Bibliography for MA3071: Contemporary British Cinema: Issues and Themes (2016-17) BETA

@book{Ashby_Higson_2000, address={London}, title={British Cinema: Past and Present}, publisher={Routledge}, author={Ashby, Justine and Higson, Andrew}, year={2000} }

@book{Auty_Roddick_1985, address={London}, title={British Cinema Now}, publisher={British Film Institute}, author={Auty, Martyn and Roddick, Nick}, year={1985} }

@book{Barr_1986, address={London}, title={All Our Yesterdays: 90 Years of British Cinema}, publisher={BFI Pub}, author={Barr, Charles}, year={1986} }

@book{Barrow_White_2008, address={London}, title={Fifty Key British Films}, volume={Routledge key guides}, publisher={Routledge}, author={Barrow, Sarah and White, John}, year={2008} }

@book{Bell_Williams_2009, address={London}, title={British Women’s Cinema}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203872000}, publisher={Routledge}, author={Bell, Melanie and Williams, Melanie}, year={2009} }

@book{Bell_Williams_2010, address={London}, title={British Women’s Cinema}, volume={British popular cinema}, publisher={Routledge}, author={Bell, Melanie and Williams, Melanie}, year={2010} }

@article{Bordwell_1979, title={The Art Cinema as a Mode of Film Practice}, volume={4}, url={http://www.jstor.org/stable/44018650}, number={1}, journal={Film Criticism}, author={Bordwell, David}, year={1979}, pages={56–64} }

@book{Brown_2007, address={London}, title={A Licence to Be Different: The Story of Channel 4}, publisher={BFI}, author={Brown, Maggie}, year={2007} }

@book{Chapman_2005, address={London}, title={Past and Present: National Identity and the British Historical Film}, volume={Cinema and society}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009908}, publisher={I. B. Tauris}, author={Chapman, James}, year={2005} }

@book{Chibnall_Murphy_1999, title={British Crime Cinema}, volume={British Popular Cinema series}, publisher={Routledge}, author={Chibnall, Steve and Murphy, Robert}, year={1999} }

@book{Chibnall_Murphy_2005, address={London}, title={British Crime Cinema}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237304}, publisher={Routledge}, author={Chibnall, Steve and Murphy, Robert}, year={2005} }

@book{Chibnall_Petley_2001, address={London}, title={British Horror Cinema}, publisher={Routledge}, author={Chibnall, Steve and Petley, Julian}, year={2001} }

@book{Curran_Porter_1983, address={London}, title={British Cinema History}, publisher={Weidenfeld and Nicolson}, author={Curran, James and Porter, Vincent}, year={1983} }

@book{Dave_2006, address={Oxford}, title={Visions of England: Class and Culture in Contemporary Cinema}, volume={Talking images series}, publisher={Berg}, author={Dave, Paul}, year={2006} }

@inbook{Dave_2011, address={Basingstoke}, title={Tragedy, Ethics and History in Contemporary British Social Realist Film}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230306387}, booktitle={British Social Realism in the Arts Since 1940}, publisher={Palgrave Macmillan}, author={Dave, Paul}, year={2011}, pages={17–56} }

@book{Dyja_2010, address={Leighton Buzzard}, title={Studying British Cinema: The 1990s}, publisher={Auteur}, author={Dyja, Eddie}, year={2010} }

@inbook{Eley_1995, address={Princeton, N.J.}, title={Distant Voices, Still Lives The Family is a Dangerous Place: Memory Gender, and the Image of the Working Class}, booktitle={Revisioning History: Film and the Construction of a New Past}, publisher={Princeton University Press}, author={Eley, Geoff}, year={1995}, pages={17–43} }

@book{Elliott_2014, address={Leighton Buzzard}, title={Studying the British Crime Film}, volume={Studying british cinema series}, publisher={Auteur Publishing}, author={Elliott, Paul}, year={2014} }

@book{Everett_2004, address={Manchester}, title={Terence Davies}, publisher={Manchester University Press}, author={Everett, Wendy}, year={2004} }

@book{Farley_2006, address={London}, title={Distant Voices, Still Lives}, publisher={British Film Institute}, author={Farley, Paul}, year={2006} }

