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Cohan, S. (2010a). Introduction: How Do You Solve a Problem like the Film Musical? In The Sound of Musicals (pp. 1–16). Palgrave Macmillan.
Cohan, S. (2010b). Introduction: How Do You Solve a Problem like the Film Musical? In The Sound of Musicals (pp. 1–16). Palgrave Macmillan. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4763453
Farber, M. (1998). White Elephant vs. Termite Art. In Negative Space: Manny Farber on the Movies (Expanded ed, pp. 134–144). Da Capo Press.
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Leigh, J. (2017b). Chapter 1: La Cérémonie (1995): Diary of a Chambermaid. In The late films of Claude Chabrol: genre, visual expressionism and narrational ambiguity. Bloomsbury Academic. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502
MacDowell, J. (2010). Notes on Quirky. In Movie: A Journal of Film Criticism (Issue 1, pp. 1–16). https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf
Martin, A. (1992). Mise en Scene Is Dead, or the Expressive, the Excessive, the Technical and the Stylish. Continuum, 5(2), 87–140. https://doi.org/10.1080/10304319209388230
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Wood, R. (2006). The Ghost Princess and the Seaweed-Gatherer. In Personal Views: Explorations in Film (Rev. ed, pp. 227–248). Wayne State University Press. https://contentstore.cla.co.uk/secure/link?id=63c7d37e-75a4-e811-80cd-005056af4099
Yakir, D., & Chabrol, C. (1979). The Magical Mystery World of Claude Chabrol: An Interview. Film Quarterly, 32(3), 2–14. https://www.proquest.com/docview/223105721?parentSessionId=WKAi6CaxuouBeYLj2liNzU7w2p5TQGc3vUoGuNlLda8%3D&pq-origsite=primo&accountid=11455
Zucker, C. (1988). Ch. 3: Performance. In The Idea of the Image: Josef von Sternberg’s Dietrich Films. Fairleigh Dickinson University Press.
