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Shakespeare W. Twelfth Night. (Elam K, ed.). Bloomsbury; 2014. http://dx.doi.org/10.5040/9781408160107.00000007
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Shakespeare W, Elam K. Twelfth Night, or What You Will. Arden; 2008.
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Brecht B. The Resistible Rise of Arturo Ui. doi:10.5040/9781408167984.00000054
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Norris B, Brecht B. The Resistible Rise of Arturo Ui. Bloomsbury Methuen Drama; 2017.
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Brothers AJ, Terence. The Eunuch. Aris & Phillips; 2000.
6.
The Eunuch. doi:10.5040/9781408169094.00000017
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Moon on a Rainbow Shawl. doi:10.5040/9780571289462.00000004
8.
John E. Moon on a Rainbow Shawl. Faber and Faber; 2012.
9.
Lustgarten A. If You Don’t Let Us Dream, We Won’t Let You Sleep. Bloomsbury Methuen Drama; 2013.
10.
Lustgarten A. If You Don’t Let Us Dream, We Won’t Let You Sleep. Methuen Drama; 2013. http://dx.doi.org/10.5040/9781472506733.00000006
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Moon on a Rainbow Shawl. doi:10.5040/9780571289462.00000004
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Moon on a Rainbow Shawl. doi:10.5040/9780571289462.00000004
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Westall C. Men in the Yard and On the Street: Cricket and Calypso in Moon on a Rainbow Shawl and Miguel Street. Arthurium: A Caribbean Studies Journal. 2005;3(2). https://scholarlyrepository.miami.edu/cgi/viewcontent.cgi?article=1095&context=anthurium
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Raphael F, McLeish K, Euripides. Bacchae. Vol 35. Nick Hern; 1998.
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Raphael F, McLeish K, Euripides. Bacchae. Bloomsbury; 2016. http://dx.doi.org/10.5040/9781784602925.00000011
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Easterling PA. A Show for Dionysus. In: The Cambridge Companion to Greek Tragedy. Cambridge University Press; 1997:36-54.
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Easterling PA. A Show for Dionysus. In: The Cambridge Companion to Greek Tragedy. Cambridge University Press; 1997. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
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Easterling PA. Form and Performance. In: The Cambridge Companion to Greek Tragedy. Cambridge University Press; 1997:151-177.
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Easterling PA. Form and Performance. In: The Cambridge Companion to Greek Tragedy. Cambridge University Press; 1997:151-177. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
20.
Shakespeare W. Twelfth Night. (Elam K, ed.). Bloomsbury; 2014. http://dx.doi.org/10.5040/9781408160107.00000007
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Shakespeare W, Elam K. Twelfth Night, or What You Will. Arden; 2008.
22.
Pavis P. Theatre Analysis: Some Questions and a Questionnaire. New Theatre Quarterly. 1985;1(02). doi:10.1017/S0266464X00001573
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Balme CB. Performance Analysis. In: The Cambridge Introduction to Theatre Studies. Cambridge University Press; 2008:132-147.
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Shakespeare W, Schafer E. Excerpt From the Introduction. In: Twelfth Night. Cambridge University Press; 2009:31-65.
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Lustgarten A. If You Don’t Let Us Dream, We Won’t Let You Sleep. Bloomsbury Methuen Drama; 2013.
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Lustgarten A. If You Don’t Let Us Dream, We Won’t Let You Sleep. Methuen Drama; 2013. http://dx.doi.org/10.5040/9781472506733.00000006
27.
Dickson A. Activist Playwright Anders Lustgarten: ‘I Love Winding People Up’. Guardian. Published online 2016. https://www.theguardian.com/stage/2016/nov/22/anders-lustgarten-rsc-caravaggio-seven-acts-of-mercy-interview
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Podcast: Activist playwright Anders Lustgarten challenges the ideology of austerity | TheatreVoice. http://www.theatrevoice.com/audio/playwright-anders-lustgarten-challenges-the-ideology-of-austerity/
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Lustgarten A. If You Don’t Let Us Dream, We Won’t Let You Sleep. Bloomsbury Methuen Drama; 2013.