@book{Fitzgerald_2010, address={Leighton Buzzard}, title={Studying British Cinema, 1999-2009}, publisher={Auteur}, author={Fitzgerald, John}, year={2010} }

@article{Forrest_2010, title={Better Things (Duane Hopkins, 2008) and New British Realism}, volume={8}, DOI={10.1386/ncin.8.1.31_1}, number={1}, journal={New Cinemas: Journal of Contemporary Film}, author={Forrest, David}, year={2010}, pages={31–43} }

@book{Friedman_2006, address={London}, edition={2nd ed}, title={Fires Were Started: British Cinema and Thatcherism}, publisher={Wallflower}, author={Friedman, Lester D.}, year={2006} }

@book{Hacker_Price_1991, address={Oxford}, title={Take Ten: Contemporary British Film Directors}, publisher={Clarendon}, author={Hacker, Jonathan and Price, David}, year={1991} }

@inbook{Hallam_2000, address={London}, title={Film, Class and National Identity: Re-imagining Communities}, booktitle={British Cinema: Past and Present}, publisher={Routledge}, author={Hallam, Julia}, year={2000}, pages={261–273} }

@book{Higson_1996, address={London}, title={Dissolving Views: Key Writings on British Cinema}, volume={Rethinking British cinema}, publisher={Cassell}, author={Higson, Andrew}, year={1996} }

@book{Higson_2003, address={Oxford}, title={English Heritage, English Cinema: Costume Drama Since 1980}, publisher={Oxford University Press}, author={Higson, Andrew}, year={2003} }

@book{Higson_2011, address={London}, title={Film England}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857718976}, publisher={I.B. Tauris}, author={Higson, Andrew}, year={2011} }

@book{Hill_1999, address={Oxford}, title={British Cinema in the 1980s: Issues and Themes}, publisher={Clarendon Press}, author={Hill, John}, year={1999} }

@inbook{Hill_2009, address={New Castle upon Tyne}, title={Politics, Realism and Ken Loach}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781443804158}, booktitle={Cinema and Politics: Turkish Cinema and New Europe}, publisher={Cambridge Scholars}, author={Hill, John}, year={2009}, pages={70–81} }

@book{Hill_2011, address={London}, title={Ken Loach: The Politics of Film and Television}, publisher={BFI/Palgrave MacMillan}, author={Hill, John}, year={2011} }

@book{Hunter_Porter_2012a, address={London}, title={British Comedy Cinema}, volume={British popular cinema}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203146330}, publisher={Routledge}, author={Hunter, I. Q. and Porter, Laraine}, year={2012} }

@book{Hunter_Porter_2012b, address={New York}, title={British Comedy Cinema}, volume={British popular cinema}, publisher={Routledge}, author={Hunter, I.Q. and Porter, Laraine}, year={2012} }

@inbook{Knight_1997a, address={Trowbridge}, title={Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method}, volume={Cinema voices}, booktitle={Agent of Challenge and Defiance: The Films of Ken Loach}, publisher={Flick}, author={Knight, Deborah}, year={1997}, pages={60–81} }

@inbook{Knight_1997b, address={Trowbridge}, title={"Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method” in Agent of Challenge and Defiance: The Films of Ken Loach}, volume={Cinema voices}, booktitle={Agent of Challenge and Defiance: The Films of Ken Loach}, publisher={Flick}, author={Knight, Deborah}, year={1997} }

@book{Lawrence_1997, address={Cambridge}, title={The Films of Peter Greenaway}, volume={Cambridge film classics}, publisher={Cambridge University Press}, author={Lawrence, Amy}, year={1997} }

@book{Lay_2002a, address={London}, title={British Social Realism: From Documentary to Brit Grit}, volume={Short cuts}, publisher={Wallflower}, author={Lay, Samantha}, year={2002} }

@book{Lay_2002b, address={London}, title={British Social Realism: From Documentary to Brit Grit}, volume={Short cuts}, publisher={Wallflower}, author={Lay, Samantha}, year={2002} }

@book{Leach_2004, address={Cambridge}, title={British Film}, volume={National film traditions}, publisher={Cambridge University Press}, author={Leach, Jim}, year={2004} }

