1.
Burke P. Popular Culture in Early Modern Europe. Aldershot: Wildwood; 1988.
2.
Burke, Peter. Popular Culture in Early Modern Europe [Internet]. Harper & Row; 1978. Available from: https://www.fulcrum.org/concern/monographs/pr76f343d
3.
Wathey A. Musicology, Archives and Historiography. In: Musicology and Archival Research. Brussels: Archives et Bibliotheques de Belgique; 1994. p. 3–26.
4.
Dennis F. Musical Sound and Material Culture. In: Richardson C, Hamling T, Gaimster DRM, editors. The Routledge handbook of material culture in early modern Europe. London: Routledge; 2016. p. 371–82.
5.
Dennis F. Musical Sound and Material Culture. In: Richardson C, Hamling T, Gaimster D, editors. The Routledge Handbook of Material Culture in Early Modern Europe [Internet]. London, [England]: Routledge; 2017. p. 371–82. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4684017
6.
Fisher AJ. Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe. Journal of Musicology. 2001;18(4):616–57.
7.
Ongaro GM. The Library of a Sixteenth-Century Music Teacher. The Journal of Musicology. 1994;12(3):357–75.
8.
Making Broadside Ballads of the Seventeenth Century Fully Accessible as Texts, Art, Music, and Cultural Records [Internet]. Available from: https://web.archive.org/web/20150905215024/http://ebba.english.ucsb.edu/
9.
PURCELL: Love’s Goddess Sure Was Blind - Naxos Music Library [Internet]. Available from: https://rhul.naxosmusiclibrary.com/catalogue/item.asp?cid=COR16024
10.
Darnton R. The Great Cat Massacre and Other Episodes in French Cultural History. New York: Basic Books; 1999.
11.
Darnton R, American Council of Learned Societies. The great cat massacre and other episodes in French cultural history. [Rev. ed.]. New York: Basic Books; 2009.
12.
Scribner B. Is a History of Popular Culture Possible? History of European Ideas. 1989;10(2):175–91.
13.
Leppert R. Introduction: Music Visualized. In: Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England. Cambridge: Cambridge University Press; 1988. p. 1–10.
14.
Winternitz E. The Iconology of Music: Potentials and Pitfalls. In: Perspectives in Musicology: The Inaugural Lectures of the ph.d Program in Music at the City University of New York. New York: Pendragon; 1985. p. 80–90.
15.
Craig-McFeely J. The Signifying Serpent: Seduction by Cultural Stereotype in 17th Century England. In: Austern LP, editor. Music, sensation, and sensuality. London: Routledge; 2016. p. 299–317.
16.
Craig-McFeely J. The Signifying Serpent: Seduction by Cultural Stereotype in 17thcentury England. In: Music, Sensation, and Sensuality [Internet]. New York: Routledge; 2002. p. 299–317. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315053509
17.
Jane Hatter. Col Tempo: Musical Time, Aging and Sexuality in 16th-Century Venetian Paintings. Early Music [Internet]. 2011;39(1). Available from: https://www.jstor.org/stable/41262124?seq=1#metadata_info_tab_contents
18.
Richard Leppert. Imagery, Musical Confrontation and Cultural Difference in Early 18th-Century London. Early Music [Internet]. 1986;14(3). Available from: https://www.jstor.org/stable/3127106?seq=1#metadata_info_tab_contents
19.
Holbein H, Rasmussen M. The Case of the Flutes in Holbein’s ‘The Ambassadors’. Early Music [Internet]. 1995;23(1). Available from: https://www.jstor.org/stable/3137807?Search=yes&resultItemClick=true&searchText=no%3A1&searchText=AND&searchText=sn%3A03061078&searchText=AND&searchText=vo%3A23&searchText=AND&searchText=year%3A1995&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A1%2BAND%2Bsn%253A03061078%2BAND%2Bvo%253A23%2BAND%2Byear%253A1995%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&ab_segments=0%2Fdefault-1%2Frelevance_config_with_defaults&refreqid=search%3A6d12b024befc3a84b8b9b8c7b16c88cf&seq=1#metadata_info_tab_contents
20.
Spitzer J, Zaslaw N. Placement, Seating and Acoustics. In: The Birth of the Orchestra: History of an Institution, 1650-1815. Oxford: Oxford University Press; 2004. p. 343–69.
21.
Burke P. Eyewitnessing: The Uses of Images as Historical Evidence. Ithaca, New York: Cornell University Press; 2008.
22.
Burke P. Eyewitnessing: The Uses of Images as Historical Evidence [Internet]. London: Reaktion; 2006. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781861898289
23.
Richard D. Leppert. Concert in a House: Musical Iconography and Musical Thought. Early Music [Internet]. 1979;7(1). Available from: https://www.jstor.org/stable/3126378?seq=1#metadata_info_tab_contents
24.
Salmen W. The Value of Iconographical Sources in Musical Research. In: Modern Musical Scholarship. Stocksfield: Oriel; 1980. p. 206–14.
25.
