[1]
P. Burke, Popular Culture in Early Modern Europe. Aldershot: Wildwood, 1988.
[2]
Burke, Peter, ‘Popular Culture in Early Modern Europe’, 1978. [Online]. Available: https://www.fulcrum.org/concern/monographs/pr76f343d
[3]
A. Wathey, ‘Musicology, Archives and Historiography’, in Musicology and Archival Research, Brussels: Archives et Bibliotheques de Belgique, 1994, pp. 3–26.
[4]
F. Dennis, ‘Musical Sound and Material Culture’, in The Routledge handbook of material culture in early modern Europe, C. Richardson, T. Hamling, and D. R. M. Gaimster, Eds. London: Routledge, 2016, pp. 371–382.
[5]
F. Dennis, ‘Musical Sound and Material Culture’, in The Routledge Handbook of Material Culture in Early Modern Europe, C. Richardson, T. Hamling, and D. Gaimster, Eds. London, [England]: Routledge, 2017, pp. 371–382 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4684017
[6]
A. J. Fisher, ‘Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe’, Journal of Musicology, vol. 18, no. 4, pp. 616–657, 2001, doi: 10.1525/jm.2001.18.4.616.
[7]
G. M. Ongaro, ‘The Library of a Sixteenth-Century Music Teacher’, The Journal of Musicology, vol. 12, no. 3, pp. 357–375, 1994, doi: 10.2307/764091.
[8]
‘Making Broadside Ballads of the Seventeenth Century Fully Accessible as Texts, Art, Music, and Cultural Records’. [Online]. Available: https://web.archive.org/web/20150905215024/http://ebba.english.ucsb.edu/
[9]
‘PURCELL: Love’s Goddess Sure Was Blind - Naxos Music Library’. [Online]. Available: https://rhul.naxosmusiclibrary.com/catalogue/item.asp?cid=COR16024
[10]
R. Darnton, The Great Cat Massacre and Other Episodes in French Cultural History. New York: Basic Books, 1999.
[11]
R. Darnton and American Council of Learned Societies, The great cat massacre and other episodes in French cultural history, [Rev. ed.]. New York: Basic Books, 2009.
[12]
B. Scribner, ‘Is a History of Popular Culture Possible?’, History of European Ideas, vol. 10, no. 2, pp. 175–191, 1989, doi: 10.1016/0191-6599(89)90067-3.
[13]
R. Leppert, ‘Introduction: Music Visualized’, in Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England, Cambridge: Cambridge University Press, 1988, pp. 1–10.
[14]
E. Winternitz, ‘The Iconology of Music: Potentials and Pitfalls’, in Perspectives in Musicology: The Inaugural Lectures of the ph.d. Program in Music at the City University of New York, New York: Pendragon, 1985, pp. 80–90.
[15]
J. Craig-McFeely, ‘The Signifying Serpent: Seduction by Cultural Stereotype in 17th Century England’, in Music, sensation, and sensuality, vol. volume 5, L. P. Austern, Ed. London: Routledge, 2016, pp. 299–317.
[16]
J. Craig-McFeely, ‘The Signifying Serpent: Seduction by Cultural Stereotype in 17thcentury England’, in Music, Sensation, and Sensuality, vol. 5, New York: Routledge, 2002, pp. 299–317 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315053509
[17]
Jane Hatter, ‘Col Tempo: Musical Time, Aging and Sexuality in 16th-Century Venetian Paintings’, Early Music, vol. 39, no. 1, 2011 [Online]. Available: https://www.jstor.org/stable/41262124?seq=1#metadata_info_tab_contents
[18]
Richard Leppert, ‘Imagery, Musical Confrontation and Cultural Difference in Early 18th-Century London’, Early Music, vol. 14, no. 3, 1986 [Online]. Available: https://www.jstor.org/stable/3127106?seq=1#metadata_info_tab_contents
[19]
H. Holbein and M. Rasmussen, ‘The Case of the Flutes in Holbein’s “The Ambassadors”’, Early Music, vol. 23, no. 1, 1995 [Online]. Available: https://www.jstor.org/stable/3137807?Search=yes&resultItemClick=true&searchText=no%3A1&searchText=AND&searchText=sn%3A03061078&searchText=AND&searchText=vo%3A23&searchText=AND&searchText=year%3A1995&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A1%2BAND%2Bsn%253A03061078%2BAND%2Bvo%253A23%2BAND%2Byear%253A1995%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&ab_segments=0%2Fdefault-1%2Frelevance_config_with_defaults&refreqid=search%3A6d12b024befc3a84b8b9b8c7b16c88cf&seq=1#metadata_info_tab_contents
[20]
J. Spitzer and N. Zaslaw, ‘Placement, Seating and Acoustics’, in The Birth of the Orchestra: History of an Institution, 1650-1815, Oxford: Oxford University Press, 2004, pp. 343–369.
[21]
P. Burke, Eyewitnessing: The Uses of Images as Historical Evidence. Ithaca, New York: Cornell University Press, 2008.
[22]
P. Burke, Eyewitnessing: The Uses of Images as Historical Evidence. London: Reaktion, 2006 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781861898289
[23]
Richard D. Leppert, ‘Concert in a House: Musical Iconography and Musical Thought’, Early Music, vol. 7, no. 1, 1979 [Online]. Available: https://www.jstor.org/stable/3126378?seq=1#metadata_info_tab_contents
[24]
W. Salmen, ‘The Value of Iconographical Sources in Musical Research’, in Modern Musical Scholarship, Stocksfield: Oriel, 1980, pp. 206–214.