@book{Leggott_2008a, address={London}, title={Contemporary British Cinema: From Heritage to Horror}, volume={Short cuts}, publisher={Wallflower Press}, author={Leggott, James}, year={2008} }

@book{Leggott_2008b, address={London}, title={Contemporary British Cinema: From Heritage to Horror}, volume={Short cuts}, publisher={Wallflower Press}, author={Leggott, James}, year={2008} }

@book{Leigh_2002a, address={London}, title={The Cinema of Ken Loach: Art in the Service of the People}, volume={Directors’ cuts}, publisher={Wallflower Press}, author={Leigh, Jacob}, year={2002} }

@book{Leigh_2002b, address={London}, title={The Cinema of Ken Loach: Art in the Service of the People}, volume={Directors’ cuts}, publisher={Wallflower Press}, author={Leigh, Jacob}, year={2002} }

@book{Loach_Fuller_1998, address={London}, title={Loach on Loach}, publisher={Faber}, author={Loach, Ken and Fuller, Graham}, year={1998} }

@book{Mather_2006, address={Manchester}, title={Tears of Laughter: Comedy-Drama in 1990s British Cinema}, publisher={Manchester University Press}, author={Mather, Nigel}, year={2006} }

@book{McFarlane_2005, address={London}, title={The Cinema of Britain and Ireland}, publisher={Wallflower}, author={McFarlane, Brian}, year={2005} }

@book{McKnight_1997, address={Trowbridge}, title={Agent of Challenge and Defiance: The Films of Ken Loach}, volume={Cinema voices}, publisher={Flick}, author={McKnight, George}, year={1997} }

@book{Monk_2011, address={Edinburgh}, title={Heritage Film Audiences: Period Films and Contemporary Audiences in the UK}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6721486270002671&institutionId=2671&customerId=2670}, publisher={Edinburgh University Press}, author={Monk, Claire}, year={2011} }

@book{Monk_Dawsonera_2011, address={Edinburgh}, title={Heritage film audiences: period films and contemporary audiences in the UK}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748647040}, publisher={Edinburgh University Press}, author={Monk, Claire and Dawsonera}, year={2011} }

@book{Monk_Sargeant_2002, address={London}, title={British Historical Cinema: The History, Heritage and Costume Film}, volume={British popular cinema}, publisher={Routledge}, author={Monk, Claire and Sargeant, Amy}, year={2002} }

@book{Murphy_2000a, address={London}, title={British Cinema of the 90s}, publisher={British Film Institute}, author={Murphy, Robert}, year={2000} }

@book{Murphy_2000b, address={London}, title={British Cinema of the 90s}, publisher={British Film Institute}, author={Murphy, Robert}, year={2000} }

@book{Murphy_2001, address={London}, edition={2nd ed}, title={The British Cinema Book}, publisher={BFI}, author={Murphy, Robert}, year={2001} }

@article{Neale_1981, title={Art Cinema as Institution}, volume={22}, DOI={10.1093/screen/22.1.11}, number={1}, journal={Screen}, author={Neale, Steve}, year={1981}, pages={11–40} }

@inbook{O’Pray_1996, address={London}, title={The British Avant-Garde and Art Cinema from the 1970s to the 1990s}, volume={Rethinking British cinema}, booktitle={Dissolving Views: Key Writings on British Cinema}, publisher={Cassell}, author={O’Pray, Michael}, year={1996}, pages={178–190} }

@inbook{Orr_2000, address={London}, title={The Art of National Identity: Peter Greenaway and Derek Jarman}, booktitle={British Cinema: Past and Present}, publisher={Routledge}, author={Orr, John}, year={2000}, pages={327–338} }

@book{Orr_2012, address={Edinburgh}, title={Romantics and Modernists in British Cinema}, volume={Edinburgh studies in film}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6716971420002671&institutionId=2671&customerId=2670}, publisher={Edinburgh University Press}, author={Orr, John}, year={2012} }

@article{Pally_1991, title={Order vs. Chaos: The Films of Peter Greenaway}, volume={18}, url={http://www.jstor.org/stable/41687085}, number={3}, journal={Cinéaste}, publisher={Cineaste Publishers, Inc.Cineaste Publishers, Inc.}, author={Pally, Marcia}, year={1991}, pages={3–37} }

