‘A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast His...’, Journal of Radio & Audio Media, 2015 <http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=111070378&site=ehost-live>
A Very Fatal Murder (Mockumentary) | The Onion, n.d. <https://web.archive.org/web/20210308170830/https://www.theonion.com/c/a-very-fatal-murder>
Alan Hook, ‘A Transmedia Topology of “Making a Murderer”’, VIEW Journal of European Television History and Culture, 5.10 (2016), pp. 124–39, doi:10.18146/JETHC117
All Killa No Filla, n.d. <https://allkillanofilla.libsyn.com/>
And That’s Why We Drink, n.d. <https://www.andthatswhywedrink.com/listen/>
Auden, Wystan Hugh, ‘The Guilty Vicarage: Notes on the Detective Story by an Addict’, Harper’s Magazine, no. May (1948) <https://harpers.org/archive/1948/05/the-guilty-vicarage/>
Backderf, Derf, My Friend Dahmer (Abrams ComicArts, 2017)
Berlant, Lauren Gail, The Female Complaint: The Unfinished Business of Sentimentality in American Culture (Duke University Press, 2008) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928>
Binyon, T. J., ‘Murder Will Out’: The Detective in Fiction From Poe to the Present (Faber, 2009)
Bold, Christine, US Popular Print Culture, 1860-1920 (Oxford University Press, 2012), vi
Boyle, Danny, Shallow Grave, 4DVD, 2009
——, Shallow Grave | Box of Broadcasts, FilmFour, 1994 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0015C0DA?bcast=114769310>
Bruzzi, Stella, ‘Making a Genre: The Case of the Contemporary True Crime Documentary’, Law and Humanities, 10.2 (2016), pp. 249–80, doi:10.1080/17521483.2016.1233741
Butler, Judith, ‘Against Ethical Violence’, in Giving an Account of Oneself, 1st Edition (Fordham University Press, 2005), pp. 41–82
Capote, Truman, In Cold Blood (Penguin, 2012)
Caron, Tim, ‘“Black and White and Read All Over”: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery’, in Comics and the U.S. South (University Press of Mississippi, 2013), pp. 138–60
Chandler, Raymond, The Long Goodbye (Createspace Independent Publishing Platform, 2018)
——, The Simple Art of Murder, 1st Vintage Books Edition (Vintage Books, 1950)
Chaney, Michael A., ‘Drawing on History in Recent African American Graphic Novels’, MELUS, 32.3 (2007), pp. 175–200 <https://www.jstor.org/stable/30029796>
Chute, Hillary, ‘Comics as Literature? Reading Graphic Narrative’, PMLA, 123.2 (2008), pp. 452–65 <https://www.jstor.org/stable/25501865>
Chute, Hillary L., Disaster Drawn: Visual Witness, Comics, and Documentary Form (The Belknap Press of Harvard University Press, 2016)
——, Disaster Drawn: Visual Witness, Comics, and Documentary Form (Harvard University Press, 2016) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4404086>
Cooper, Brian, and Margueritte Murphy, ‘Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s “Red Harvest”’, Mosaic: An Interdisciplinary Critical Journal, 33.1 (2000), pp. 145–460 <https://www.jstor.org/stable/44030576>
Corredera, Vanessa, ‘"Not a Moor Exactly”: Shakespeare, Serial, and Modern Constructions of Race’, Shakespeare Quarterly, 67.1 (2016), pp. 30–50, doi:10.1353/shq.2016.0009
Courtney, Novosat, ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue’, Poe Studies, n.d. <http://muse.jhu.edu/article/535601/pdf>
Crime Writers On..., n.d. <http://www.crimewriterson.com/>
‘Criminal: A Podcast About Crime’, n.d. <https://thisiscriminal.com/>
De Quincey, Thomas, On Murder Considered as One of the Fine Arts (Project Gutenberg, 1837) <http://www.gutenberg.org/ebooks/10708?msg=welcome_stranger>
——, On Murder Considered as One of the Fine Arts (Penguin Classics, 2015)
Del Visco, Stephen, ‘Legality and the Spectacle of Murder: A Review of Netflix’s Making a Murderer (2015–)’, Humanity & Society, 40.2 (2016), pp. 212–14, doi:10.1177/0160597616639624
Delamater, Jerome H., and Ruth Prigozy, The Detective in American Fiction, Film, and Television (Greenwood Press, 1998), lxiii
DeLillo, Don, Libra (Penguin, 1991)
Demme, Jonathan, The Silence of the Lambs, MGM, 2003
——, The Silence of the Lambs | Box of Broadcasts, 1991 <https://learningonscreen.ac.uk/ondemand/index.php/prog/00031BC4?bcast=127493680>
Downing, Lisa, ‘The Beast in Man: Jack and The Rippers Who Came After’, in The Subject of Murder: Gender, Exceptionality, and the Modern Killer (The University of Chicago Press, 2013), pp. 72–96
