@article{Beechey_1929, address={London}, title={Music in John Evelyn’s Diary}, volume={47}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0}, journal={Consort}, publisher={Dolmetsch Foundation.}, author={Beechey, Gwilym}, year={1929}, pages={8–16} }
@article{Bloechl_2005, title={The Pedagogy of Polyphony in Gabriel Sagard’s Histoire du Canada}, volume={22}, DOI={10.1525/jm.2005.22.3.365}, number={3}, journal={Journal of Musicology}, author={Bloechl, Olivia A.}, year={2005}, pages={365–411} }
@misc{Burke, Peter_1978, title={Popular Culture in Early Modern Europe}, url={https://www.fulcrum.org/concern/monographs/pr76f343d}, publisher={Harper & Row}, author={Burke, Peter}, year={1978} }
@book{Burke_1988, address={Aldershot}, title={Popular Culture in Early Modern Europe}, publisher={Wildwood}, author={Burke, Peter}, year={1988} }
@book{Burke_2006, address={London}, title={Eyewitnessing: The Uses of Images as Historical Evidence}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781861898289}, publisher={Reaktion}, author={Burke, Peter}, year={2006} }
@book{Burke_2008, address={Ithaca, New York}, title={Eyewitnessing: The Uses of Images as Historical Evidence}, publisher={Cornell University Press}, author={Burke, Peter}, year={2008} }
@inbook{Christensen_2000, address={New York}, title={Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera}, booktitle={Music and the Cultures of Print}, publisher={Garland Pub}, author={Christensen, Thomas}, year={2000}, pages={67–93} }
@inbook{Craig-McFeely_2002, address={New York}, title={The Signifying Serpent: Seduction by Cultural Stereotype in 17thcentury England}, volume={5}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315053509}, booktitle={Music, Sensation, and Sensuality}, publisher={Routledge}, author={Craig-McFeely, Julia}, year={2002}, pages={299–317} }
@inbook{Craig-McFeely_2016, address={London}, title={The Signifying Serpent: Seduction by Cultural Stereotype in 17th Century England}, volume={volume 5}, booktitle={Music, sensation, and sensuality}, publisher={Routledge}, author={Craig-McFeely, Julia}, editor={Austern, Linda Phyllis}, year={2016}, pages={299–317} }
@article{Crook_2009, title={A Sixteenth-Century Catalog of Prohibited Music}, volume={62}, DOI={10.1525/jams.2009.62.1.1}, number={1}, journal={Journal of the American Musicological Society}, author={Crook, David}, year={2009}, pages={1–78} }
@inbook{Darnton_1991, address={Cambridge}, title={History of Reading}, booktitle={New Perspectives on Historical Writing}, publisher={Polity}, author={Darnton, Robert}, year={1991}, pages={157–186} }
@book{Darnton_1999, address={New York}, title={The Great Cat Massacre and Other Episodes in French Cultural History}, publisher={Basic Books}, author={Darnton, Robert}, year={1999} }
@book{Darnton_American Council of Learned Societies_2009, address={New York}, edition={[Rev. ed.]}, title={The great cat massacre and other episodes in French cultural history}, publisher={Basic Books}, author={Darnton, Robert and American Council of Learned Societies}, year={2009} }
@inbook{Dennis_2016, address={London}, title={Musical Sound and Material Culture}, booktitle={The Routledge handbook of material culture in early modern Europe}, publisher={Routledge}, author={Dennis, Flora}, editor={Richardson, Catherine and Hamling, Tara and Gaimster, David R. M.}, year={2016}, pages={371–382} }
@inbook{Dennis_2017, address={London, [England]}, title={Musical Sound and Material Culture}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4684017}, booktitle={The Routledge Handbook of Material Culture in Early Modern Europe}, publisher={Routledge}, author={Dennis, Flora}, editor={Richardson, Catherine and Hamling, Tara and Gaimster, David}, year={2017}, pages={371–382} }
@inbook{Dobson_2009a, address={London}, title={Letters}, booktitle={Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History}, publisher={Routledge}, author={Dobson, Miriam}, year={2009} }
@inbook{Dobson_2009b, address={London}, title={Letters}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689}, booktitle={Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History}, publisher={Routledge}, author={Dobson, Miriam}, year={2009}, pages={57–73} }
@article{Fisher_2001, title={Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe}, volume={18}, DOI={10.1525/jm.2001.18.4.616}, number={4}, journal={Journal of Musicology}, author={Fisher, Alexander J.}, year={2001}, pages={616–657} }
@inbook{Glaser_2001, address={Heidelberg}, title={The Creation of the Self in Seventeenth-Century Diaries}, volume={Bd. 296}, booktitle={The creation of the self in autobiographical forms of writing in seventeenth-century England: subjectivity and self-fashioning in memoirs, diaries, and letters}, publisher={C. Winter}, author={Glaser, Brigitte}, year={2001}, pages={139–143} }
