Barton, John, ‘The Two Traditions’, in Playing Shakespeare (London: Methuen Drama, 2009)
Benedetti, Jean, ‘Foundations’, in Stanislavski (London: Methuen, 1988)
Berry, Cicely, Voice and the Actor (London: Virgin, 2000)
Carey, David, and Rebecca Clark Carey, Vocal Arts Workbook and DVD: A Practical Course for Achieving Clarity and Expression With Your Voice (London: Methuen Drama, 2008)
Hall, Peter, ‘Caesura’, in Shakespeare’s Advice to the Players (London: Oberon Books, 2014), pp. 32–34 <https://contentstore.cla.co.uk/secure/link?id=9e9600cb-f258-e811-80cd-005056af4099>
———, ‘Sanctity of the Line’, in Shakespeare’s Advice to the Players (London: Oberon Books, 2014), pp. 24–25 <https://contentstore.cla.co.uk/secure/link?id=9d9600cb-f258-e811-80cd-005056af4099>
———, ‘Structure of the Line’, in Shakespeare’s Advice to the Players (London: Oberon Books, 2014), pp. 28–29 <https://contentstore.cla.co.uk/secure/link?id=9c9600cb-f258-e811-80cd-005056af4099>
———, ‘Verse’, in Shakespeare’s Advice to the Players (London: Oberon Books, 2014), pp. 26–27 <https://contentstore.cla.co.uk/secure/link?id=9b9600cb-f258-e811-80cd-005056af4099>
Linklater, Kristin, ‘Figures of Speech’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Iambic Pentameter’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Line Endings’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Organically, Cosmically and Etymologically Speaking’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Rhyme’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Verse and Prose Alternation’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Vowels and Consanants’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Words and Images’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
———, ‘Words into Phrases’, in Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text (London: Nick Hern, 2009)
Linklater, Kristin, and Andre Slob, Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language, Rev. and expanded [ed.] (London: Nick Hern, 2006)
———, Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language, Rev. and expanded [ed.] (London: Nick Hern, 2006)
———, Freeing the Natural Voice: Imagery and Art in the Practice of Voice and Language, Rev. and expanded [ed.] (London: Nick Hern, 2006)
McCallion, Michael, The Voice Book: For Everyone Who Wants to Make the Most of Their Voice, New ed (London: Faber, 1998)
Mills, Jenni, The Broadcast Voice (Oxford: Focal, 2004)
———, The Broadcast Voice (Oxford: Focal, 2004) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288782>
Mills, Liz, ‘When the Voice Itself Is Image’, Modern Drama, 52.4 (2009), 389–404 <https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/376433>
Rodenburg, Patsy, ‘Declaring Your Vocal Rights’, in The Right to Speak: Working With the Voice, Second edition (London: Bloomsbury Methuen Drama, 2015)
———, ‘Rhyme’, in Speaking Shakespeare (London: Bloomsbury Methuen Drama, 2006)
———, Speaking Shakespeare (London: Bloomsbury Methuen Drama, 2006)
———, The Actor Speaks: Voice and the Performer (London: Methuen, 1997)
———, The Right to Speak: Working With the Voice, Second edition (London: Bloomsbury Methuen Drama, 2015)
Turner, J. Clifford, and Malcolm Morrison, Voice and Speech in the Theatre, 3rd ed., revised by Malcolm Morrison (London: Pitman, 1977)
Wakeling, Corey, ‘“Only Her Mouth Could Move”: Sensory Deprivation and the Billie Whitelaw Plays’, TDR: The Drama Review, 59.3 (2015), 91–107 <https://muse.jhu.edu/article/589730>