Ashby, Justine, and Andrew Higson. 2000. British Cinema: Past and Present. London: Routledge.
Auty, Martyn, and Nick Roddick. 1985. British Cinema Now. London: British Film Institute.
Barr, Charles. 1986. All Our Yesterdays: 90 Years of British Cinema. London: BFI Pub.
Barrow, Sarah, and John White. 2008. Fifty Key British Films. Vol. Routledge key guides. London: Routledge.
Bell, Melanie, and Melanie Williams. 2009. British Women’s Cinema. Electronic book. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203872000.
———. 2010. British Women’s Cinema. Vol. British popular cinema. London: Routledge.
Bordwell, David. 1979. ‘The Art Cinema as a Mode of Film Practice’. Film Criticism 4 (1): 56–64. http://www.jstor.org/stable/44018650.
Brown, Maggie. 2007. A Licence to Be Different: The Story of Channel 4. London: BFI.
Chapman, James. 2005. Past and Present: National Identity and the British Historical Film. Electronic book. Vol. Cinema and society. London: I. B. Tauris. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9786000009908.
Chibnall, Steve, and Robert Murphy. 1999. British Crime Cinema. Vol. British Popular Cinema series. Routledge.
———. 2005. British Crime Cinema. Electronic book. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237304.
Chibnall, Steve, and Julian Petley. 2001. British Horror Cinema. London: Routledge.
Curran, James, and Vincent Porter. 1983. British Cinema History. London: Weidenfeld and Nicolson.
Dave, Paul. 2006. Visions of England: Class and Culture in Contemporary Cinema. Vol. Talking images series. Oxford: Berg.
———. 2011. ‘Tragedy, Ethics and History in Contemporary British Social Realist Film’. Electronic book. In British Social Realism in the Arts Since 1940, 17–56. Basingstoke: Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230306387.
Dyja, Eddie. 2010. Studying British Cinema: The 1990s. Leighton Buzzard: Auteur.
Eley, Geoff. 1995. ‘Distant Voices, Still Lives The Family Is a Dangerous Place: Memory Gender, and the Image of the Working Class’. In Revisioning History: Film and the Construction of a New Past, 17–43. Princeton, N.J.: Princeton University Press.
Elliott, Paul. 2014. Studying the British Crime Film. Vol. Studying british cinema series. Leighton Buzzard: Auteur Publishing.
Everett, Wendy. 2004. Terence Davies. Manchester: Manchester University Press.
Farley, Paul. 2006. Distant Voices, Still Lives. London: British Film Institute.
Fitzgerald, John. 2010. Studying British Cinema, 1999-2009. Leighton Buzzard: Auteur.
Forrest, David. 2010. ‘Better Things (Duane Hopkins, 2008) and New British Realism’. New Cinemas: Journal of Contemporary Film 8 (1): 31–43. https://doi.org/10.1386/ncin.8.1.31_1.
Friedman, Lester D. 2006. Fires Were Started: British Cinema and Thatcherism. 2nd ed. London: Wallflower.
Hacker, Jonathan, and David Price. 1991. Take Ten: Contemporary British Film Directors. Oxford: Clarendon.
Hallam, Julia. 2000. ‘Film, Class and National Identity: Re-Imagining Communities’. In British Cinema: Past and Present, 261–73. London: Routledge.
Higson, Andrew. 1996. Dissolving Views: Key Writings on British Cinema. Vol. Rethinking British cinema. London: Cassell.
———. 2003. English Heritage, English Cinema: Costume Drama Since 1980. Oxford: Oxford University Press.
———. 2011. Film England. Electronic book. London: I.B. Tauris. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857718976.
Hill, John. 1999. British Cinema in the 1980s: Issues and Themes. Oxford: Clarendon Press.
———. 2009. ‘Politics, Realism and Ken Loach’. Electronic book. In Cinema and Politics: Turkish Cinema and New Europe, 70–81. New Castle upon Tyne: Cambridge Scholars. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781443804158.
———. 2011. Ken Loach: The Politics of Film and Television. London: BFI/Palgrave MacMillan.
Hunter, I. Q., and Laraine Porter. 2012a. British Comedy Cinema. Electronic book. Vol. British popular cinema. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203146330.
Hunter, I.Q., and Laraine Porter. 2012b. British Comedy Cinema. Vol. British popular cinema. New York: Routledge.
Knight, Deborah. 1997a. ‘Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method’. In Agent of Challenge and Defiance: The Films of Ken Loach, Cinema voices:60–81. Trowbridge: Flick.
———. 1997b. ‘"Naturalism, Narration and Critical Perspective: Ken Loach and the Experimental Method” in Agent of Challenge and Defiance: The Films of Ken Loach’. In Agent of Challenge and Defiance: The Films of Ken Loach. Vol. Cinema voices. Trowbridge: Flick.
Lawrence, Amy. 1997. The Films of Peter Greenaway. Vol. Cambridge film classics. Cambridge: Cambridge University Press.
Lay, Samantha. 2002a. British Social Realism: From Documentary to Brit Grit. Vol. Short cuts. London: Wallflower.
———. 2002b. British Social Realism: From Documentary to Brit Grit. Vol. Short cuts. London: Wallflower.
Leach, Jim. 2004. British Film. Vol. National film traditions. Cambridge: Cambridge University Press.
