‘An Introduction to Verbatim Theatre | YouTube’ <https://www.youtube.com/watch?v=ui3k1wT2yeM>
Balme, Christopher B., ‘Performance Analysis’, in The Cambridge Introduction to Theatre Studies (Cambridge: Cambridge University Press, 2008), pp. 132–47
Blythe, Alecky, Little Revolution (London: Nick Hern Books, 2014)
———, Little Revolution ([London]: Bloomsbury, 2016) <http://dx.doi.org/10.5040/9781784602901.00000003>
Brater, Enoch, ‘Images of Women in Modern English Theater’, in Feminine Focus : The New Women Playwrights (New York: Oxford University Press, 1989)
Brecht, Bertolt, The Resistible Rise of Arturo Ui <https://doi.org/10.5040/9781408167984.00000054>
———, The Resistible Rise of Arturo Ui <https://doi.org/10.5040/9781408167984.00000054>
———, The Resistible Rise of Arturo Ui <https://doi.org/10.5040/9781408167984.00000054>
Brecht, Bertolt, John Willett, and Ralph Manheim, ‘On Everyday Theatre’, in Poems, 1913-1956 (London: Methuen, 2000), pp. 176–79
———, ‘Showing Has to Be Shown’, in Poems, 1913-1956 (London: Methuen, 2000), pp. 341–42
———, ‘The Curtains’, in Poems, 1913-1956 (London: Methuen, 2000)
———, ‘The Lighting’, in Poems, 1913-1956 (London: Methuen, 2000)
———, ‘The Play Is Over’, in Poems, 1913-1956 (London: Methuen, 2000), pp. 342–43
———, ‘The Songs’, in Poems, 1913-1956 (London: Methuen, 2000), pp. 426–27
———, ‘The Theatre, Home of Dreams’, in Poems, 1913-1956 (London: Methuen, 2000), pp. 341–341
Brothers, A. J. and Terence, The Eunuch (Warminster: Aris & Phillips, 2000)
———, The Eunuch (Warminster: Aris & Phillips, 2000)
———, The Eunuch (Warminster: Aris & Phillips, 2000)
Churchill, Caryl, and David Lan, A Mouthful of Birds (London: Published by Methuen in association with Joint Stock Theatre Group, 1986)
———, A Mouthful of Birds ([London]: Bloomsbury, 2015) <http://dx.doi.org/10.5040/9781784602352.00000004>
Dickson, Andrew, ‘Activist Playwright Anders Lustgarten: “I Love Winding People Up”’, Guardian, 2016 <https://www.theguardian.com/stage/2016/nov/22/anders-lustgarten-rsc-caravaggio-seven-acts-of-mercy-interview>
Easterling, P. E., ‘A Show for Dionysus’, in The Cambridge Companion to Greek Tragedy, ed. by P. E. Easterling (Cambridge: Cambridge University Press, 1997), pp. 36–54 <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455>
———, ‘Form and Performance’, in The Cambridge Companion to Greek Tragedy, ed. by P. E. Easterling (Cambridge: Cambridge University Press, 1997), pp. 151–77 <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455>
Easterling, P.A., ‘A Show for Dionysus’, in The Cambridge Companion to Greek Tragedy (Cambridge: Cambridge University Press, 1997), pp. 36–54
———, ‘A Show for Dionysus’, in The Cambridge Companion to Greek Tragedy (Cambridge: Cambridge University Press, 1997) <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455>
———, ‘Form and Performance’, in The Cambridge Companion to Greek Tragedy (Cambridge: Cambridge University Press, 1997), pp. 151–77
———, ‘Form and Performance’, in The Cambridge Companion to Greek Tragedy (Cambridge: Cambridge University Press, 1997), pp. 151–77 <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455>
Esslin, Martin, ‘The Brechtian Theatre - Its Theory and Practice’, in Brecht, a Choice of Evils : A Critical Study of the Man, His Work and His Opinions (London: Eyre & Spottiswoode, 1959), pp. 106–29
Frye, Northrop, ‘Mythos of Spring: Comedy’, in Anatomy of Criticism: Four Essays (Princeton, N.J.: Princeton University Press, 1957)
