Bibliography for MA3071: Contemporary British Cinema: Issues and Themes (2016-17) BETA

1.

Ashby, J., Higson, A.: British Cinema: Past and Present. Routledge, London (2000).

2.

Barr, C.: All Our Yesterdays: 90 Years of British Cinema. BFI Pub, London (1986).

3.

Barrow, S., White, J.: Fifty Key British Films. Routledge, London (2008).

4.

Curran, J., Porter, V.: British Cinema History. Weidenfeld and Nicolson, London (1983).

5.

Higson, A.: Dissolving Views: Key Writings on British Cinema. Cassell, London (1996).

6.

Leach, J.: British Film. Cambridge University Press, Cambridge (2004).

7.

McFarlane, B.: The Cinema of Britain and Ireland. Wallflower, London (2005).

8.

Murphy, R.: The British Cinema Book. BFI, London (2001).

9.

Sargeant, A.: British Cinema: A Critical History. British Film Institute, London (2005).

10.

Street, S.: British National Cinema. Routledge, London (2009).

11.

Street, S.: British National Cinema. Routledge, London (2009).

12.

Auty, M., Roddick, N.: British Cinema Now. British Film Institute, London (1985).

13.

Brown, M.: A Licence to Be Different: The Story of Channel 4. BFI, London (2007).

14.

Dyja, E.: Studying British Cinema: The 1990s. Auteur, Leighton Buzzard (2010).

15.

Fitzgerald, J.: Studying British Cinema, 1999-2009. Auteur, Leighton Buzzard (2010).

16.

Friedman, L.D.: Fires Were Started: British Cinema and Thatcherism. Wallflower, London (2006).

17.

Hacker, J., Price, D.: Take Ten: Contemporary British Film Directors. Clarendon, Oxford (1991).

18.

Murphy, R.: British Cinema of the 90s. British Film Institute, London (2000).

19.

Hill, J.: British Cinema in the 1980s: Issues and Themes. Clarendon Press, Oxford (1999).

20.

Leggott, J.: Contemporary British Cinema: From Heritage to Horror. Wallflower Press, London (2008).

21.

Leggott, J.: Contemporary British Cinema: From Heritage to Horror. Wallflower Press, London (2008).

22.

Murphy, R.: British Cinema of the 90s. British Film Institute, London (2000).

23.

Chapman, J.: Past and Present: National Identity and the British Historical Film. I. B. Tauris, London (2005).

24.

Higson, A.: English Heritage, English Cinema: Costume Drama Since 1980. Oxford University Press, Oxford (2003).

25.

Higson, A.: Film England. I.B. Tauris, London (2011).

26.

Monk, C., Dawsonera: Heritage film audiences: period films and contemporary audiences in the UK. Edinburgh University Press, Edinburgh (2011).

27.

Monk, C.: Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh University Press, Edinburgh (2011).

28.

Monk, C., Sargeant, A.: British Historical Cinema: The History, Heritage and Costume Film. Routledge, London (2002).

29.

Pidduck, J.: Contemporary Costume Film: Space, Place and the Past. BFI, London (2004).

30.

Vidal, B.: Heritage Film: Nation, Genre and Representation. Wallflower, London (2012).

31.

Wollen, T.: Over Our Shoulders: Nostalgic Screen Fictions for the 1980s. In: Enterprise and Heritage: Crosscurrents of National Culture. pp. 178–193. Routledge, London (1991).

32.

Wollen, T.: Over Our Shoulders: Nostalgic Screen Fictions for the 1980s. In: Enterprise and Heritage: Crosscurrents of National Culture. pp. 178–193. Routledge, London (1991).

33.

Dave, P.: Visions of England: Class and Culture in Contemporary Cinema. Berg, Oxford (2006).

34.

Dave, P.: Tragedy, Ethics and History in Contemporary British Social Realist Film. In: British Social Realism in the Arts Since 1940. pp. 17–56. Palgrave Macmillan, Basingstoke (2011).

35.

Forrest, D.: Better Things (Duane Hopkins, 2008) and New British Realism. New Cinemas: Journal of Contemporary Film. 8, 31–43 (2010). https://doi.org/10.1386/ncin.8.1.31_1.

36.

Loach, K., Fuller, G.: Loach on Loach. Faber, London (1998).

37.

Hallam, J.: Film, Class and National Identity: Re-imagining Communities. In: British Cinema: Past and Present. pp. 261–273. Routledge, London (2000).

38.

Hill, J.: Politics, Realism and Ken Loach. In: Cinema and Politics: Turkish Cinema and New Europe. pp. 70–81. Cambridge Scholars, New Castle upon Tyne (2009).

39.

Hill, J.: Ken Loach: The Politics of Film and Television. BFI/Palgrave MacMillan, London (2011).

40.

