Almodovar, Pedro, ‘Pain and Glory’ (BFI, 2005)
Anderson, Wes, ‘The Grand Budapest Hotel’ (Amsterdam: Twentieth Century Fox Home Entertainment LLC, 2014)
Bazin, André, ‘An Exemplary Western’, in Cahiers Du Cinéma: Neo-Realism, Hollywood, New Wave, Vol. 1: The 1950s (London: Routledge & Kegan Paul in association with the British Film Institute, 1985), pp. 169–72
Boetticher, Budd, ‘Seven Men from Now’ ([S.l.]: Paramount, 2007)
Bordwell, David, ‘Pillows and Curtains’, in Ozu and the Poetics of Cinema (Princeton University Press, 1994), pp. 143–60 <https://contentstore.cla.co.uk/secure/link?id=4bfcdc13-7da4-e811-80cd-005056af4099>
Cohan, Steven, ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals (Basingstoke: Palgrave Macmillan, 2010), pp. 1–16
———, ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals (Basingstoke: Palgrave Macmillan, 2010), pp. 1–16 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4763453>
Farber, Manny, ‘White Elephant vs. Termite Art’, in Negative Space: Manny Farber on the Movies, Expanded ed (New York: Da Capo Press, 1998), pp. 134–44
Graham, Peter John, and Ginette Vincendeau, The French New Wave: Critical Landmarks, New and expanded ed (London: British Film Institue/Palgrave Macmillan, 2009)
Harvey, James, Movie Love in the 50’s (Cambridge, MA: Da Capo Press, 2002)
Hasumi, Shigehiko, ‘Ozu’s Angry Women’, 2004 <http://www.rouge.com.au/4/ozu_women.html>
Honoré, Christophe, Rémy Chevrin, Alex Beaupain, Chantal Hymans, Louis Garrel, Ludivine Sagnier, and others, ‘Les Chansons d’amour’ ([London]: Artificial Eye, 2007)
Kitses, Jim, ‘The Ranown Cycle: Form and Style’, in Horizons West: Anthony Mann, Budd Boetticher, Sam Peckinpah: Studies of Authorship Within the Western (London: Thames & Hudson, in association with the British Film Institute, 1969), pp. 109–21
Lang, Fritz, ‘Rancho Notorious’ (Optimum, 2005)
Leigh, Jacob, ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity (London: Bloomsbury Academic, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502>
———, ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity (London: Bloomsbury Academic, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502>
MacDowell, James, ‘Notes on Quirky’, Movie: A Journal of Film Criticism, 2010, pp. 1–16 <https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf>
Martin, Adrian, ‘Mise En Scene Is Dead, or the Expressive, the Excessive, the Technical and the Stylish’, Continuum, 5.2 (1992), 87–140 <https://doi.org/10.1080/10304319209388230>
Milne, Tom, ‘Summation’, in The Cinema of Carl Dreyer (New York: Barnes, 1971), pp. 156–78
Mizoguchi, Kenji, ‘Sansho the Bailiff’ (The Criterion Collection, 2007)
———, ‘Ugetsu Monogatari + Oyu-Sama’ (Eureka)
Ozu, Yasujiro, ‘Late Autumn’ (Tartan Video, 2006)
Rendell, Ruth, ‘La Ceremonie’ ([S.l.]: Second Sight, 2006)
Sirk, Douglas, ‘Imitation of Life’ (Universal, 2007)
von Sternberg, Josef, ‘Shanghai Express’ (Universal Pictures, 2008)
Welles, Orson, ‘Citizen Kane’ (Turner Entertainment, 2001)
Wood, Robin, ‘Rancho Notorious: A Noir Western in Colour’, CineAction!, 13/14.Summer (1988), 83–93
———, ‘The Ghost Princess and the Seaweed-Gatherer’, in Personal Views: Explorations in Film, Rev. ed (Detroit: Wayne State University Press, 2006), pp. 227–48 <https://contentstore.cla.co.uk/secure/link?id=63c7d37e-75a4-e811-80cd-005056af4099>
Yakir, Dan, and Claude Chabrol, ‘The Magical Mystery World of Claude Chabrol: An Interview’, Film Quarterly, 32.3 (1979), 2–14 <https://www.proquest.com/docview/223105721?parentSessionId=WKAi6CaxuouBeYLj2liNzU7w2p5TQGc3vUoGuNlLda8%3D&pq-origsite=primo&accountid=11455>
Zucker, Carole, ‘Ch. 3: Performance’, in The Idea of the Image: Josef von Sternberg’s Dietrich Films (Rutherford: Fairleigh Dickinson University Press, 1988)