@book{Pidduck_2004, address={London}, title={Contemporary Costume Film: Space, Place and the Past}, publisher={BFI}, author={Pidduck, Julianne}, year={2004} }

@book{Pirie_2008, address={London}, edition={[New ed.]}, title={A New Heritage of Horror: The English Gothic Cinema}, publisher={I. B. Tauris}, author={Pirie, David}, year={2008} }

@book{Rose_2009, address={Leighton Buzzard}, title={Beyond Hammer: British Horror Cinema Since 1970}, publisher={Auteur}, author={Rose, James}, year={2009} }

@book{Sargeant_2005, address={London}, title={British Cinema: A Critical History}, publisher={British Film Institute}, author={Sargeant, Amy}, year={2005} }

@book{Simpson_2012, address={Bristol}, title={Urban Terrors: New British Horror Cinema, 1997-2008}, publisher={Hemlock Books}, author={Simpson, M. J.}, year={2012} }

@book{Smith_2010, address={London}, title={Withnail and Us: Cult Films and Film Cults in British Cinema}, volume={Cinema and society}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6726528780002671&institutionId=2671&customerId=2670}, publisher={I. B. Tauris}, author={Smith, Justin}, year={2010} }

@inbook{Smith_1998, address={Oxford}, title={Modernism and the Avant-Gardes}, booktitle={The Oxford Guide to Film Studies}, publisher={Oxford University Press}, author={Smith, Murray}, year={1998}, pages={395–412} }

@book{Street_2009a, address={London}, edition={2nd ed}, title={British National Cinema}, publisher={Routledge}, author={Street, Sarah}, year={2009} }

@book{Street_2009b, address={London}, title={British National Cinema}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=432836}, publisher={Routledge}, author={Street, Sarah}, year={2009} }

@book{Vidal_2012, address={London}, title={Heritage Film: Nation, Genre and Representation}, volume={Short cuts series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=909598}, publisher={Wallflower}, author={Vidal, Belen}, year={2012} }

@inbook{Walsh_1993, address={London}, title={Allegories of Thatcherism: The Films of Peter Greenaway}, booktitle={British Cinema and Thatcherism}, publisher={UCL Press}, author={Walsh, Michael}, year={1993}, pages={255–277} }

@book{Wayne_2002a, address={Bristol}, title={The Politics of Contemporary European Cinema}, publisher={Intellect}, author={Wayne, Mike}, year={2002} }

@book{Wayne_2002b, address={Bristol, UK}, title={The Politics of Contemporary European Cinema: Histories, Borders, Diasporas}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=47661}, publisher={Intellect Books}, author={Wayne, Mike}, year={2002} }

@article{Williams_1977, title={A Lecture on Realism}, volume={18}, DOI={10.1093/screen/18.1.61}, number={1}, journal={Screen}, author={Williams, Raymond}, year={1977}, pages={61–74} }

@inbook{Wollen_1993, address={London}, title={‘The Last New Wave: Modernism in the British Films of the Thatcher Era’, in British Cinema and Thatcherism: Fires Were Started}, booktitle={British Cinema and Thatcherism: Fires Were Started}, publisher={UCL Press}, author={Wollen, Peter}, year={1993} }

@inbook{Wollen_1991a, address={London}, title={Over Our Shoulders: Nostalgic Screen Fictions for the 1980s}, booktitle={Enterprise and Heritage: Crosscurrents of National Culture}, publisher={Routledge}, author={Wollen, Tana}, year={1991}, pages={178–193} }

@inbook{Wollen_1991b, address={London}, title={Over Our Shoulders: Nostalgic Screen Fictions for the 1980s}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991947}, booktitle={Enterprise and Heritage: Crosscurrents of National Culture}, publisher={Routledge}, author={Wollen, Tana}, year={1991}, pages={178–193} }

@book{Woods_1996, address={Manchester}, title={Being Naked, Playing Dead: The Art of Peter Greenaway}, publisher={Manchester University Press}, author={Woods, Alan}, year={1996} }