Beechey, G. (1929). Music in John Evelyn’s Diary. Consort, 47, 8–16. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0
Bloechl, O. A. (2005). The Pedagogy of Polyphony in Gabriel Sagard’s Histoire du Canada. Journal of Musicology, 22(3), 365–411. https://doi.org/10.1525/jm.2005.22.3.365
British Library Newspapers. (n.d.-a). http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
British Library Newspapers. (n.d.-b). http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
British Library Newspapers. (n.d.-c). http://find.galegroup.com/bncn/start.do?prodId=BNCN&userGroupName=rho_ttda
Burke, P. (1988). Popular Culture in Early Modern Europe. Wildwood.
Burke, P. (2006). Eyewitnessing: The Uses of Images as Historical Evidence. Reaktion. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781861898289
Burke, P. (2008). Eyewitnessing: The Uses of Images as Historical Evidence. Cornell University Press.
Burke, Peter. (1978). Popular Culture in Early Modern Europe. Harper & Row. https://www.fulcrum.org/concern/monographs/pr76f343d
Christensen, T. (2000). Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera. In Music and the Cultures of Print (pp. 67–93). Garland Pub.
Craig-McFeely, J. (2002). The Signifying Serpent: Seduction by Cultural Stereotype in 17thcentury England. In Music, Sensation, and Sensuality (Vol. 5, pp. 299–317). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315053509
Craig-McFeely, J. (2016). The Signifying Serpent: Seduction by Cultural Stereotype in 17th Century England. In L. P. Austern (Ed.), Music, sensation, and sensuality: Vol. volume 5 (pp. 299–317). Routledge.
Crook, D. (2009). A Sixteenth-Century Catalog of Prohibited Music. Journal of the American Musicological Society, 62(1), 1–78. https://doi.org/10.1525/jams.2009.62.1.1
Darnton, R. (1991). History of Reading. In New Perspectives on Historical Writing (pp. 157–186). Polity.
Darnton, R. (1999). The Great Cat Massacre and Other Episodes in French Cultural History. Basic Books.
Darnton, R. & American Council of Learned Societies. (2009). The great cat massacre and other episodes in French cultural history ([Rev. ed.]). Basic Books.
Dennis, F. (2016). Musical Sound and Material Culture. In C. Richardson, T. Hamling, & D. R. M. Gaimster (Eds.), The Routledge handbook of material culture in early modern Europe (pp. 371–382). Routledge.
Dennis, F. (2017). Musical Sound and Material Culture. In C. Richardson, T. Hamling, & D. Gaimster (Eds.), The Routledge Handbook of Material Culture in Early Modern Europe (pp. 371–382). Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4684017
Dobson, M. (2009a). Letters. In Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. Routledge.
Dobson, M. (2009b). Letters. In Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History (pp. 57–73). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689
Fisher, A. J. (2001). Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe. Journal of Musicology, 18(4), 616–657. https://doi.org/10.1525/jm.2001.18.4.616
Gale NewsVault | Home. (n.d.). http://find.galegroup.com/dvnw/start.do?prodId=DVNW&userGroupName=rho_ttda&finalAuth=true
Glaser, B. (2001). The Creation of the Self in Seventeenth-Century Diaries. In The creation of the self in autobiographical forms of writing in seventeenth-century England: subjectivity and self-fashioning in memoirs, diaries, and letters: Vol. Bd. 296 (pp. 139–143). C. Winter.
Harrison, F. L. (1973). Time, Place and Music: An Anthology of Ethnomusicological Observation c. 1550 to c. 1800. Frits Knuf.
Holbein, H., & Rasmussen, M. (1995). The Case of the Flutes in Holbein’s ‘The Ambassadors’. Early Music, 23(1). https://www.jstor.org/stable/3137807?Search=yes&resultItemClick=true&searchText=no%3A1&searchText=AND&searchText=sn%3A03061078&searchText=AND&searchText=vo%3A23&searchText=AND&searchText=year%3A1995&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dno%253A1%2BAND%2Bsn%253A03061078%2BAND%2Bvo%253A23%2BAND%2Byear%253A1995%26amp%3Bymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&ab_segments=0%2Fdefault-1%2Frelevance_config_with_defaults&refreqid=search%3A6d12b024befc3a84b8b9b8c7b16c88cf&seq=1#metadata_info_tab_contents
Howard E. Smither. (1985). ‘Messiah’ and Progress in Victorian England. Early Music, 13(3). https://www.jstor.org/stable/3127559?seq=1#metadata_info_tab_contents
James Davies. (2006). Julia’s Gift: The Social Life of Scores, c.1830. Journal of the Royal Musical Association, 131(2). https://www.jstor.org/stable/30161401?seq=1#metadata_info_tab_contents
Jane Hatter. (2011). Col Tempo: Musical Time, Aging and Sexuality in 16th-Century Venetian Paintings. Early Music, 39(1). https://www.jstor.org/stable/41262124?seq=1#metadata_info_tab_contents
Kewe, G. D. (n.d.). Shakespeare’s Europe Revisited: The Unpublished Itinerary of Fynes Moryson (1566–1630). http://etheses.bham.ac.uk/3124/1/Kew95PhD1.pdf
Leppert, R. (1988). Introduction: Music Visualized. In Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England (pp. 1–10). Cambridge University Press.
