modern Drama, 52(4), 389–404. https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/376433
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Rodenburg, P. (2015a). Declaring Your Vocal Rights. In The Right to Speak: Working With the Voice (Second edition). Bloomsbury Methuen Drama.
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Wakeling, C. (2015). ‘Only Her Mouth Could Move’: Sensory Deprivation and the Billie Whitelaw Plays. TDR: The Drama Review, 59(3), 91–107. https://muse.jhu.edu/article/589730