[1]
R. Rendell, ‘La Ceremonie’. Second Sight, [S.l.], 2006.
[2]
D. Yakir and C. Chabrol, ‘The Magical Mystery World of Claude Chabrol: An Interview’, Film Quarterly, vol. 32, no. 3, pp. 2–14, 1979 [Online]. Available: https://www.proquest.com/docview/223105721?parentSessionId=WKAi6CaxuouBeYLj2liNzU7w2p5TQGc3vUoGuNlLda8%3D&pq-origsite=primo&accountid=11455
[3]
P. J. Graham and G. Vincendeau, The French New Wave: Critical Landmarks, New and Expanded ed. London: British Film Institue/Palgrave Macmillan, 2009.
[4]
J. Leigh, ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The late films of Claude Chabrol: genre, visual expressionism and narrational ambiguity, London: Bloomsbury Academic, 2017 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502
[5]
J. Leigh, ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The late films of Claude Chabrol: genre, visual expressionism and narrational ambiguity, London: Bloomsbury Academic, 2017 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502
[6]
F. Lang, ‘Rancho Notorious’. Optimum, 2005.
[7]
R. Wood, ‘Rancho Notorious: A Noir Western in Colour’, CineAction!, vol. 13/14, no. Summer, pp. 83–93, 1988.
[8]
O. Welles, ‘Citizen Kane’. Turner Entertainment, 2001.
[9]
A. Martin, ‘Mise en Scene Is Dead, or the Expressive, the Excessive, the Technical and the Stylish’, Continuum, vol. 5, no. 2, pp. 87–140, 1992, doi: 10.1080/10304319209388230.
[10]
J. von Sternberg, ‘Shanghai Express’. Universal Pictures, 2008.
[11]
C. Zucker, ‘Ch. 3: Performance’, in The Idea of the Image: Josef von Sternberg’s Dietrich  Films, Rutherford: Fairleigh Dickinson University Press, 1988.
[12]
D. Sirk, ‘Imitation of Life’. Universal, 2007.
[13]
J. Harvey, Movie Love in the 50’s. Cambridge, MA: Da Capo Press, 2002.
[14]
C. Honoré et al., ‘Les chansons d’amour’. Artificial Eye, [London], 2007.
[15]
S. Cohan, ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals, Basingstoke: Palgrave Macmillan, 2010, pp. 1–16.
[16]
S. Cohan, ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals, Basingstoke: Palgrave Macmillan, 2010, pp. 1–16 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4763453
[17]
W. Anderson, ‘The Grand Budapest Hotel’. Twentieth Century Fox Home Entertainment LLC, Amsterdam, 2014.
[18]
J. MacDowell, ‘Notes on Quirky’, Movie: A Journal of Film Criticism, no. 1. pp. 1–16, 2010 [Online]. Available: https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf
[19]
B. Boetticher, ‘Seven Men from Now’. Paramount, [S.l.], 2007.
[20]
M. Farber, ‘White Elephant vs. Termite Art’, in Negative Space: Manny Farber on the Movies, Expanded ed., New York: Da Capo Press, 1998, pp. 134–144.
[21]
J. Kitses, ‘The Ranown Cycle: Form and Style’, in Horizons West: Anthony Mann, Budd Boetticher, Sam Peckinpah: Studies of Authorship Within the Western, London: Thames & Hudson, in association with the British Film Institute, 1969, pp. 109–121.
[22]
A. Bazin, ‘An Exemplary Western’, in Cahiers du Cinéma: Neo-realism, Hollywood, New Wave, Vol. 1: The 1950s, London: Routledge & Kegan Paul in association with the British Film Institute, 1985, pp. 169–172.
[23]
Y. Ozu, ‘Late Autumn’, vol. Volume three. Tartan Video, 2006.
[24]
S. Hasumi, ‘Ozu’s Angry Women’, 2004. [Online]. Available: http://www.rouge.com.au/4/ozu_women.html
[25]
D. Bordwell, ‘Pillows and Curtains’, in Ozu and the Poetics of Cinema, Princeton University Press, 1994, pp. 143–160 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=4bfcdc13-7da4-e811-80cd-005056af4099
[26]
K. Mizoguchi, ‘Sansho the Bailiff’. The Criterion Collection, 2007.
[27]
K. Mizoguchi, ‘Ugetsu Monogatari + Oyu-Sama’. Eureka.
[28]
R. Wood, ‘The Ghost Princess and the Seaweed-Gatherer’, in Personal Views: Explorations in Film, Rev. ed., Detroit: Wayne State University Press, 2006, pp. 227–248 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=63c7d37e-75a4-e811-80cd-005056af4099
[29]
P. Almodovar, ‘Pain and Glory’. BFI, 2005.
[30]
T. Milne, ‘Summation’, in The Cinema of Carl Dreyer, New York: Barnes, 1971, pp. 156–178.