——, ‘The Beast in Man: Jack and The Rippers Who Came After’, in The Subject of Murder: Gender, Exceptionality, and the Modern Killer (The University of Chicago Press, 2013), pp. 72–96 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1124352>
Drucker, Johanna, ‘Graphic Devices: Narration and Navigation’, Narrative, 16.2 (2008), pp. 121–39 <https://www.jstor.org/stable/30219279>
Duquette, Elizabeth, ‘The Office of The Dead Letter’, Arizona Quarterly, 69.4 (2013), pp. 25–58 <https://muse.jhu.edu/article/528934>
Dussere, Erik, America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture (Oxford University Press, 2013) <http://dx.doi.org/10.1093/acprof:oso/9780199969913.001.0001>
Eco, Umberto, ‘Innovation and Repetition: Between Modern and Post-Modern Aesthetics’, Daedalus, 114.4 (1985), pp. 161–84 <https://www.jstor.org/stable/20025015>
Ellroy, James, My Dark Places (Windmill, 2010)
——, ‘My Mother and the Dahlia’, The Virginia Quarterly Review, 82.3 (2006), pp. 214–22 <https://www.jstor.org/stable/26444559>
——, The Black Dahlia (Windmill, 2011)
——, The Hilliker Curse: My Pursuit of Women (Windmill, 2011)
Evil Genius: The True Story of America’s Most Diabolical Bank Heist | Netflix, Netflix, 2018 <https://www.netflix.com/title/80158319>
Freedman, Carl, and Christopher Kendrick, ‘Forms of Labor in Dashiell Hammett’s Red Harvest’, PMLA, 106.2 (1991), pp. 209–21, doi:10.2307/462658
Fried, Arthur, ‘Crime in Comics and the Graphic Novel’, in A Companion to Crime Fiction (Wiley-Blackwell, 2010), pp. 332–43
Friedersdorf, Conor, ‘The Backlash Against Serial’s ’White Privilege’—and Why It’s Wrong - The Atlantic’, The Atlantic, 3 December 2014 <https://www.theatlantic.com/politics/archive/2014/12/unpacking-the-social-justice-critique-of-serial/383071/>
Gilmore, Leigh, ‘Represent Yourself’, in The Limits of Autobiography: Trauma and Testimony (Cornell University Press, 2001), pp. 16–44
Gilmore, Michael T., ‘Popular Forms’, in Surface and Depth: The Quest for Legibility in American Culture, New Edition (Oxford University Press Inc, 2006), pp. 75–95
Green, Kitty, Casting JonBenet | Netflix, Netflix, 2017 <https://www.netflix.com/title/80142316>
Halttunen, Karen, Murder Most Foul: The Killer and the American Gothic Imagination (Harvard University Press, 1998)
——, Murder Most Foul: The Killer and the American Gothic Imagination (Harvard University Press, 2009) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770>
Hammett, Dashiell, Red Harvest (Orion, 2012)
Hawthorne, Nathaniel, Wakefield, 1837 <http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf>
Heise, Thomas, ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’, Modern Fiction Studies, 51.3 (2005), pp. 485–512 <https://www.jstor.org/stable/26287045>
Herrmann, Bernard, Psycho, Universal, 2005
Hitchcock, Alfred, Psycho | Box of Broadcasts, FilmFour, 1960 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920>
Hogue, Cynthia, ‘“Lives - like Dollars”: Dickinson and the Poetics of Witness’, The Emily Dickinson Journal, 15.2 (2006), pp. 40–46, doi:10.1353/edj.2006.0036
Horsley, Lee, The Noir Thriller (Palgrave, 2001) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555504>
——, The Noir Thriller (Palgrave Macmillan, 2009)
In the Dark Podcast | APM Reports, n.d. <https://www.apmreports.org/in-the-dark>
James A. W. Heffernan, ‘The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman’, Critical Inquiry, 25.4 (1999) <https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents>
Jenkins, Patty, Monster, 2003
——, Monster | Box of Broadcasts, FilmFour, 2003 <https://learningonscreen.ac.uk/ondemand/index.php/prog/004D318C?bcast=56640669>
Johnson, Mat, and Warren Pleece, Incognegro: A Graphic Mystery, New Edition (Berger Books, 2018)
Kang, Jay Caspian, ‘“Serial” and White Reporter Privilege | The Awl’, 13 November 2014 <https://web.archive.org/web/20141116022727/https://www.theawl.com/2014/11/serial-and-white-reporter-privilege>
Kennedy, Liam, ‘“Man I’m All Torn Up Inside”: Analyzing Audience Responses To’, Crime, Media, Culture: An International Journal, 14.3 (2018), pp. 391–408, doi:10.1177/1741659017721275
Kilgariff, Karen, and Georgia Hardstark, My Favorite Murder with Karen Kilgariff and Georgia Hardstark, n.d. <https://www.myfavoritemurder.com/>
Kozaczka, Edward, ‘Death as Truth in Edgar Allan Poe’s “The Murders in the Rue Morgue”’, The Edgar Allan Poe Review, 12.1 (2011), pp. 59–71 <https://www.jstor.org/stable/41506433>