Luckett, R. (n.d.). ‘Music’. [M] - Oxford Scholarly Editions. https://doi.org/10.1093/actrade/9780004990309.div1.15
Making Broadside Ballads of the Seventeenth Century Fully Accessible as Texts, Art, Music, and Cultural Records. (n.d.). https://web.archive.org/web/20150905215024/http://ebba.english.ucsb.edu/
McVeigh, S. (1996). London Newspapers 1750–1800: A Checklist and Guide for Musicologists. In A Handbook for Studies in 18th-Century English Music: 6 (pp. 1–60). Burden & Cholij.
Michael Tilmouth. (1961). Calendar of References to Music in Newspapers Published in London and the Provinces (1660-1719). R.M.A. Research Chronicle, 1. https://www.jstor.org/stable/25093640?seq=1#metadata_info_tab_contents
New Grove, ‘London VI, 2: Concert life, (iii), 1900–1945’. (n.d.). London (i) | Grove Music. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000016904?mediaType=Article
Ongaro, G. M. (1994). The Library of a Sixteenth-Century Music Teacher. The Journal of Musicology, 12(3), 357–375. https://doi.org/10.2307/764091
Owens, J. A. (2010a). You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”. In Music education in the Middle Ages and the Renaissance (pp. 347–385). Indiana University Press.
Owens, J. A. (2010b). You Can Tell a Book by Its Cover: Reflections on Format in English Music "Theory”. In Music Education in the Middle Ages and the Renaissance (pp. 347–385). Indiana University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253004550
Pepys, S. (1879). The Diary of Samuel Pepys. http://www.gutenberg.org/ebooks/3331#download
Plank, S. (1929). An English Miscellany: Musical Notes in 17th-Century Diaries and Letters. Consort., 41, 66–73. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123385710002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&tab=tab1&query=any,contains,the%20consort&sortby=rank&offset=0
Proquest Historical Newspapers. (n.d.). https://search.proquest.com/news/index?accountid=11455
PURCELL: Love’s Goddess Sure Was Blind - Naxos Music Library. (n.d.). https://rhul.naxosmusiclibrary.com/catalogue/item.asp?cid=COR16024
Richard D. Leppert. (1979). Concert in a House: Musical Iconography and Musical Thought. Early Music, 7(1). https://www.jstor.org/stable/3126378?seq=1#metadata_info_tab_contents
Richard Leppert. (1986). Imagery, Musical Confrontation and Cultural Difference in Early 18th-Century London. Early Music, 14(3). https://www.jstor.org/stable/3127106?seq=1#metadata_info_tab_contents
Rose, S. (2011). The Musician in Literature in the Age of Bach. Cambridge University Press.
Salmen, W. (1980). The Value of Iconographical Sources in Musical Research. In Modern Musical Scholarship (pp. 206–214). Oriel.
Samuel Pepys. (1928). The Diary of Samuel Pepys. Bell. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2125623090002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Diary%20of%20Samuel%20Pepys&sortby=date&facet=frbrgroupid,include,1288405414&offset=0
Scribner, B. (1989). Is a History of Popular Culture Possible? History of European Ideas, 10(2), 175–191. https://doi.org/10.1016/0191-6599(89)90067-3
Seebass, T. (n.d.). Iconography | Grove Music. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013698
Spitzer, J., & Zaslaw, N. (2004). Placement, Seating and Acoustics. In The Birth of the Orchestra: History of an Institution, 1650-1815 (pp. 343–369). Oxford University Press.
The Musical Times. (n.d.). https://www.jstor.org/journal/musicaltimes
The Times Digital Archive - Home. (n.d.-a). http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
The Times Digital Archive - Home. (n.d.-b). http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
The Times Digital Archive - Home. (n.d.-c). http://gdc.galegroup.com/gdc/artemis?p=TTDA&u=rho_ttda
Tilmouth, M. (1981). Music and British Travellers Abroad 1600–1730. In Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart. Stainer & Bell.
Vella, S. (2009a). Newspapers. In Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History. Routledge.
Vella, S. (2009b). Newspapers. In Reading Primary Sources: The Interpretation of Texts From Nineteenth- and Twentieth-Century History (pp. 192–208). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=170689
Wathey, A. (1994). Musicology, Archives and Historiography. In Musicology and Archival Research (pp. 3–26). Archives et Bibliotheques de Belgique.
Winternitz, E. (1985). The Iconology of Music: Potentials and Pitfalls. In Perspectives in Musicology: The Inaugural Lectures of the ph.d. Program in Music at the City University of New York (pp. 80–90). Pendragon.