———, ‘Mythos of Spring: Comedy’, in Anatomy of Criticism Four Essays (Princeton, N.J.: Princeton University Press, 1957) <https://www.fulcrum.org/epubs/5999n397z?locale=en#/6/358[xhtml00000179]!/4/1:0>
Hammond, Will, and Dan Steward, Verbatim, Verbatim: Contemporary Documentary Theatre (London: Oberon, 2008)
Heddon, Deirdre, Autobiography and Performance (Basingstoke: Palgrave Macmillan, 2008)
Hersh, Allison, ‘“How Sweet the Kill”: Orgiastic Female Violence in Contemporary Re-Visions of Euripides’ The Bacchae’, Modern Drama, 35.3 (1992), 409–23 <https://muse.jhu.edu/article/499423/pdf>
Holdsworth, Nadine, ‘"This Blessed Plot, This Earth, This Realm, This England”: Staging Treatments of Riots in Recent British Theatre’, Journal of Contemporary Drama in English, 2.1 (2014) <https://doi.org/10.1515/jcde-2014-0007>
‘Imagination Stage: Evelyn Glennie and Playing from the Heart | YouTube’ <https://www.youtube.com/watch?v=07MkA0UmMXA>
‘Initial Statement’ <https://occupylondon.org.uk/about/statements/initial-statement/>
John, Errol, Moon on a Rainbow Shawl (London: Faber and Faber, 2012)
Lentricchia, Frank, and Thomas McLaughlin, ‘Canon’, in Critical Terms for Literary Study, 2nd ed (Chicago: University of Chicago Press, 1995)
———, ‘Canon’, in Critical Terms for Literary Study, 2nd ed (Chicago [Ill.]: University of Chicago Press, 1995) <http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498>
———, ‘Canon’, in Critical Terms for Literary Study, 2nd ed (Chicago: University of Chicago Press, 1995)
———, ‘Canon’, in Critical Terms for Literary Study, 2nd ed (Chicago [Ill.]: University of Chicago Press, 1995) <http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498>
Lustgarten, Anders, If You Don’t Let Us Dream, We Won’t Let You Sleep (London: Bloomsbury Methuen Drama, 2013)
———, If You Don’t Let Us Dream, We Won’t Let You Sleep (London: Methuen Drama, 2013) <http://dx.doi.org/10.5040/9781472506733.00000006>
———, If You Don’t Let Us Dream, We Won’t Let You Sleep (London: Bloomsbury Methuen Drama, 2013)
———, If You Don’t Let Us Dream, We Won’t Let You Sleep (London: Methuen Drama, 2013) <http://dx.doi.org/10.5040/9781472506733.00000006>
———, If You Don’t Let Us Dream, We Won’t Let You Sleep (London: Bloomsbury Methuen Drama, 2013)
———, If You Don’t Let Us Dream, We Won’t Let You Sleep (London: Methuen Drama, 2013) <http://dx.doi.org/10.5040/9781472506733.00000006>
McDonald, Mariann, and J. Michael Walton, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre (Cambridge: Cambridge University Press, 2007)
———, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre (Cambridge: Cambridge University Press, 2007)
McDonald, Marianne, and J. Michael Walton, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre (Cambridge: Cambridge University Press, 2007) <https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08>
———, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre (Cambridge: Cambridge University Press, 2007) <https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08>
Moon on a Rainbow Shawl <https://doi.org/10.5040/9780571289462.00000004>
——— <https://doi.org/10.5040/9780571289462.00000004>
——— <https://doi.org/10.5040/9780571289462.00000004>
Norris, Bruce, and Bertolt Brecht, The Resistible Rise of Arturo Ui (London: Bloomsbury Methuen Drama, 2017)
Pavis, Patrice, ‘Theatre Analysis: Some Questions and a Questionnaire’, New Theatre Quarterly, 1.02 (1985) <https://doi.org/10.1017/S0266464X00001573>