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Lustgarten A. If You Don’t Let Us Dream, We Won’t Let You Sleep. Methuen Drama; 2013. http://dx.doi.org/10.5040/9781472506733.00000006
31.
Rai S, Reinelt JG. Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order. In: Rai S, Reinelt JG, eds. The Grammar of Politics and Performance. Routledge; 2015:121-133. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1883889
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Initial Statement. https://occupylondon.org.uk/about/statements/initial-statement/
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Brecht B. The Resistible Rise of Arturo Ui. doi:10.5040/9781408167984.00000054
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Brecht B, Willett J, Manheim R. The Theatre, Home of Dreams. In: Poems, 1913-1956. Methuen; 2000:341-341.
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Brecht B, Willett J, Manheim R. The Play is Over. In: Poems, 1913-1956. Methuen; 2000:342-343.
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Brecht B, Willett J, Manheim R. Showing Has to Be Shown. In: Poems, 1913-1956. Methuen; 2000:341-342.
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Brecht B, Willett J, Manheim R. On Everyday Theatre. In: Poems, 1913-1956. Methuen; 2000:176-179.
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Brecht B, Willett J, Manheim R. The Curtains. In: Poems, 1913-1956. Methuen; 2000.
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Brecht B, Willett J, Manheim R. The Lighting. In: Poems, 1913-1956. Methuen; 2000.
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Brecht B, Willett J, Manheim R. The Songs. In: Poems, 1913-1956. Methuen; 2000:426-427.
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Brecht B. The Resistible Rise of Arturo Ui. doi:10.5040/9781408167984.00000054
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Esslin M. The Brechtian Theatre - its Theory and Practice. In: Brecht, a Choice of Evils : A Critical Study of the Man, His Work and His Opinions. Eyre & Spottiswoode; 1959:106-129.
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The Eunuch. doi:10.5040/9781408169094.00000017
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Brothers AJ, Terence. The Eunuch. Aris & Phillips; 2000.
45.
McDonald M, Walton JM. Comedy and Society from Menander to Terrence. In: The Cambridge Companion to Greek and Roman Theatre. Cambridge University Press; 2007.
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McDonald M, Walton JM. Comedy and Society from Menander to Terrence. In: The Cambridge Companion to Greek and Roman Theatre. Cambridge University Press; 2007. https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08
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Lentricchia F, McLaughlin T. Canon. In: Critical Terms for Literary Study. 2nd ed. University of Chicago Press; 1995.
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Lentricchia F, McLaughlin T. Canon. In: Critical Terms for Literary Study. 2nd ed. University of Chicago Press; 1995. http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498
49.
Solomon A. Re-Dressing the Canon: Essays on Theatre and Gender. Routledge; 1997.
50.
Solomon A. Re-Dressing the Canon: Essays on Theatre and Gender. Routledge; 1997. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980
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Brothers AJ, Terence. The Eunuch. Aris & Phillips; 2000.
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The Eunuch. doi:10.5040/9781408169094.00000017
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Frye N. Mythos of Spring: Comedy. In: Anatomy of Criticism: Four Essays. Princeton University Press; 1957.
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Frye N. Mythos of Spring: Comedy. In: Anatomy of Criticism Four Essays. Princeton University Press; 1957. https://www.fulcrum.org/epubs/5999n397z?locale=en#/6/358[xhtml00000179]!/4/1:0
55.
McDonald M, Walton JM. Comedy and Society from Menander to Terrence. In: The Cambridge Companion to Greek and Roman Theatre. Cambridge University Press; 2007.
56.
McDonald M, Walton JM. Comedy and Society from Menander to Terrence. In: The Cambridge Companion to Greek and Roman Theatre. Cambridge University Press; 2007. https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08
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Lentricchia F, McLaughlin T. Canon. In: Critical Terms for Literary Study. 2nd ed. University of Chicago Press; 1995.
