Almodovar, P. (2005) ‘Pain and Glory’. BFI.
Anderson, W. (2014) ‘The Grand Budapest Hotel’. Amsterdam: Twentieth Century Fox Home Entertainment LLC.
Bazin, A. (1985) ‘An Exemplary Western’, in Cahiers du Cinéma: Neo-realism, Hollywood, New Wave, Vol. 1: The 1950s. London: Routledge & Kegan Paul in association with the British Film Institute, pp. 169–172.
Boetticher, B. (2007) ‘Seven Men from Now’. [S.l.]: Paramount.
Bordwell, D. (1994) ‘Pillows and Curtains’, in Ozu and the Poetics of Cinema. Princeton University Press, pp. 143–160. Available at: https://contentstore.cla.co.uk/secure/link?id=4bfcdc13-7da4-e811-80cd-005056af4099.
Cohan, S. (2010a) ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals. Basingstoke: Palgrave Macmillan, pp. 1–16.
Cohan, S. (2010b) ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals. Basingstoke: Palgrave Macmillan, pp. 1–16. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4763453.
Farber, M. (1998) ‘White Elephant vs. Termite Art’, in Negative Space: Manny Farber on the Movies. Expanded ed. New York: Da Capo Press, pp. 134–144.
Graham, P.J. and Vincendeau, G. (2009) The French New Wave: Critical Landmarks. New and expanded ed. London: British Film Institue/Palgrave Macmillan.
Harvey, J. (2002) Movie Love in the 50’s. Cambridge, MA: Da Capo Press.
Hasumi, S. (2004) Ozu’s Angry Women. Available at: http://www.rouge.com.au/4/ozu_women.html.
Honoré, C. et al. (2007) ‘Les chansons d’amour’. [London]: Artificial Eye.
Kitses, J. (1969) ‘The Ranown Cycle: Form and Style’, in Horizons West: Anthony Mann, Budd Boetticher, Sam Peckinpah: Studies of Authorship Within the Western. London: Thames & Hudson, in association with the British Film Institute, pp. 109–121.
Lang, F. (2005) ‘Rancho Notorious’. Optimum.
Leigh, J. (2017a) ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The late films of Claude Chabrol: genre, visual expressionism and narrational ambiguity. London: Bloomsbury Academic. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502.
Leigh, J. (2017b) ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The late films of Claude Chabrol: genre, visual expressionism and narrational ambiguity. London: Bloomsbury Academic. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502.
MacDowell, J. (2010) ‘Notes on Quirky’, Movie: A Journal of Film Criticism. Available at: https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf.
Martin, A. (1992) ‘Mise en Scene Is Dead, or the Expressive, the Excessive, the Technical and the Stylish’, Continuum, 5(2), pp. 87–140. Available at: https://doi.org/10.1080/10304319209388230.
Milne, T. (1971) ‘Summation’, in The Cinema of Carl Dreyer. New York: Barnes, pp. 156–178.
Mizoguchi, K. (2007) ‘Sansho the Bailiff’. The Criterion Collection.
Mizoguchi, K. (no date) ‘Ugetsu Monogatari + Oyu-Sama’. Eureka.
Ozu, Y. (2006) ‘Late Autumn’. Tartan Video.
Rendell, R. (2006) ‘La Ceremonie’. [S.l.]: Second Sight.
Sirk, D. (2007) ‘Imitation of Life’. Universal.
von Sternberg, J. (2008) ‘Shanghai Express’. Universal Pictures.
Welles, O. (2001) ‘Citizen Kane’. Turner Entertainment.
Wood, R. (1988) ‘Rancho Notorious: A Noir Western in Colour’, CineAction!, 13/14(Summer), pp. 83–93.
Wood, R. (2006) ‘The Ghost Princess and the Seaweed-Gatherer’, in Personal Views: Explorations in Film. Rev. ed. Detroit: Wayne State University Press, pp. 227–248. Available at: https://contentstore.cla.co.uk/secure/link?id=63c7d37e-75a4-e811-80cd-005056af4099.
Yakir, D. and Chabrol, C. (1979) ‘The Magical Mystery World of Claude Chabrol: An Interview’, Film Quarterly, 32(3), pp. 2–14. Available at: https://www.proquest.com/docview/223105721?parentSessionId=WKAi6CaxuouBeYLj2liNzU7w2p5TQGc3vUoGuNlLda8%3D&pq-origsite=primo&accountid=11455.
Zucker, C. (1988) ‘Ch. 3: Performance’, in The Idea of the Image: Josef von Sternberg’s Dietrich Films. Rutherford: Fairleigh Dickinson University Press.
