[1]
W. Shakespeare, Twelfth Night. [London]: Bloomsbury, 2014 [Online]. Available: http://dx.doi.org/10.5040/9781408160107.00000007
[2]
W. Shakespeare and K. Elam, Twelfth Night, or What You Will. London: Arden, 2008.
[3]
B. Brecht, The Resistible Rise of Arturo Ui. [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-resistible-rise-of-arturo-ui-student-editions-iid-128433
[4]
B. Norris and B. Brecht, The Resistible Rise of Arturo Ui. London: Bloomsbury Methuen Drama, 2017.
[5]
A. J. Brothers and Terence, The Eunuch. Warminster: Aris & Phillips, 2000.
[6]
The Eunuch. [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-eunuch-iid-116393
[7]
Moon on a Rainbow Shawl. [Online]. Available: http://www.dramaonlinelibrary.com/plays/moon-on-a-rainbow-shawl-iid-112908
[8]
E. John, Moon on a Rainbow Shawl. London: Faber and Faber, 2012.
[9]
A. Lustgarten, If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Bloomsbury Methuen Drama, 2013.
[10]
A. Lustgarten, If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Methuen Drama, 2013 [Online]. Available: http://dx.doi.org/10.5040/9781472506733.00000006
[11]
Moon on a Rainbow Shawl. [Online]. Available: http://www.dramaonlinelibrary.com/plays/moon-on-a-rainbow-shawl-iid-112908
[12]
Moon on a Rainbow Shawl. [Online]. Available: http://www.dramaonlinelibrary.com/plays/moon-on-a-rainbow-shawl-iid-112908
[13]
C. Westall, ‘Men in the Yard and On the Street: Cricket and Calypso in Moon on a Rainbow Shawl and Miguel Street’, Arthurium: A Caribbean Studies Journal, vol. 3, no. 2. 2005 [Online]. Available: https://scholarlyrepository.miami.edu/cgi/viewcontent.cgi?article=1095&context=anthurium
[14]
F. Raphael, K. McLeish, and Euripides, Bacchae, vol. 35. London: Nick Hern, 1998.
[15]
F. Raphael, K. McLeish, and Euripides, Bacchae. [London]: Bloomsbury, 2016 [Online]. Available: http://dx.doi.org/10.5040/9781784602925.00000011
[16]
P. A. Easterling, ‘A Show for Dionysus’, in The Cambridge Companion to Greek Tragedy, Cambridge: Cambridge University Press, 1997, pp. 36–54.
[17]
P. A. Easterling, ‘A Show for Dionysus’, in The Cambridge Companion to Greek Tragedy, Cambridge: Cambridge University Press, 1997 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
[18]
P. A. Easterling, ‘Form and Performance’, in The Cambridge Companion to Greek Tragedy, Cambridge: Cambridge University Press, 1997, pp. 151–177.
[19]
P. A. Easterling, ‘Form and Performance’, in The Cambridge Companion to Greek Tragedy, Cambridge: Cambridge University Press, 1997, pp. 151–177 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
[20]
W. Shakespeare, Twelfth Night. [London]: Bloomsbury, 2014 [Online]. Available: http://dx.doi.org/10.5040/9781408160107.00000007
[21]
W. Shakespeare and K. Elam, Twelfth Night, or What You Will. London: Arden, 2008.
[22]
P. Pavis, ‘Theatre Analysis: Some Questions and a Questionnaire’, New Theatre Quarterly, vol. 1, no. 02, May 1985, doi: 10.1017/S0266464X00001573.
[23]
C. B. Balme, ‘Performance Analysis’, in The Cambridge Introduction to Theatre Studies, Cambridge: Cambridge University Press, 2008, pp. 132–147.
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W. Shakespeare and E. Schafer, ‘Excerpt From the Introduction’, in Twelfth Night, Cambridge, UK: Cambridge University Press, 2009, pp. 31–65.
[25]
A. Lustgarten, If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Bloomsbury Methuen Drama, 2013.
[26]
A. Lustgarten, If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Methuen Drama, 2013 [Online]. Available: http://dx.doi.org/10.5040/9781472506733.00000006
[27]
A. Dickson, ‘Activist Playwright Anders Lustgarten: “I Love Winding People Up”’, Guardian. 2016 [Online]. Available: https://www.theguardian.com/stage/2016/nov/22/anders-lustgarten-rsc-caravaggio-seven-acts-of-mercy-interview
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‘Podcast: Activist playwright Anders Lustgarten challenges the ideology of austerity | TheatreVoice’. [Online]. Available: http://www.theatrevoice.com/audio/playwright-anders-lustgarten-challenges-the-ideology-of-austerity/
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A. Lustgarten, If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Bloomsbury Methuen Drama, 2013.
