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Ann A. Through Yours to Mine and Back Again. Engaging Bodies: The Politics and Poetics of Corporeality. Middletown, Connecticut: Wesleyan University Press; 2013. p. 288–291.
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Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation. Bristol: Intellect; 2014.
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Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation [Internet]. Bristol: Intellect; 2014. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783202362
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Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation. Bristol: Intellect; 2014.
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Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation [Internet]. Bristol: Intellect; 2014. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783202362
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Butterworth J. Dance Studies: The Basics. London: Routledge; 2012.
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Butterworth J. Dance Studies: The Basics [Internet]. London: Routledge; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=957902
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Burrows J. A Choreographer’s Handbook. London: Routledge; 2010.
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Burrows J. A Choreographer’s Handbook. Milton Park, Abingdon, Oxon: Routledge; 2010.
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Burrows J. A Choreographer’s Handbook. London: Routledge; 2010.
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Burrows J. A Choreographer’s Handbook. Milton Park, Abingdon, Oxon: Routledge; 2010.
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Franklin E. Dance Imagery for Technique and Performance. Champaign, Ill: Human Kinetics; 1996.
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Cohen Bull CJ. Sense, Meaning and Perception in Three Dance Cultures. Meaning in Motion: New Cultural Studies of Dance. Durham: Duke University Press; 1997. p. 269–288.
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Cohen Bull CJ. Sense, Meaning and Perception in Three Dance Cultures. Meaning in Motion: New Cultural Studies of Dance [Internet]. Durham, NC: Duke University Press; 1997. p. 269–288. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=615189
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Houstoun W. Some Body and No Body: The Body of a Performer. Performance Perspectives: A Critical Introduction. Basingstoke: Palgrave Macmillan; 2011. p. 33–38.
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Tufnell M, Crickmay C. Body Space Image: Notes Towards Improvisation and Performance. London: Dance Books; 1993.
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Moon J. Resource 2. A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer; 2004. p. 186–189.
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Moon JA. Resource 2. A handbook of reflective and experiential learning: theory and practice [Internet]. London: RoutledgeFalmer; 2004. p. 186–189. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
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Moon J. Resource 3. A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer; 2004. p. 190–191.
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Moon JA. Resource 3. A handbook of reflective and experiential learning: theory and practice [Internet]. London: RoutledgeFalmer; 2004. p. 190–191. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
21.
Moon J. Resource 4. A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer; 2004. p. 192–195.
22.
Moon JA. Resource 4. A handbook of reflective and experiential learning: theory and practice [Internet]. London: RoutledgeFalmer; 2004. p. 192–195. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
23.
Moon J. Resource 5. A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer; 2004. p. 196–203.
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Moon JA. Resource 5. A handbook of reflective and experiential learning: theory and practice [Internet]. London: RoutledgeFalmer; 2004. p. 196–203. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
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Moon J. Resource 7. A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer; 2004. p. 210–211.
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Moon JA. Resource 7. A handbook of reflective and experiential learning: theory and practice [Internet]. London: RoutledgeFalmer; 2004. p. 210–211. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
27.
Claid E. Still Curious. The Routledge Dance Studies Reader. 2nd Edition. London: Routledge; 2010. p. 133–143.
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Claid E. Still Curious. The Routledge Dance Studies Reader [Internet]. 2nd Edition. Abingdon, Oxon: Routledge; 2010. p. 133–143. Available from: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780203860984
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Houstoun W. Some Body and No Body: The Body of a Performer. Performance Perspectives: A Critical Introduction. Basingstoke: Palgrave Macmillan; 2011. p. 33–38.
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Blom LA, Chaplin LT. The Intimate Act of Choreography. London: Dance Books; 1989.
31.
Butterworth J. Dance Studies: The Basics. London: Routledge; 2012.
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Butterworth J. Dance Studies: The Basics [Internet]. London: Routledge; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=957902
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Franklin EN. Dance Imagery for Technique and Performance. Second edition. Champaign, IL: Human Kinetics; 2014.
34.
Franklin EN. Dance Imagery for Technique and Performance [Internet]. Available from: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781450461733&uid=^u
35.
Doris Humphrey. The Art of Making Dances [Internet]. New York: Rinehart; 1959. Available from: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132012740002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Art%20of%20Making%20Dances&sortby=date&facet=frbrgroupid,include,298469240&offset=0
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Moon JA. A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer; 2004.
37.
Moon JA. A Handbook of Reflective and Experiential Learning: Theory and Practice [Internet]. London: RoutledgeFalmer; 2004. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
38.
Preston-Dunlop V. Looking at Dances: A Choreological Perspective on Choreography. [Ightham]: Verve; 1998.
39.
Roche J. Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities [Internet]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2015. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=760651
40.
Tufnell M, Crickmay C. Body Space Image: Notes Towards Improvisation and Performance. London: Dance Books; 1993.