Knight, D.: Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method. In: Agent of Challenge and Defiance: The Films of Ken Loach. pp. 60–81. Flick, Trowbridge (1997).

41.

Lay, S.: British Social Realism: From Documentary to Brit Grit. Wallflower, London (2002).

42.

Leigh, J.: The Cinema of Ken Loach: Art in the Service of the People. Wallflower Press, London (2002).

43.

Knight, D.: "Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method” in Agent of Challenge and Defiance: The Films of Ken Loach. In: Agent of Challenge and Defiance: The Films of Ken Loach. Flick, Trowbridge (1997).

44.

Lay, S.: British Social Realism: From Documentary to Brit Grit. Wallflower, London (2002).

45.

Leigh, J.: The Cinema of Ken Loach: Art in the Service of the People. Wallflower Press, London (2002).

46.

McKnight, G.: Agent of Challenge and Defiance: The Films of Ken Loach. Flick, Trowbridge (1997).

47.

Williams, R.: A Lecture on Realism. Screen. 18, 61–74 (1977). https://doi.org/10.1093/screen/18.1.61.

48.

Bordwell, D.: The Art Cinema as a Mode of Film Practice. Film Criticism. 4, 56–64 (1979).

49.

Eley, G.: Distant Voices, Still Lives The Family is a Dangerous Place: Memory Gender, and the Image of the Working Class. In: Revisioning History: Film and the Construction of a New Past. pp. 17–43. Princeton University Press, Princeton, N.J. (1995).

50.

Everett, W.: Terence Davies. Manchester University Press, Manchester (2004).

51.

Farley, P.: Distant Voices, Still Lives. British Film Institute, London (2006).

52.

Lawrence, A.: The Films of Peter Greenaway. Cambridge University Press, Cambridge (1997).

53.

Neale, S.: Art Cinema as Institution. Screen. 22, 11–40 (1981). https://doi.org/10.1093/screen/22.1.11.

54.

O’Pray, M.: The British Avant-Garde and Art Cinema from the 1970s to the 1990s. In: Dissolving Views: Key Writings on British Cinema. pp. 178–190. Cassell, London (1996).

55.

Orr, J.: The Art of National Identity: Peter Greenaway and Derek Jarman. In: British Cinema: Past and Present. pp. 327–338. Routledge, London (2000).

56.

Orr, J.: Romantics and Modernists in British Cinema. Edinburgh University Press, Edinburgh (2012).

57.

Pally, M.: Order vs. Chaos: The Films of Peter Greenaway. Cinéaste. 18, 3–37 (1991).

58.

Smith, M.: Modernism and the Avant-Gardes. In: The Oxford Guide to Film Studies. pp. 395–412. Oxford University Press, Oxford (1998).

59.

Walsh, M.: Allegories of Thatcherism: The Films of Peter Greenaway. In: British Cinema and Thatcherism. pp. 255–277. UCL Press, London (1993).

60.

Wayne, M.: The Politics of Contemporary European Cinema. Intellect, Bristol (2002).

61.

Wayne, M.: The Politics of Contemporary European Cinema: Histories, Borders, Diasporas. Intellect Books, Bristol, UK (2002).

62.

Wollen, P.: ‘The Last New Wave: Modernism in the British Films of the Thatcher Era’, in British Cinema and Thatcherism: Fires Were Started. In: British Cinema and Thatcherism: Fires Were Started. UCL Press, London (1993).

63.

Woods, A.: Being Naked, Playing Dead: The Art of Peter Greenaway. Manchester University Press, Manchester (1996).

64.

Bell, M., Williams, M.: British Women’s Cinema. Routledge, London (2010).

65.

Bell, M., Williams, M.: British Women’s Cinema. Routledge, London (2009).

66.

Chibnall, S., Petley, J.: British Horror Cinema. Routledge, London (2001).

67.

Chibnall, S., Murphy, R.: British Crime Cinema. Routledge (1999).

68.

Chibnall, S., Murphy, R.: British Crime Cinema. Routledge, London (2005).

69.

Elliott, P.: Studying the British Crime Film. Auteur Publishing, Leighton Buzzard (2014).

70.

Hunter, I.Q., Porter, L.: British Comedy Cinema. Routledge, New York (2012).

71.

Hunter, I.Q., Porter, L.: British Comedy Cinema. Routledge, London (2012).

72.

Mather, N.: Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester University Press, Manchester (2006).

73.

Pirie, D.: A New Heritage of Horror: The English Gothic Cinema. I. B. Tauris, London (2008).

74.

Rose, J.: Beyond Hammer: British Horror Cinema Since 1970. Auteur, Leighton Buzzard (2009).

75.

Simpson, M.J.: Urban Terrors: New British Horror Cinema, 1997-2008. Hemlock Books, Bristol (2012).

76.

Smith, J.: Withnail and Us: Cult Films and Film Cults in British Cinema. I. B. Tauris, London (2010).