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Farber, Manny. 1998. ‘White Elephant vs. Termite Art’. In Negative Space: Manny Farber on the Movies, Expanded ed, 134–44. New York: Da Capo Press.
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———. 2017b. ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’. In The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity. London: Bloomsbury Academic. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502.
MacDowell, James. 2010. ‘Notes on Quirky’. Movie: A Journal of Film Criticism. https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf.
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———. 2006. ‘The Ghost Princess and the Seaweed-Gatherer’. In Personal Views: Explorations in Film, Rev. ed, 227–48. Detroit: Wayne State University Press. https://contentstore.cla.co.uk/secure/link?id=63c7d37e-75a4-e811-80cd-005056af4099.
Yakir, Dan, and Claude Chabrol. 1979. ‘The Magical Mystery World of Claude Chabrol: An Interview’. Film Quarterly 32 (3): 2–14. https://www.proquest.com/docview/223105721?parentSessionId=WKAi6CaxuouBeYLj2liNzU7w2p5TQGc3vUoGuNlLda8%3D&pq-origsite=primo&accountid=11455.
Zucker, Carole. 1988. ‘Ch. 3: Performance’. In The Idea of the Image: Josef von Sternberg’s Dietrich Films. Rutherford: Fairleigh Dickinson University Press.