Seebass T. Iconography | Grove Music [Internet]. Available from: http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013698
26.
Darnton R. History of Reading. In: New Perspectives on Historical Writing. Cambridge: Polity; 1991. p. 157–86.
27.
Christensen T. Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera. In: Music and the Cultures of Print. New York: Garland Pub; 2000. p. 67–93.
28.
James Davies. Julia’s Gift: The Social Life of Scores, c.1830. Journal of the Royal Musical Association [Internet]. 2006;131(2). Available from: https://www.jstor.org/stable/30161401?seq=1#metadata_info_tab_contents
29.
Crook D. A Sixteenth-Century Catalog of Prohibited Music. Journal of the American Musicological Society. 2009;62(1):1–78.
30.
Owens JA. You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”. In: Music education in the Middle Ages and the Renaissance. Bloomington: Indiana University Press; 2010. p. 347–85.
31.
Owens JA. You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”. In: Music Education in the Middle Ages and the Renaissance [Internet]. Bloomington, Ind: Indiana University Press; 2010. p. 347–85. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253004550
32.
Vella S. Newspapers. In: Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. London: Routledge; 2009.
33.
Vella S. Newspapers. In: Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History [Internet]. London: Routledge; 2009. p. 192–208. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689
34.
McVeigh S. London Newspapers 1750–1800: A Checklist and Guide for Musicologists. In: A Handbook for Studies in 18th-Century English Music: 6. Oxford: Burden & Cholij; 1996. p. 1–60.
35.
Gale NewsVault | Home [Internet]. Available from: http://find.galegroup.com/dvnw/start.do?prodId=DVNW&userGroupName=rho_ttda&finalAuth=true
36.
The Times Digital Archive - Home [Internet]. Available from: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
37.
Proquest Historical Newspapers. Available from: https://search.proquest.com/news/index?accountid=11455
38.
The Times Digital Archive - Home [Internet]. Available from: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
39.
British Library Newspapers [Internet]. Available from: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
40.
Howard E. Smither. ‘Messiah’ and Progress in Victorian England. Early Music [Internet]. 1985;13(3). Available from: https://www.jstor.org/stable/3127559?seq=1#metadata_info_tab_contents
41.
The Times Digital Archive - Home [Internet]. Available from: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
42.
British Library Newspapers [Internet]. Available from: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
43.
The Musical Times. Available from: https://www.jstor.org/journal/musicaltimes
44.
New Grove, ‘London VI, 2: Concert life, (iii), 1900–1945’ [Internet]. London (i) | Grove Music. Available from: http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000016904?mediaType=Article
45.
British Library Newspapers [Internet]. Available from: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
46.
Michael Tilmouth. Calendar of References to Music in Newspapers Published in London and the Provinces (1660-1719). RMA Research Chronicle [Internet]. 1961;(1). Available from: https://www.jstor.org/stable/25093640?seq=1#metadata_info_tab_contents
47.
Dobson M. Letters. In: Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. London: Routledge; 2009.
48.
Dobson M. Letters. In: Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History [Internet]. London: Routledge; 2009. p. 57–73. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689
49.
Samuel Pepys. The Diary of Samuel Pepys [Internet]. London: Bell; 1928. Available from: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125623090002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Diary%20of%20Samuel%20Pepys&sortby=date&facet=frbrgroupid,include,1288405414&offset=0
50.
Pepys S. The Diary of Samuel Pepys [Internet]. 1879. Available from: http://www.gutenberg.org/ebooks/3331#download
51.
Glaser B. The Creation of the Self in Seventeenth-Century Diaries. In: The creation of the self in autobiographical forms of writing in seventeenth-century England: subjectivity and self-fashioning in memoirs, diaries, and letters. Heidelberg: C. Winter; 2001. p. 139–43.
52.
Luckett R. ‘Music’ [Internet]. [M] - Oxford Scholarly Editions. p. 258–82. Available from: http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9780004990309.book.1/actrade-9780004990309-div1-15
53.
Kewe GD. Shakespeare’s Europe Revisited: The Unpublished Itinerary of Fynes Moryson (1566–1630) [Internet]. Available from: http://etheses.bham.ac.uk/3124/1/Kew95PhD1.pdf
54.
Tilmouth M. Music and British Travellers Abroad 1600–1730. In: Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart. London: Stainer & Bell; 1981.
55.
Harrison FL. Time, Place and Music: An Anthology of Ethnomusicological Observation c. 1550 to c. 1800. Amsterdam: Frits Knuf; 1973.
56.
Rose S. The Musician in Literature in the Age of Bach. Cambridge: Cambridge University Press; 2011.
57.
Beechey G. Music in John Evelyn’s Diary. Consort [Internet]. 1929;47:8–16. Available from: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0
58.
Plank S. An English Miscellany: Musical Notes in 17th-Century Diaries and Letters. Consort [Internet]. 1929;41:66–73. Available from: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0
59.
Bloechl OA. The Pedagogy of Polyphony in Gabriel Sagard’s Histoire du Canada. Journal of Musicology. 2005;22(3):365–411.
