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J. Ashby and A. Higson, British Cinema: Past and Present. London: Routledge, 2000.
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C. Barr, All Our Yesterdays: 90 Years of British Cinema. London: BFI Pub, 1986.
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S. Barrow and J. White, Fifty Key British Films, vol. Routledge key guides. London: Routledge, 2008.
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J. Curran and V. Porter, British Cinema History. London: Weidenfeld and Nicolson, 1983.
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A. Higson, Dissolving Views: Key Writings on British Cinema, vol. Rethinking British cinema. London: Cassell, 1996.
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J. Leach, British Film, vol. National film traditions. Cambridge: Cambridge University Press, 2004.
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B. McFarlane, The Cinema of Britain and Ireland. London: Wallflower, 2005.
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R. Murphy, The British Cinema Book, 2nd ed. London: BFI, 2001.
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A. Sargeant, British Cinema: A Critical History. London: British Film Institute, 2005.
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S. Street, British National Cinema, 2nd ed. London: Routledge, 2009.
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S. Street, British National Cinema. London: Routledge, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=432836
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M. Auty and N. Roddick, British Cinema Now. London: British Film Institute, 1985.
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M. Brown, A Licence to Be Different: The Story of Channel 4. London: BFI, 2007.
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E. Dyja, Studying British Cinema: The 1990s. Leighton Buzzard: Auteur, 2010.
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J. Fitzgerald, Studying British Cinema, 1999-2009. Leighton Buzzard: Auteur, 2010.
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L. D. Friedman, Fires Were Started: British Cinema and Thatcherism, 2nd ed. London: Wallflower, 2006.
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J. Hacker and D. Price, Take Ten: Contemporary British Film Directors. Oxford: Clarendon, 1991.
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R. Murphy, British Cinema of the 90s. London: British Film Institute, 2000.
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J. Hill, British Cinema in the 1980s: Issues and Themes. Oxford: Clarendon Press, 1999.
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J. Leggott, Contemporary British Cinema: From Heritage to Horror, vol. Short cuts. London: Wallflower Press, 2008.
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J. Leggott, Contemporary British Cinema: From Heritage to Horror, vol. Short cuts. London: Wallflower Press, 2008.
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R. Murphy, British Cinema of the 90s. London: British Film Institute, 2000.
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J. Chapman, Past and Present: National Identity and the British Historical Film, vol. Cinema and society. London: I. B. Tauris, 2005 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009908
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A. Higson, English Heritage, English Cinema: Costume Drama Since 1980. Oxford: Oxford University Press, 2003.
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A. Higson, Film England. London: I.B. Tauris, 2011 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857718976
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C. Monk and Dawsonera, Heritage film audiences: period films and contemporary audiences in the UK. Edinburgh: Edinburgh University Press, 2011 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748647040
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C. Monk, Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh: Edinburgh University Press, 2011 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6721486270002671&institutionId=2671&customerId=2670
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C. Monk and A. Sargeant, British Historical Cinema: The History, Heritage and Costume Film, vol. British popular cinema. London: Routledge, 2002.
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J. Pidduck, Contemporary Costume Film: Space, Place and the Past. London: BFI, 2004.
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B. Vidal, Heritage Film: Nation, Genre and Representation, vol. Short cuts series. London: Wallflower, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=909598
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T. Wollen, ‘Over Our Shoulders: Nostalgic Screen Fictions for the 1980s’, in Enterprise and Heritage: Crosscurrents of National Culture, London: Routledge, 1991, pp. 178–193.
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T. Wollen, ‘Over Our Shoulders: Nostalgic Screen Fictions for the 1980s’, in Enterprise and Heritage: Crosscurrents of National Culture, London: Routledge, 1991, pp. 178–193 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991947
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P. Dave, Visions of England: Class and Culture in Contemporary Cinema, vol. Talking images series. Oxford: Berg, 2006.
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P. Dave, ‘Tragedy, Ethics and History in Contemporary British Social Realist Film’, in British Social Realism in the Arts Since 1940, Basingstoke: Palgrave Macmillan, 2011, pp. 17–56 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230306387
[35]
D. Forrest, ‘Better Things (Duane Hopkins, 2008) and New British Realism’, New Cinemas: Journal of Contemporary Film, vol. 8, no. 1, pp. 31–43, 2010, doi: 10.1386/ncin.8.1.31_1.
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K. Loach and G. Fuller, Loach on Loach. London: Faber, 1998.
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J. Hallam, ‘Film, Class and National Identity: Re-imagining Communities’, in British Cinema: Past and Present, London: Routledge, 2000, pp. 261–273.
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J. Hill, ‘Politics, Realism and Ken Loach’, in Cinema and Politics: Turkish Cinema and New Europe, New Castle upon Tyne: Cambridge Scholars, 2009, pp. 70–81 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781443804158
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J. Hill, Ken Loach: The Politics of Film and Television. London: BFI/Palgrave MacMillan, 2011.
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D. Knight, ‘Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method’, in Agent of Challenge and Defiance: The Films of Ken Loach, vol. Cinema voices, Trowbridge: Flick, 1997, pp. 60–81.
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S. Lay, British Social Realism: From Documentary to Brit Grit, vol. Short cuts. London: Wallflower, 2002.
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J. Leigh, The Cinema of Ken Loach: Art in the Service of the People, vol. Directors’ cuts. London: Wallflower Press, 2002.