‘Podcast: Activist Playwright Anders Lustgarten Challenges the Ideology of Austerity | TheatreVoice’ <http://www.theatrevoice.com/audio/playwright-anders-lustgarten-challenges-the-ideology-of-austerity/>
Rai, Shirin, and Janelle G. Reinelt, ‘Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order’, in The Grammar of Politics and Performance, ed. by Shirin Rai and Janelle G. Reinelt (London: Routledge, 2015), pp. 121–33 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1883889>
Raima Evan, ‘Women and Violence in “A Mouthful of Birds”’, Theatre Journal, 54.2 (2002) <https://www.jstor.org/stable/25069056?seq=1#metadata_info_tab_contents>
Randall, Phyllis R., ‘Doing Dangerous History: Caryl Churchill and A Mouthful of Birds’, in Caryl Churchill: A Casebook (New York: Garland Pub, 1988), v.3, 131–49
Raphael, Frederic, Kenneth McLeish, and Euripides, Bacchae (London: Nick Hern, 1998), xxxv
———, Bacchae ([London]: Bloomsbury, 2016) <http://dx.doi.org/10.5040/9781784602925.00000011>
———, Bacchae (London: Nick Hern, 1998), xxxv
———, Bacchae ([London]: Bloomsbury, 2016) <http://dx.doi.org/10.5040/9781784602925.00000011>
Rich, Adrienne, ‘When We Dead Awaken: Writing as Re-Vision’, in On Lies, Secrets, and Silence: Selected Prose, 1966-1978 (New York: W. W. Norton, 1998)
Sanders, Julie, ‘“Introduction” and “Defining Terms”’, in Adaptation and Appropriation (London: Routledge, 2006), pp. 1–41
———, ‘“Introduction” and “Defining Terms”’, in Adaptation and Appropriation (London: Routledge, 2006) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=308508>
Shakespeare, William, Twelfth Night, ed. by Keir Elam ([London]: Bloomsbury, 2014) <http://dx.doi.org/10.5040/9781408160107.00000007>
———, Twelfth Night, ed. by Keir Elam ([London]: Bloomsbury, 2014) <http://dx.doi.org/10.5040/9781408160107.00000007>
Shakespeare, William, and K Elam, Twelfth Night, or What You Will (London: Arden, 2008)
———, Twelfth Night, or What You Will (London: Arden, 2008)
Shakespeare, William, and Elizabeth Schafer, ‘Excerpt From the Introduction’, in Twelfth Night (Cambridge, UK: Cambridge University Press, 2009), pp. 31–65
Solomon, Alisa, Re-Dressing the Canon: Essays on Theatre and Gender (London: Routledge, 1997)
———, Re-Dressing the Canon: Essays on Theatre and Gender (London: Routledge, 1997) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980>
———, Re-Dressing the Canon: Essays on Theatre and Gender (London: Routledge, 1997)
———, Re-Dressing the Canon: Essays on Theatre and Gender (London: Routledge, 1997) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980>
Spunner, Suzanne, ‘Running Up a Dress’, in Australian Women’s Drama: Texts and Feminisms (Sydney: Currency, 1997) <https://contentstore.cla.co.uk/secure/link?id=6bba0769-09f3-e811-80cd-005056af4099>
The Eunuch <https://doi.org/10.5040/9781408169094.00000017>
‘———’ <https://doi.org/10.5040/9781408169094.00000017>
‘———’ <https://doi.org/10.5040/9781408169094.00000017>
Way, Charles, ‘Playing From the Heart’, in Plays for Young People (London: Aurora Metro Press, 2001)
———, Plays for Young People (London: Aurora Metro Press, 2001)
Westall, C, ‘Men in the Yard and On the Street: Cricket and Calypso in Moon on a Rainbow Shawl and Miguel Street’, Arthurium: A Caribbean Studies Journal, 2005 <https://scholarlyrepository.miami.edu/cgi/viewcontent.cgi?article=1095&context=anthurium>