Lee, Maurice S., Uncertain Chances: Science, Skepticism, and Belief in Nineteenth-Century American Literature (Oxford University Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199797677>
Lemay, J. A. Leo, ‘The Psychology of “The Murders in the Rue Morgue”’, American Literature, 54.2 (1982), pp. 165–88, doi:10.2307/2926129
Lestrade, Jean-Xavier de, Death on the Staircase: The Last Chance | Box of Broadcasts, BBC4, 2013 <https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622>
Making a Murderer, Netflix, 2015
Marling, William, ‘City of Sleuths’, in The Cambridge Companion to the Literature of Los Angeles (Cambridge University Press, 2010), pp. 111–22, doi:10.1017/CCOL9780521514705
——, The American Roman Noir: Hammett, Cain, and Chandler (University of Georgia Press, 1995)
McCloud, Scott, Understanding Comics: The Invisible Art (1994)
McDaniel, Raymond, ‘Narrative and Crime’, Michigan Quarterly Review, XLIV.4 (2005) <https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0044.432;view=text;rgn=main;xc=1;g=mqrg>
McDermid, Val, Forensics: The Anatomy of Crime (Profile Books, 2014)
Meyers, Marc, My Friend Dahmer, 2017
Mihaies, Mircea, and Patrick Camiller, The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels (Lexington Books, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879>
Miller, Nancy K., ‘The Entangled Self: Genre Bondage in the Age of the Memoir’, PMLA, 122.2 (2007), pp. 537–48 <https://www.jstor.org/stable/25501720>
Mindhunter | Netflix, Netflix, 2017 <https://www.netflix.com/title/80114855>
Mindhunter - Episode 1 | Netflix, Netflix, 2017 <https://www.netflix.com/title/80114855>
Moynihan, Sinéad, ‘"Watch Me Go Invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro’, South Central Review, 32.3 (2015), pp. 45–69 <https://muse.jhu.edu/article/602170>
Nelson, Maggie, Jane: A Murder (Counterpoint, 2016)
——, The Art of Cruelty: A Reckoning (W.W. Norton & Company, 2012)
——, The Red Parts (Vintage, 2017)
Nickerson, Catherine, ‘Murder as Social Criticism’, American Literary History, 9.4 (1997), pp. 744–57, doi:10.1093/alh/9.4.744
Nickerson, Catherine Ross (ed.), The Cambridge Companion to American Crime Fiction (Cambridge University Press, 2010) <https://www-cambridge-org.royalholloway.idm.oclc.org/core/books/cambridge-companion-to-american-crime-fiction/26D4B75E11F810A58E20D28E174CD779>
——, The Web of Iniquity: Early Detective Fiction by American Women (Duke University Press, 1998)
Novosat, Courtney, ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”’, Poe Studies, 45.1 (2012), pp. 78–106 <https://muse.jhu.edu/article/535601/summary>
OJ: Made in America - Part 1, BBC4, 2017 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647>
OJ: Made in America - Part 2, BBC4, 2017 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF788B?bcast=124145109>
OJ: Made in America - Part 3, BBC4, 2017 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF7F98?bcast=124149572>
OJ: Made in America - Part 4, BBC4, 2017 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF855E?bcast=124157022>
OJ: Made in America - Part 5, BBC4, 2017 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF8787?bcast=124176429>
OJ: Made in America Ep 1, BBC4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647>
OJ: Made in America Playlist, n.d. <https://learningonscreen.ac.uk/ondemand/playlists/195487>
Paquet, Lili, ‘Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer’, Law and Humanities, 12.1 (2018), pp. 71–92, doi:10.1080/17521483.2018.1457243
Pepper, Andrew, ‘"Hegemony Protected by the Armour of Coercion”: Dashiell Hammett’s Red Harvest and the State’, Journal of American Studies, 44.2 (2010), pp. 333–49, doi:10.1017/S0021875809990806
——, The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class (Edinburgh University Press, 2000)
Poe, Edgar Allan, Murders in the Rue Morgue and Other Stories (Konemann, 1995)
——, The Murders in the Rue Morgue (Edgar Allan Poe Society of Baltimore, 1841) <https://www.eapoe.org/works/tales/morgueb.htm>
Porter, Dennis, The Pursuit of Crime: Art and Ideology in Detective Fiction (Yale University Press, 1981)
Priestman, Martin (ed.), The Cambridge Companion to Crime Fiction (Cambridge University Press, 2003)
—— (ed.), The Cambridge Companion to Crime Fiction (Cambridge University Press, 2003) <https://www-cambridge-org.royalholloway.idm.oclc.org/core/books/cambridge-companion-to-crime-fiction/993103A0C0A3D8261370548E7F9CC784>