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D. Knight, ‘"Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method” in Agent of Challenge and Defiance: The Films of Ken Loach’, in Agent of Challenge and Defiance: The Films of Ken Loach, vol. Cinema voices, Trowbridge: Flick, 1997.
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S. Lay, British Social Realism: From Documentary to Brit Grit, vol. Short cuts. London: Wallflower, 2002.
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J. Leigh, The Cinema of Ken Loach: Art in the Service of the People, vol. Directors’ cuts. London: Wallflower Press, 2002.
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G. McKnight, Agent of Challenge and Defiance: The Films of Ken Loach, vol. Cinema voices. Trowbridge: Flick, 1997.
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R. Williams, ‘A Lecture on Realism’, Screen, vol. 18, no. 1, pp. 61–74, 1977, doi: 10.1093/screen/18.1.61.
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D. Bordwell, ‘The Art Cinema as a Mode of Film Practice’, Film Criticism, vol. 4, no. 1, pp. 56–64, 1979 [Online]. Available: http://www.jstor.org/stable/44018650
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G. Eley, ‘Distant Voices, Still Lives The Family is a Dangerous Place: Memory Gender, and the Image of the Working Class’, in Revisioning History: Film and the Construction of a New Past, Princeton, N.J.: Princeton University Press, 1995, pp. 17–43.
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W. Everett, Terence Davies. Manchester: Manchester University Press, 2004.
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P. Farley, Distant Voices, Still Lives. London: British Film Institute, 2006.
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A. Lawrence, The Films of Peter Greenaway, vol. Cambridge film classics. Cambridge: Cambridge University Press, 1997.
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S. Neale, ‘Art Cinema as Institution’, Screen, vol. 22, no. 1, pp. 11–40, 1981, doi: 10.1093/screen/22.1.11.
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M. O’Pray, ‘The British Avant-Garde and Art Cinema from the 1970s to the 1990s’, in Dissolving Views: Key Writings on British Cinema, vol. Rethinking British cinema, London: Cassell, 1996, pp. 178–190.
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J. Orr, ‘The Art of National Identity: Peter Greenaway and Derek Jarman’, in British Cinema: Past and Present, London: Routledge, 2000, pp. 327–338.
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J. Orr, Romantics and Modernists in British Cinema, vol. Edinburgh studies in film. Edinburgh: Edinburgh University Press, 2012 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6716971420002671&institutionId=2671&customerId=2670
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M. Pally, ‘Order vs. Chaos: The Films of Peter Greenaway’, Cinéaste, vol. 18, no. 3, pp. 3–37, 1991 [Online]. Available: http://www.jstor.org/stable/41687085
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M. Smith, ‘Modernism and the Avant-Gardes’, in The Oxford Guide to Film Studies, Oxford: Oxford University Press, 1998, pp. 395–412.
[59]
M. Walsh, ‘Allegories of Thatcherism: The Films of Peter Greenaway’, in British Cinema and Thatcherism, London: UCL Press, 1993, pp. 255–277.
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M. Wayne, The Politics of Contemporary European Cinema. Bristol: Intellect, 2002.
[61]
M. Wayne, The Politics of Contemporary European Cinema: Histories, Borders, Diasporas. Bristol, UK: Intellect Books, 2002 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=47661
[62]
P. Wollen, ‘“The Last New Wave: Modernism in the British Films of the Thatcher Era”, in British Cinema and Thatcherism: Fires Were Started’, in British Cinema and Thatcherism: Fires Were Started, London: UCL Press, 1993.
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A. Woods, Being Naked, Playing Dead: The Art of Peter Greenaway. Manchester: Manchester University Press, 1996.
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M. Bell and M. Williams, British Women’s Cinema, vol. British popular cinema. London: Routledge, 2010.
[65]
M. Bell and M. Williams, British Women’s Cinema. London: Routledge, 2009 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203872000
[66]
S. Chibnall and J. Petley, British Horror Cinema. London: Routledge, 2001.
[67]
S. Chibnall and R. Murphy, British Crime Cinema, vol. British Popular Cinema series. Routledge, 1999.
[68]
S. Chibnall and R. Murphy, British Crime Cinema. London: Routledge, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237304
[69]
P. Elliott, Studying the British Crime Film, vol. Studying british cinema series. Leighton Buzzard: Auteur Publishing, 2014.
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I. Q. Hunter and L. Porter, British Comedy Cinema, vol. British popular cinema. New York: Routledge, 2012.
[71]
I. Q. Hunter and L. Porter, British Comedy Cinema, vol. British popular cinema. London: Routledge, 2012 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203146330
[72]
N. Mather, Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester: Manchester University Press, 2006.
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D. Pirie, A New Heritage of Horror: The English Gothic Cinema, [New ed.]. London: I. B. Tauris, 2008.
[74]
J. Rose, Beyond Hammer: British Horror Cinema Since 1970. Leighton Buzzard: Auteur, 2009.
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M. J. Simpson, Urban Terrors: New British Horror Cinema, 1997-2008. Bristol: Hemlock Books, 2012.
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J. Smith, Withnail and Us: Cult Films and Film Cults in British Cinema, vol. Cinema and society. London: I. B. Tauris, 2010 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6726528780002671&institutionId=2671&customerId=2670