[25]
T. Seebass, ‘Iconography | Grove Music’. [Online]. Available: http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013698
[26]
R. Darnton, ‘History of Reading’, in New Perspectives on Historical Writing, Cambridge: Polity, 1991, pp. 157–186.
[27]
T. Christensen, ‘Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera’, in Music and the Cultures of Print, New York: Garland Pub, 2000, pp. 67–93.
[28]
James Davies, ‘Julia’s Gift: The Social Life of Scores, c.1830’, Journal of the Royal Musical Association, vol. 131, no. 2, 2006 [Online]. Available: https://www.jstor.org/stable/30161401?seq=1#metadata_info_tab_contents
[29]
D. Crook, ‘A Sixteenth-Century Catalog of Prohibited Music’, Journal of the American Musicological Society, vol. 62, no. 1, pp. 1–78, 2009, doi: 10.1525/jams.2009.62.1.1.
[30]
J. A. Owens, ‘You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”’, in Music education in the Middle Ages and the Renaissance, Bloomington: Indiana University Press, 2010, pp. 347–385.
[31]
J. A. Owens, ‘You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”’, in Music Education in the Middle Ages and the Renaissance, Bloomington, Ind: Indiana University Press, 2010, pp. 347–385 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253004550
[32]
S. Vella, ‘Newspapers’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History, London: Routledge, 2009.
[33]
S. Vella, ‘Newspapers’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History, London: Routledge, 2009, pp. 192–208 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689
[34]
S. McVeigh, ‘London Newspapers 1750–1800: A Checklist and Guide for Musicologists’, in A Handbook for Studies in 18th-Century English Music: 6, Oxford: Burden & Cholij, 1996, pp. 1–60.
[35]
‘Gale NewsVault | Home’. [Online]. Available: http://find.galegroup.com/dvnw/start.do?prodId=DVNW&userGroupName=rho_ttda&finalAuth=true
[36]
‘The Times Digital Archive - Home’. [Online]. Available: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
[37]
‘Proquest Historical Newspapers’ [Online]. Available: https://search.proquest.com/news/index?accountid=11455
[38]
‘The Times Digital Archive - Home’. [Online]. Available: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
[39]
‘British Library Newspapers’. [Online]. Available: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
[40]
Howard E. Smither, ‘“Messiah” and Progress in Victorian England’, Early Music, vol. 13, no. 3, 1985 [Online]. Available: https://www.jstor.org/stable/3127559?seq=1#metadata_info_tab_contents
[41]
‘The Times Digital Archive - Home’. [Online]. Available: http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
[42]
‘British Library Newspapers’. [Online]. Available: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
[43]
‘The Musical Times’ [Online]. Available: https://www.jstor.org/journal/musicaltimes
[44]
‘New Grove, “London VI, 2: Concert life, (iii), 1900–1945”’, London (i) | Grove Music. [Online]. Available: http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000016904?mediaType=Article
[45]
‘British Library Newspapers’. [Online]. Available: http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
[46]
Michael Tilmouth, ‘Calendar of References to Music in Newspapers Published in London and the Provinces (1660-1719)’, R.M.A. Research Chronicle, no. 1, 1961 [Online]. Available: https://www.jstor.org/stable/25093640?seq=1#metadata_info_tab_contents
[47]
M. Dobson, ‘Letters’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History, London: Routledge, 2009.
[48]
M. Dobson, ‘Letters’, in Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History, London: Routledge, 2009, pp. 57–73 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689
[49]
Samuel Pepys, The Diary of Samuel Pepys. London: Bell, 1928 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125623090002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Diary%20of%20Samuel%20Pepys&sortby=date&facet=frbrgroupid,include,1288405414&offset=0
[50]
S. Pepys, The Diary of Samuel Pepys. 1879 [Online]. Available: http://www.gutenberg.org/ebooks/3331#download
[51]
B. Glaser, ‘The Creation of the Self in Seventeenth-Century Diaries’, in The creation of the self in autobiographical forms of writing in seventeenth-century England: subjectivity and self-fashioning in memoirs, diaries, and letters, vol. Bd. 296, Heidelberg: C. Winter, 2001, pp. 139–143.
[52]
R. Luckett, ‘“Music”’, [M] - Oxford Scholarly Editions. [Online]. Available: http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9780004990309.book.1/actrade-9780004990309-div1-15
[53]
G. D. Kewe, ‘Shakespeare’s Europe Revisited: The Unpublished Itinerary of Fynes Moryson (1566–1630)’. [Online]. Available: http://etheses.bham.ac.uk/3124/1/Kew95PhD1.pdf
[54]
M. Tilmouth, ‘Music and British Travellers Abroad 1600–1730’, in Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart, London: Stainer & Bell, 1981.
[55]
F. L. Harrison, Time, Place and Music: An Anthology of Ethnomusicological Observation c. 1550 to c. 1800. Amsterdam: Frits Knuf, 1973.
[56]
S. Rose, The Musician in Literature in the Age of Bach. Cambridge: Cambridge University Press, 2011.
[57]
G. Beechey, ‘Music in John Evelyn’s Diary’, Consort, vol. 47, pp. 8–16, 1929 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0
[58]
S. Plank, ‘An English Miscellany: Musical Notes in 17th-Century Diaries and Letters’, Consort., vol. 41, pp. 66–73, 1929 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0
[59]
O. A. Bloechl, ‘The Pedagogy of Polyphony in Gabriel Sagard’s Histoire du Canada’, Journal of Musicology, vol. 22, no. 3, pp. 365–411, 2005, doi: 10.1525/jm.2005.22.3.365.