Leggott, James. 2008a. Contemporary British Cinema: From Heritage to Horror. Vol. Short cuts. London: Wallflower Press.
———. 2008b. Contemporary British Cinema: From Heritage to Horror. Vol. Short cuts. London: Wallflower Press.
Leigh, Jacob. 2002a. The Cinema of Ken Loach: Art in the Service of the People. Vol. Directors’ cuts. London: Wallflower Press.
———. 2002b. The Cinema of Ken Loach: Art in the Service of the People. Vol. Directors’ cuts. London: Wallflower Press.
Loach, Ken, and Graham Fuller. 1998. Loach on Loach. London: Faber.
Mather, Nigel. 2006. Tears of Laughter: Comedy-Drama in 1990s British Cinema. Manchester: Manchester University Press.
McFarlane, Brian. 2005. The Cinema of Britain and Ireland. London: Wallflower.
McKnight, George. 1997. Agent of Challenge and Defiance: The Films of Ken Loach. Vol. Cinema voices. Trowbridge: Flick.
Monk, Claire. 2011. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Electronic resource. Edinburgh: Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6721486270002671&institutionId=2671&customerId=2670.
Monk, Claire and Dawsonera. 2011. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Electronic book. Edinburgh: Edinburgh University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748647040.
Monk, Claire, and Amy Sargeant. 2002. British Historical Cinema: The History, Heritage and Costume Film. Vol. British popular cinema. London: Routledge.
Murphy, Robert. 2000a. British Cinema of the 90s. London: British Film Institute.
———. 2000b. British Cinema of the 90s. London: British Film Institute.
———. 2001. The British Cinema Book. 2nd ed. London: BFI.
Neale, Steve. 1981. ‘Art Cinema as Institution’. Screen 22 (1): 11–40. https://doi.org/10.1093/screen/22.1.11.
O’Pray, Michael. 1996. ‘The British Avant-Garde and Art Cinema from the 1970s to the 1990s’. In Dissolving Views: Key Writings on British Cinema, Rethinking British cinema:178–90. London: Cassell.
Orr, John. 2000. ‘The Art of National Identity: Peter Greenaway and Derek Jarman’. In British Cinema: Past and Present, 327–38. London: Routledge.
———. 2012. Romantics and Modernists in British Cinema. Vol. Edinburgh studies in film. Edinburgh: Edinburgh University Press. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6716971420002671&institutionId=2671&customerId=2670.
Pally, Marcia. 1991. ‘Order vs. Chaos: The Films of Peter Greenaway’. Cinéaste 18 (3): 3–37. http://www.jstor.org/stable/41687085.
Pidduck, Julianne. 2004. Contemporary Costume Film: Space, Place and the Past. London: BFI.
Pirie, David. 2008. A New Heritage of Horror: The English Gothic Cinema. [New ed.]. London: I. B. Tauris.
Rose, James. 2009. Beyond Hammer: British Horror Cinema Since 1970. Leighton Buzzard: Auteur.
Sargeant, Amy. 2005. British Cinema: A Critical History. London: British Film Institute.
Simpson, M. J. 2012. Urban Terrors: New British Horror Cinema, 1997-2008. Bristol: Hemlock Books.
Smith, Justin. 2010. Withnail and Us: Cult Films and Film Cults in British Cinema. Vol. Cinema and society. London: I. B. Tauris. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=6726528780002671&institutionId=2671&customerId=2670.
Smith, Murray. 1998. ‘Modernism and the Avant-Gardes’. In The Oxford Guide to Film Studies, 395–412. Oxford: Oxford University Press.
Street, Sarah. 2009a. British National Cinema. 2nd ed. London: Routledge.
———. 2009b. British National Cinema. Electronic book. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=432836.
Vidal, Belen. 2012. Heritage Film: Nation, Genre and Representation. Vol. Short cuts series. London: Wallflower. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=909598.
Walsh, Michael. 1993. ‘Allegories of Thatcherism: The Films of Peter Greenaway’. In British Cinema and Thatcherism, 255–77. London: UCL Press.
Wayne, Mike. 2002a. The Politics of Contemporary European Cinema. Bristol: Intellect.
———. 2002b. The Politics of Contemporary European Cinema: Histories, Borders, Diasporas. Electronic book. Bristol, UK: Intellect Books. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=47661.
Williams, Raymond. 1977. ‘A Lecture on Realism’. Screen 18 (1): 61–74. https://doi.org/10.1093/screen/18.1.61.
Wollen, Peter. 1993. ‘“The Last New Wave: Modernism in the British Films of the Thatcher Era”, in British Cinema and Thatcherism: Fires Were Started’. In British Cinema and Thatcherism: Fires Were Started. London: UCL Press.
Wollen, Tana. 1991a. ‘Over Our Shoulders: Nostalgic Screen Fictions for the 1980s’. In Enterprise and Heritage: Crosscurrents of National Culture, 178–93. London: Routledge.
———. 1991b. ‘Over Our Shoulders: Nostalgic Screen Fictions for the 1980s’. Electronic book. In Enterprise and Heritage: Crosscurrents of National Culture, 178–93. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203991947.
Woods, Alan. 1996. Being Naked, Playing Dead: The Art of Peter Greenaway. Manchester: Manchester University Press.