58.
Lentricchia F, McLaughlin T. Canon. In: Critical Terms for Literary Study. 2nd ed. University of Chicago Press; 1995. http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498
59.
Solomon A. Re-Dressing the Canon: Essays on Theatre and Gender. Routledge; 1997.
60.
Solomon A. Re-Dressing the Canon: Essays on Theatre and Gender. Routledge; 1997. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980
61.
Raphael F, McLeish K, Euripides. Bacchae. Vol 35. Nick Hern; 1998.
62.
Raphael F, McLeish K, Euripides. Bacchae. Bloomsbury; 2016. http://dx.doi.org/10.5040/9781784602925.00000011
63.
Easterling PE. A Show for Dionysus. In: Easterling PE, ed. The Cambridge Companion to Greek Tragedy. Cambridge University Press; 1997:36-54. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
64.
Sanders J. ‘Introduction’ and ‘Defining Terms’. In: Adaptation and Appropriation. Routledge; 2006:1-41.
65.
Sanders J. ‘Introduction’ and ‘Defining Terms’. In: Adaptation and Appropriation. Routledge; 2006. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=308508
66.
Easterling PE. Form and Performance. In: Easterling PE, ed. The Cambridge Companion to Greek Tragedy. Cambridge University Press; 1997:151-177. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
67.
Churchill C, Lan D. A Mouthful of Birds. Published by Methuen in association with Joint Stock Theatre Group; 1986.
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Churchill C, Lan D. A Mouthful of Birds. Bloomsbury; 2015. http://dx.doi.org/10.5040/9781784602352.00000004
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Hersh A. ‘How Sweet the Kill’: Orgiastic Female Violence in Contemporary Re-visions of Euripides’ The Bacchae. Modern Drama. 1992;35(3):409-423. https://muse.jhu.edu/article/499423/pdf
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Raima Evan. Women and Violence in ‘A Mouthful of Birds’. Theatre Journal. 2002;54(2). https://www.jstor.org/stable/25069056?seq=1#metadata_info_tab_contents
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Randall PR. Doing Dangerous History: Caryl Churchill and A Mouthful of Birds. In: Caryl Churchill: A Casebook. Vol v.3. Garland Pub; 1988:131-149.
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Rich A. When We Dead Awaken: Writing as Re-Vision. In: On Lies, Secrets, and Silence: Selected Prose, 1966-1978. W. W. Norton; 1998.
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Brater E. Images of Women in Modern English Theater. In: Feminine Focus : The New Women Playwrights. Oxford University Press; 1989.
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Way C. Playing From the Heart. In: Plays for Young People. Aurora Metro Press; 2001.
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Way C. Plays for Young People. Aurora Metro Press; 2001.
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Spunner S. Running Up a Dress. In: Australian Women’s Drama: Texts and Feminisms. Currency; 1997. https://contentstore.cla.co.uk/secure/link?id=6bba0769-09f3-e811-80cd-005056af4099
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Imagination Stage: Evelyn Glennie and Playing from the Heart | YouTube. https://www.youtube.com/watch?v=07MkA0UmMXA
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Heddon D. Autobiography and Performance. Palgrave Macmillan; 2008.
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Blythe A. Little Revolution. Nick Hern Books; 2014.
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Blythe A. Little Revolution. Bloomsbury; 2016. http://dx.doi.org/10.5040/9781784602901.00000003
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Holdsworth N. "This Blessed Plot, This Earth, This Realm, This England”: Staging Treatments of Riots in Recent British Theatre. Journal of Contemporary Drama in English. 2014;2(1). doi:10.1515/jcde-2014-0007
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An Introduction to Verbatim Theatre | YouTube. https://www.youtube.com/watch?v=ui3k1wT2yeM
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Hammond W, Steward D. Verbatim, Verbatim: Contemporary Documentary Theatre. Oberon; 2008.