Punnett, Ian, Toward a Theory of True Crime Narratives: A Textual Analysis (Routledge, 2018)
Punnett, Ian Case, Toward a Theory of True Crime Narratives: A Textual Analysis, 1st Edition (Routledge, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915>
Rabinowtiz, Peter, ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’, in A Companion to Narrative Theory (Blackwell, 2005), pp. 181–91 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405151962>
——, ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’, in A Companion to Narrative Theory (Blackwell, 2008), pp. 181–91
Robinson, Miriam Michelle, Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction (University of Michigan Press, 2016), doi:10.3998/mpub.8749028
Routledge, Christopher, ‘A Matter of Disguise: Locating the Self in Raymond Chandler’s “The Big Sleep” and “The Long Good-Bye”’, Studies in the Novel, 29.1 (1997), pp. 94–107 <https://www.jstor.org/stable/29533187>
Rzepka, Charles J., and Lee Horsley, A Companion to Crime Fiction (Wiley-Blackwell, 2010)
Schwartz, Richard B., Nice and Noir: Contemporary American Crime Fiction (University of Missouri Press, 2002)
Serial - Series 1, 2014 <https://serialpodcast.org/season-one>
Shakespeare, William, Julius Caesar, 3rd Edition (Cambridge University Press, 2016)
——, Julius Caesar, ed. by David Daniell (Arden Shakespeare, 2003) <http://dx.doi.org/10.5040/9781408160282.00000040>
——, Macbeth (Bloomsbury Arden Shakespeare, 2015)
——, Macbeth, ed. by Kenneth Muir (Bloomsbury, 1997) <http://dx.doi.org/10.5040/9781408160244.00000006>
Shoshana Felman, ‘Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy’s “The Kreutzer Sonata”’, Critical Inquiry, 23.4 (1997) <https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344048?seq=1#metadata_info_tab_contents>
Sussex, Lucy, Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre, 1st ed. 2010 (Palgrave Macmillan, 2016)
‘Teaching Culture: Imagined Communities and National Fantasies in the O.J. S...’, Journal of Language, Identity & Education, 2003 <http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=11472775&site=ehost-live>
The Black Dahlia: Elizabeth Short | SoundCloud, Unsolved Murders: True Crime Stories Podcast, n.d. <https://soundcloud.com/unsolvedmurders/e11-the-black-dahlia-elizabeth-short>
The Doorstep Murder | BBC Radio Scotland, n.d. <https://www.bbc.co.uk/programmes/p067wdql/episodes/downloads>
The Keepers | Netflix, Netflix, 2017 <https://www.netflix.com/title/80122179>
The Staircase | Netflix, Revised and Extended, Netflix, 2018 <https://www.netflix.com/title/80233441>
Thomas Heise, ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’, Modern Fiction Studies, 51.3 (2005) <https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents>
Thompson, Jon, Fiction, Crime, and Empire: Clues to Modernity and Postmodernism (University of Illinois Press, 1993)
Todorov, Tzvetan, ‘The Typology of Detective Fiction’, in The Poetics of Prose (Blackwell, 1966), pp. 42–52
——, ‘The Typology of Detective Fiction’, in The Poetics of Prose (New York, 1977) <http://faculty.washington.edu/akn/typology.pdf>
True Crime Garage, n.d. <https://www.truecrimegarage.com/listen>
‘Undisclosed Information—Serial Is My Favourite Murder: Examining Motivations in the True Crime Podcast Audience.’, Journal of Radio & Audio Media, 2018 <http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=129102391&site=ehost-live>
Van Dine, S. S., ‘Twenty Rules for Writing Detective Stories | The Thrilling Detective’, The Thrilling Detective, 1928 <https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html>
Van Dover, J. Kenneth (ed.), The Critical Response to Raymond Chandler (Greenwood Press, 1995), xviii
Victor, Metta Fuller, The Dead Letter (Duke University Press, 2003)
——, The Dead Letter (Duke University Press, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167941>
Victoriocity, n.d. <https://www.victoriocity.com/listen/>
Wakefield by Nathaniel Hawthorne, n.d. <http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf>
Whitlock, Gillian, ‘Autographics: The Seeing “I” of the Comics’, Modern Fiction Studies, 52.4 (2006), pp. 965–78 <https://www.jstor.org/stable/26286679>
Zumoff, J.A., ‘The Politics of Dashiell Hammett’s “Red Harvest”’, Mosaic: An Interdisciplinary Critical Journal, 40.4 (2007), pp. 119–34 <https://www.jstor.org/stable/44030397>
