1.
Ann A. Through Yours to Mine and Back Again. In: Engaging Bodies: The Politics and Poetics of Corporeality. Wesleyan University Press; 2013:288-291.
2.
Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation. Intellect; 2014.
3.
Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation. Intellect; 2014. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783202362
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Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation. Intellect; 2014.
5.
Batson G, Wilson M. Body and Mind in Motion: Dance and Neuroscience in Conversation. Intellect; 2014. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783202362
6.
Butterworth J. Dance Studies: The Basics. Routledge; 2012.
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Butterworth J. Dance Studies: The Basics. Routledge; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=957902
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Burrows J. A Choreographer’s Handbook. Routledge; 2010.
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Burrows J. A Choreographer’s Handbook. Routledge; 2010.
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Burrows J. A Choreographer’s Handbook. Routledge; 2010.
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Burrows J. A Choreographer’s Handbook. Routledge; 2010.
12.
Franklin E. Dance Imagery for Technique and Performance. Human Kinetics; 1996.
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Cohen Bull CJ. Sense, Meaning and Perception in Three Dance Cultures. In: Meaning in Motion: New Cultural Studies of Dance. Duke University Press; 1997:269-288.
14.
Cohen Bull CJ. Sense, Meaning and Perception in Three Dance Cultures. In: Meaning in Motion: New Cultural Studies of Dance. Duke University Press; 1997:269-288. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=615189
15.
Houstoun W. Some Body and No Body: The Body of a Performer. In: Performance Perspectives: A Critical Introduction. Palgrave Macmillan; 2011:33-38.
16.
Tufnell M, Crickmay C. Body Space Image: Notes Towards Improvisation and Performance. Dance Books; 1993.
17.
Moon J. Resource 2. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:186-189.
18.
Moon JA. Resource 2. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:186-189. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
19.
Moon J. Resource 3. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:190-191.
20.
Moon JA. Resource 3. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:190-191. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
21.
Moon J. Resource 4. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:192-195.
22.
Moon JA. Resource 4. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:192-195. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
23.
Moon J. Resource 5. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:196-203.
24.
Moon JA. Resource 5. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:196-203. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
25.
Moon J. Resource 7. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:210-211.
26.
Moon JA. Resource 7. In: A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004:210-211. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
27.
Claid E. Still Curious. In: The Routledge Dance Studies Reader. 2nd Edition. Routledge; 2010:133-143.
28.
Claid E. Still Curious. In: The Routledge Dance Studies Reader. 2nd Edition. Routledge; 2010:133-143. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780203860984
29.
Houstoun W. Some Body and No Body: The Body of a Performer. In: Performance Perspectives: A Critical Introduction. Palgrave Macmillan; 2011:33-38.
30.
Blom LA, Chaplin LT. The Intimate Act of Choreography. Dance Books; 1989.
31.
Butterworth J. Dance Studies: The Basics. Routledge; 2012.
32.
Butterworth J. Dance Studies: The Basics. Routledge; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=957902
33.
Franklin EN. Dance Imagery for Technique and Performance. Second edition. Human Kinetics; 2014.
34.
Franklin EN. Dance Imagery for Technique and Performance. https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781450461733&uid=^u
35.
Doris Humphrey. The Art of Making Dances. Rinehart; 1959. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132012740002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Art%20of%20Making%20Dances&sortby=date&facet=frbrgroupid,include,298469240&offset=0
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Moon JA. A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004.
37.
Moon JA. A Handbook of Reflective and Experiential Learning: Theory and Practice. RoutledgeFalmer; 2004. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
38.
Preston-Dunlop V. Looking at Dances: A Choreological Perspective on Choreography. Verve; 1998.
39.
Roche J. Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities. Palgrave Macmillan; 2015. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=760651
40.
Tufnell M, Crickmay C. Body Space Image: Notes Towards Improvisation and Performance. Dance Books; 1993.