@book{Harrison_1973, address={Amsterdam}, title={Time, Place and Music: An Anthology of Ethnomusicological Observation c. 1550 to c. 1800}, publisher={Frits Knuf}, author={Harrison, Frank Llewellyn}, year={1973} }
@article{Holbein_Rasmussen_1995, title={The Case of the Flutes in Holbein’s ‘The Ambassadors’}, volume={23}, url={https://www.jstor.org/stable/3137807?Search=yes&resultItemClick=true&searchText=no%3A1&searchText=AND&searchText=sn%3A03061078&searchText=AND&searchText=vo%3A23&searchText=AND&searchText=year%3A1995&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A1%2BAND%2Bsn%253A03061078%2BAND%2Bvo%253A23%2BAND%2Byear%253A1995%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&ab_segments=0%2Fdefault-1%2Frelevance_config_with_defaults&refreqid=search%3A6d12b024befc3a84b8b9b8c7b16c88cf&seq=1#metadata_info_tab_contents}, number={1}, journal={Early Music}, publisher={Oxford University Press}, author={Holbein, Hans and Rasmussen, Mary}, year={1995} }
@article{Howard E. Smither_1985, title={‘Messiah’ and Progress in Victorian England}, volume={13}, url={https://www.jstor.org/stable/3127559?seq=1#metadata_info_tab_contents}, number={3}, journal={Early Music}, publisher={Oxford University Press}, author={Howard E. Smither}, year={1985} }
@article{James Davies_2006, title={Julia’s Gift: The Social Life of Scores, c.1830}, volume={131}, url={https://www.jstor.org/stable/30161401?seq=1#metadata_info_tab_contents}, number={2}, journal={Journal of the Royal Musical Association}, publisher={Taylor & Francis, Ltd.}, author={James Davies}, year={2006} }
@article{Jane Hatter_2011, title={Col Tempo: Musical Time, Aging and Sexuality in 16th-Century Venetian Paintings}, volume={39}, url={https://www.jstor.org/stable/41262124?seq=1#metadata_info_tab_contents}, number={1}, journal={Early Music}, publisher={Oxford University Press}, author={Jane Hatter}, year={2011} }
@misc{Kewe, title={Shakespeare’s Europe Revisited: The Unpublished Itinerary of Fynes Moryson (1566–1630)}, url={http://etheses.bham.ac.uk/3124/1/Kew95PhD1.pdf}, author={Kewe, Graham David} }
@inbook{Leppert_1988, address={Cambridge}, title={Introduction: Music Visualized}, booktitle={Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England}, publisher={Cambridge University Press}, author={Leppert, Richard}, year={1988}, pages={1–10} }
@misc{Luckett, title={‘Music’}, url={http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9780004990309.book.1/actrade-9780004990309-div1-15}, DOI={10.1093/actrade/9780004990309.div1.15}, journal={[M] - Oxford Scholarly Editions}, author={Luckett, Richard}, pages={258–282} }
@inbook{McVeigh_1996, address={Oxford}, title={London Newspapers 1750–1800: A Checklist and Guide for Musicologists}, booktitle={A Handbook for Studies in 18th-Century English Music: 6}, publisher={Burden & Cholij}, author={McVeigh, Simon}, year={1996}, pages={1–60} }
@article{Michael Tilmouth_1961, title={Calendar of References to Music in Newspapers Published in London and the Provinces (1660-1719)}, url={https://www.jstor.org/stable/25093640?seq=1#metadata_info_tab_contents}, number={1}, journal={R.M.A. Research Chronicle}, publisher={Taylor & Francis, Ltd.}, author={Michael Tilmouth}, year={1961} }
@article{Ongaro_1994, title={The Library of a Sixteenth-Century Music Teacher}, volume={12}, DOI={10.2307/764091}, number={3}, journal={The Journal of Musicology}, author={Ongaro, Giulio M.}, year={1994}, pages={357–375} }
@inbook{Owens_2010a, address={Bloomington}, title={You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”}, booktitle={Music education in the Middle Ages and the Renaissance}, publisher={Indiana University Press}, author={Owens, Jessie Ann}, year={2010}, pages={347–385} }
@inbook{Owens_2010b, address={Bloomington, Ind}, title={You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253004550}, booktitle={Music Education in the Middle Ages and the Renaissance}, publisher={Indiana University Press}, author={Owens, Jessie Ann}, year={2010}, pages={347–385} }
@book{Pepys_1879, title={The Diary of Samuel Pepys}, url={http://www.gutenberg.org/ebooks/3331#download}, author={Pepys, Samuel}, year={1879} }
@article{Plank_1929, address={London}, title={An English Miscellany: Musical Notes in 17th-Century Diaries and Letters}, volume={41}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0}, journal={Consort.}, publisher={Dolmetsch Foundation.}, author={Plank, Steven}, year={1929}, pages={66–73} }
