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Barr C. All Our Yesterdays: 90 Years of British Cinema. London: BFI Pub; 1986.
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Street S. British National Cinema [Internet]. London: Routledge; 2009. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=432836
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Auty M, Roddick N. British Cinema Now. London: British Film Institute; 1985.
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Brown M. A Licence to Be Different: The Story of Channel 4. London: BFI; 2007.
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Dyja E. Studying British Cinema: The 1990s. Leighton Buzzard: Auteur; 2010.
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Hacker J, Price D. Take Ten: Contemporary British Film Directors. Oxford: Clarendon; 1991.
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Murphy R. British Cinema of the 90s. London: British Film Institute; 2000.
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Hill J. British Cinema in the 1980s: Issues and Themes. Oxford: Clarendon Press; 1999.
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Murphy R. British Cinema of the 90s. London: British Film Institute; 2000.
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Chapman J. Past and Present: National Identity and the British Historical Film [Internet]. London: I. B. Tauris; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009908
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Higson A. English Heritage, English Cinema: Costume Drama Since 1980. Oxford: Oxford University Press; 2003.
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Higson A. Film England [Internet]. London: I.B. Tauris; 2011. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857718976
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Monk C, Dawsonera. Heritage film audiences: period films and contemporary audiences in the UK [Internet]. Edinburgh: Edinburgh University Press; 2011. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748647040
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Monk C. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK [Internet]. Edinburgh: Edinburgh University Press; 2011. Available from: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6721486270002671&institutionId=2671&customerId=2670
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Monk C, Sargeant A. British Historical Cinema: The History, Heritage and Costume Film. London: Routledge; 2002.
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Pidduck J. Contemporary Costume Film: Space, Place and the Past. London: BFI; 2004.
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Vidal B. Heritage Film: Nation, Genre and Representation [Internet]. London: Wallflower; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=909598
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Wollen T. Over Our Shoulders: Nostalgic Screen Fictions for the 1980s. Enterprise and Heritage: Crosscurrents of National Culture. London: Routledge; 1991. p. 178–193.
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Wollen T. Over Our Shoulders: Nostalgic Screen Fictions for the 1980s. Enterprise and Heritage: Crosscurrents of National Culture [Internet]. London: Routledge; 1991. p. 178–193. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991947
33.
Dave P. Visions of England: Class and Culture in Contemporary Cinema. Oxford: Berg; 2006.
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Dave P. Tragedy, Ethics and History in Contemporary British Social Realist Film. British Social Realism in the Arts Since 1940 [Internet]. Basingstoke: Palgrave Macmillan; 2011. p. 17–56. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230306387
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Forrest D. Better Things (Duane Hopkins, 2008) and New British Realism. New Cinemas: Journal of Contemporary Film. 2010;8(1):31–43.
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Loach K, Fuller G. Loach on Loach. London: Faber; 1998.
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Hallam J. Film, Class and National Identity: Re-imagining Communities. British Cinema: Past and Present. London: Routledge; 2000. p. 261–273.
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Hill J. Politics, Realism and Ken Loach. Cinema and Politics: Turkish Cinema and New Europe [Internet]. New Castle upon Tyne: Cambridge Scholars; 2009. p. 70–81. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781443804158
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Hill J. Ken Loach: The Politics of Film and Television. London: BFI/Palgrave MacMillan; 2011.
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Leigh J. The Cinema of Ken Loach: Art in the Service of the People. London: Wallflower Press; 2002.
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Eley G. Distant Voices, Still Lives The Family is a Dangerous Place: Memory Gender, and the Image of the Working Class. Revisioning History: Film and the Construction of a New Past. Princeton, N.J.: Princeton University Press; 1995. p. 17–43.
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Everett W. Terence Davies. Manchester: Manchester University Press; 2004.
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Neale S. Art Cinema as Institution. Screen. 1981;22(1):11–40.
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O’Pray M. The British Avant-Garde and Art Cinema from the 1970s to the 1990s. Dissolving Views: Key Writings on British Cinema. London: Cassell; 1996. p. 178–190.
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Orr J. The Art of National Identity: Peter Greenaway and Derek Jarman. British Cinema: Past and Present. London: Routledge; 2000. p. 327–338.
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Orr J. Romantics and Modernists in British Cinema [Internet]. Edinburgh: Edinburgh University Press; 2012. Available from: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6716971420002671&institutionId=2671&customerId=2670
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Pally M. Order vs. Chaos: The Films of Peter Greenaway. Cinéaste [Internet]. Cineaste Publishers, Inc.Cineaste Publishers, Inc.; 1991;18(3):3–37. Available from: http://www.jstor.org/stable/41687085
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Smith M. Modernism and the Avant-Gardes. The Oxford Guide to Film Studies. Oxford: Oxford University Press; 1998. p. 395–412.
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Walsh M. Allegories of Thatcherism: The Films of Peter Greenaway. British Cinema and Thatcherism. London: UCL Press; 1993. p. 255–277.
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Wayne M. The Politics of Contemporary European Cinema. Bristol: Intellect; 2002.
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Wayne M. The Politics of Contemporary European Cinema: Histories, Borders, Diasporas [Internet]. Bristol, UK: Intellect Books; 2002. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=47661
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Wollen P. ‘The Last New Wave: Modernism in the British Films of the Thatcher Era’, in British Cinema and Thatcherism: Fires Were Started. British Cinema and Thatcherism: Fires Were Started. London: UCL Press; 1993.
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Woods A. Being Naked, Playing Dead: The Art of Peter Greenaway. Manchester: Manchester University Press; 1996.
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Bell M, Williams M. British Women’s Cinema. London: Routledge; 2010.
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Bell M, Williams M. British Women’s Cinema [Internet]. London: Routledge; 2009. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203872000
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Chibnall S, Petley J. British Horror Cinema. London: Routledge; 2001.
67.
Chibnall S, Murphy R. British Crime Cinema. Routledge; 1999.
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Chibnall S, Murphy R. British Crime Cinema [Internet]. London: Routledge; 2005. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237304
69.
Elliott P. Studying the British Crime Film. Leighton Buzzard: Auteur Publishing; 2014.
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Hunter IQ, Porter L. British Comedy Cinema. New York: Routledge; 2012.
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Hunter IQ, Porter L. British Comedy Cinema [Internet]. London: Routledge; 2012. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203146330
72.
Mather N. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester: Manchester University Press; 2006.
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Pirie D. A New Heritage of Horror: The English Gothic Cinema. [New ed.]. London: I. B. Tauris; 2008.
74.
Rose J. Beyond Hammer: British Horror Cinema Since 1970. Leighton Buzzard: Auteur; 2009.
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Simpson MJ. Urban Terrors: New British Horror Cinema, 1997-2008. Bristol: Hemlock Books; 2012.
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Smith J. Withnail and Us: Cult Films and Film Cults in British Cinema [Internet]. London: I. B. Tauris; 2010. Available from: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6726528780002671&institutionId=2671&customerId=2670