[1]
A. Ann, ‘Through Yours to Mine and Back Again’, in Engaging Bodies: The Politics and Poetics of Corporeality, Middletown, Connecticut: Wesleyan University Press, 2013, pp. 288–291.
[2]
G. Batson and M. Wilson, Body and Mind in Motion: Dance and Neuroscience in Conversation. Bristol: Intellect, 2014.
[3]
G. Batson and M. Wilson, Body and Mind in Motion: Dance and Neuroscience in Conversation. Bristol: Intellect, 2014 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783202362
[4]
G. Batson and M. Wilson, Body and Mind in Motion: Dance and Neuroscience in Conversation. Bristol: Intellect, 2014.
[5]
G. Batson and M. Wilson, Body and Mind in Motion: Dance and Neuroscience in Conversation. Bristol: Intellect, 2014 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781783202362
[6]
J. Butterworth, Dance Studies: The Basics. London: Routledge, 2012.
[7]
J. Butterworth, Dance Studies: The Basics. London: Routledge, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=957902
[8]
J. Burrows, A Choreographer’s Handbook. London: Routledge, 2010.
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J. Burrows, A Choreographer’s Handbook. Milton Park, Abingdon, Oxon: Routledge, 2010.
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J. Burrows, A Choreographer’s Handbook. London: Routledge, 2010.
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J. Burrows, A Choreographer’s Handbook. Milton Park, Abingdon, Oxon: Routledge, 2010.
[12]
E. Franklin, Dance Imagery for Technique and Performance. Champaign, Ill: Human Kinetics, 1996.
[13]
C. J. Cohen Bull, ‘Sense, Meaning and Perception in Three Dance Cultures’, in Meaning in Motion: New Cultural Studies of Dance, Durham: Duke University Press, 1997, pp. 269–288.
[14]
C. J. Cohen Bull, ‘Sense, Meaning and Perception in Three Dance Cultures’, in Meaning in Motion: New Cultural Studies of Dance, Durham, NC: Duke University Press, 1997, pp. 269–288 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=615189
[15]
W. Houstoun, ‘Some Body and No Body: The Body of a Performer’, in Performance Perspectives: A Critical Introduction, Basingstoke: Palgrave Macmillan, 2011, pp. 33–38.
[16]
M. Tufnell and C. Crickmay, Body Space Image: Notes Towards Improvisation and Performance. London: Dance Books, 1993.
[17]
J. Moon, ‘Resource 2’, in A Handbook of Reflective and Experiential Learning: Theory and Practice, London: RoutledgeFalmer, 2004, pp. 186–189.
[18]
J. A. Moon, ‘Resource 2’, in A handbook of reflective and experiential learning: theory and practice, London: RoutledgeFalmer, 2004, pp. 186–189 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
[19]
J. Moon, ‘Resource 3’, in A Handbook of Reflective and Experiential Learning: Theory and Practice, London: RoutledgeFalmer, 2004, pp. 190–191.
[20]
J. A. Moon, ‘Resource 3’, in A handbook of reflective and experiential learning: theory and practice, London: RoutledgeFalmer, 2004, pp. 190–191 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
[21]
J. Moon, ‘Resource 4’, in A Handbook of Reflective and Experiential Learning: Theory and Practice, London: RoutledgeFalmer, 2004, pp. 192–195.
[22]
J. A. Moon, ‘Resource 4’, in A handbook of reflective and experiential learning: theory and practice, London: RoutledgeFalmer, 2004, pp. 192–195 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
[23]
J. Moon, ‘Resource 5’, in A Handbook of Reflective and Experiential Learning: Theory and Practice, London: RoutledgeFalmer, 2004, pp. 196–203.
[24]
J. A. Moon, ‘Resource 5’, in A handbook of reflective and experiential learning: theory and practice, London: RoutledgeFalmer, 2004, pp. 196–203 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
[25]
J. Moon, ‘Resource 7’, in A Handbook of Reflective and Experiential Learning: Theory and Practice, London: RoutledgeFalmer, 2004, pp. 210–211.
[26]
J. A. Moon, ‘Resource 7’, in A handbook of reflective and experiential learning: theory and practice, London: RoutledgeFalmer, 2004, pp. 210–211 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
[27]
E. Claid, ‘Still Curious’, in The Routledge Dance Studies Reader, 2nd Edition., London: Routledge, 2010, pp. 133–143.
[28]
E. Claid, ‘Still Curious’, in The Routledge Dance Studies Reader, 2nd Edition., Abingdon, Oxon: Routledge, 2010, pp. 133–143 [Online]. Available: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780203860984
[29]
W. Houstoun, ‘Some Body and No Body: The Body of a Performer’, in Performance Perspectives: A Critical Introduction, Basingstoke: Palgrave Macmillan, 2011, pp. 33–38.
[30]
L. A. Blom and L. T. Chaplin, The Intimate Act of Choreography. London: Dance Books, 1989.
[31]
J. Butterworth, Dance Studies: The Basics. London: Routledge, 2012.
[32]
J. Butterworth, Dance Studies: The Basics. London: Routledge, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=957902
[33]
E. N. Franklin, Dance Imagery for Technique and Performance, Second edition. Champaign, IL: Human Kinetics, 2014.
[34]
E. N. Franklin, Dance Imagery for Technique and Performance. [Online]. Available: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9781450461733&uid=^u
[35]
Doris Humphrey, The Art of Making Dances. New York: Rinehart, 1959 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132012740002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Art%20of%20Making%20Dances&sortby=date&facet=frbrgroupid,include,298469240&offset=0
[36]
J. A. Moon, A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer, 2004.
[37]
J. A. Moon, A Handbook of Reflective and Experiential Learning: Theory and Practice. London: RoutledgeFalmer, 2004 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203416150
[38]
V. Preston-Dunlop, Looking at Dances: A Choreological Perspective on Choreography. [Ightham]: Verve, 1998.
[39]
J. Roche, Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=760651
[40]
M. Tufnell and C. Crickmay, Body Space Image: Notes Towards Improvisation and Performance. London: Dance Books, 1993.