@article{Richard D. Leppert_1979, title={Concert in a House: Musical Iconography and Musical Thought}, volume={7}, url={https://www.jstor.org/stable/3126378?seq=1#metadata_info_tab_contents}, number={1}, journal={Early Music}, publisher={Oxford University Press}, author={Richard D. Leppert}, year={1979} }
@article{Richard Leppert_1986, title={Imagery, Musical Confrontation and Cultural Difference in Early 18th-Century London}, volume={14}, url={https://www.jstor.org/stable/3127106?seq=1#metadata_info_tab_contents}, number={3}, journal={Early Music}, publisher={Oxford University Press}, author={Richard Leppert}, year={1986} }
@book{Rose_2011, address={Cambridge}, title={The Musician in Literature in the Age of Bach}, publisher={Cambridge University Press}, author={Rose, Stephen}, year={2011} }
@inbook{Salmen_1980, address={Stocksfield}, title={The Value of Iconographical Sources in Musical Research}, booktitle={Modern Musical Scholarship}, publisher={Oriel}, author={Salmen, Walter}, year={1980}, pages={206–214} }
@book{Samuel Pepys_1928, address={London}, title={The Diary of Samuel Pepys}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125623090002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Diary%20of%20Samuel%20Pepys&sortby=date&facet=frbrgroupid,include,1288405414&offset=0}, publisher={Bell}, author={Samuel Pepys}, year={1928} }
@article{Scribner_1989, title={Is a History of Popular Culture Possible?}, volume={10}, DOI={10.1016/0191-6599(89)90067-3}, number={2}, journal={History of European Ideas}, author={Scribner, Bob}, year={1989}, pages={175–191} }
@misc{Seebass, title={Iconography | Grove Music}, url={http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013698}, author={Seebass, Tilman} }
@inbook{Spitzer_Zaslaw_2004, address={Oxford}, title={Placement, Seating and Acoustics}, booktitle={The Birth of the Orchestra: History of an Institution, 1650-1815}, publisher={Oxford University Press}, author={Spitzer, John and Zaslaw, Neal}, year={2004}, pages={343–369} }
@inbook{Tilmouth_1981, address={London}, title={Music and British Travellers Abroad 1600–1730}, booktitle={Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart}, publisher={Stainer & Bell}, author={Tilmouth, Michael}, year={1981} }
@inbook{Vella_2009a, address={London}, title={Newspapers}, booktitle={Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History}, publisher={Routledge}, author={Vella, Stephen}, year={2009} }
@inbook{Vella_2009b, address={London}, title={Newspapers}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689}, booktitle={Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History}, publisher={Routledge}, author={Vella, Stephen}, year={2009}, pages={192–208} }
@inbook{Wathey_1994, address={Brussels}, title={Musicology, Archives and Historiography}, booktitle={Musicology and Archival Research}, publisher={Archives et Bibliotheques de Belgique}, author={Wathey, Andrew}, year={1994}, pages={3–26} }
@inbook{Winternitz_1985, address={New York}, title={The Iconology of Music: Potentials and Pitfalls}, booktitle={Perspectives in Musicology: The Inaugural Lectures of the ph.d. Program in Music at the City University of New York}, publisher={Pendragon}, author={Winternitz, E}, year={1985}, pages={80–90} }
@misc{Making Broadside Ballads of the Seventeenth Century Fully Accessible as Texts, Art, Music, and Cultural Records, url={https://web.archive.org/web/20150905215024/http://ebba.english.ucsb.edu/} }
@misc{PURCELL: Love’s Goddess Sure Was Blind - Naxos Music Library, url={https://rhul.naxosmusiclibrary.com/catalogue/item.asp?cid=COR16024} }
@misc{Gale NewsVault | Home, url={http://find.galegroup.com/dvnw/start.do?prodId=DVNW&userGroupName=rho_ttda&finalAuth=true} }
@misc{The Times Digital Archive - Home, url={http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda} }
@article{Proquest Historical Newspapers, url={https://search.proquest.com/news/index?accountid=11455} }
@misc{The Times Digital Archive - Home, url={http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda} }
@misc{British Library Newspapers, url={http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda} }
@misc{The Times Digital Archive - Home, url={http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda} }
@misc{British Library Newspapers, url={http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda} }
@article{The Musical Times, url={https://www.jstor.org/journal/musicaltimes}, publisher={Musical Times Publications Ltd.} }
@misc{New Grove, ‘London VI, 2: Concert life, (iii), 1900–1945’, url={http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000016904?mediaType=Article}, journal={London (i) | Grove Music} }
@misc{British Library Newspapers, url={http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda} }