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A. Lustgarten, If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Methuen Drama, 2013 [Online]. Available: http://dx.doi.org/10.5040/9781472506733.00000006
[31]
S. Rai and J. G. Reinelt, ‘Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order’, in The Grammar of Politics and Performance, S. Rai and J. G. Reinelt, Eds. London: Routledge, 2015, pp. 121–133 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1883889
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‘Initial Statement’. [Online]. Available: https://occupylondon.org.uk/about/statements/initial-statement/
[33]
B. Brecht, The Resistible Rise of Arturo Ui. [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-resistible-rise-of-arturo-ui-student-editions-iid-128433
[34]
B. Brecht, J. Willett, and R. Manheim, ‘The Theatre, Home of Dreams’, in Poems, 1913-1956, London: Methuen, 2000, pp. 341–341.
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B. Brecht, J. Willett, and R. Manheim, ‘The Play is Over’, in Poems, 1913-1956, London: Methuen, 2000, pp. 342–343.
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B. Brecht, J. Willett, and R. Manheim, ‘Showing Has to Be Shown’, in Poems, 1913-1956, London: Methuen, 2000, pp. 341–342.
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B. Brecht, J. Willett, and R. Manheim, ‘On Everyday Theatre’, in Poems, 1913-1956, London: Methuen, 2000, pp. 176–179.
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B. Brecht, J. Willett, and R. Manheim, ‘The Curtains’, in Poems, 1913-1956, London: Methuen, 2000.
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B. Brecht, J. Willett, and R. Manheim, ‘The Lighting’, in Poems, 1913-1956, London: Methuen, 2000.
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B. Brecht, J. Willett, and R. Manheim, ‘The Songs’, in Poems, 1913-1956, London: Methuen, 2000, pp. 426–427.
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B. Brecht, The Resistible Rise of Arturo Ui. [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-resistible-rise-of-arturo-ui-student-editions-iid-128433
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M. Esslin, ‘The Brechtian Theatre - its Theory and Practice’, in Brecht, a Choice of Evils : A Critical Study of the Man, His Work and His Opinions, London: Eyre & Spottiswoode, 1959, pp. 106–129.
[43]
‘The Eunuch’, [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-eunuch-iid-116393
[44]
A. J. Brothers and Terence, The Eunuch. Warminster: Aris & Phillips, 2000.
[45]
M. McDonald and J. M. Walton, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre, Cambridge: Cambridge University Press, 2007.
[46]
M. McDonald and J. M. Walton, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre, Cambridge: Cambridge University Press, 2007 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08
[47]
F. Lentricchia and T. McLaughlin, ‘Canon’, in Critical Terms for Literary Study, 2nd ed., Chicago: University of Chicago Press, 1995.
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F. Lentricchia and T. McLaughlin, ‘Canon’, in Critical Terms for Literary Study, 2nd ed., Chicago [Ill.]: University of Chicago Press, 1995 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498
[49]
A. Solomon, Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge, 1997.
[50]
A. Solomon, Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980
[51]
A. J. Brothers and Terence, The Eunuch. Warminster: Aris & Phillips, 2000.
[52]
‘The Eunuch’, [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-eunuch-iid-116393
[53]
N. Frye, ‘Mythos of Spring: Comedy’, in Anatomy of Criticism: Four Essays, Princeton, N.J.: Princeton University Press, 1957.
[54]
N. Frye, ‘Mythos of Spring: Comedy’, in Anatomy of Criticism Four Essays, Princeton, N.J.: Princeton University Press, 1957 [Online]. Available: https://www.fulcrum.org/epubs/5999n397z?locale=en#/6/358[xhtml00000179]!/4/1:0
[55]
M. McDonald and J. M. Walton, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre, Cambridge: Cambridge University Press, 2007.
[56]
M. McDonald and J. M. Walton, ‘Comedy and Society from Menander to Terrence’, in The Cambridge Companion to Greek and Roman Theatre, Cambridge: Cambridge University Press, 2007 [Online]. Available: https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08
[57]
F. Lentricchia and T. McLaughlin, ‘Canon’, in Critical Terms for Literary Study, 2nd ed., Chicago: University of Chicago Press, 1995.
[58]
F. Lentricchia and T. McLaughlin, ‘Canon’, in Critical Terms for Literary Study, 2nd ed., Chicago [Ill.]: University of Chicago Press, 1995 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498
[59]
A. Solomon, Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge, 1997.
[60]
A. Solomon, Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980
[61]
F. Raphael, K. McLeish, and Euripides, Bacchae, vol. 35. London: Nick Hern, 1998.
[62]
F. Raphael, K. McLeish, and Euripides, Bacchae. [London]: Bloomsbury, 2016 [Online]. Available: http://dx.doi.org/10.5040/9781784602925.00000011
[63]
P. E. Easterling, ‘A Show for Dionysus’, in The Cambridge Companion to Greek Tragedy, P. E. Easterling, Ed. Cambridge: Cambridge University Press, 1997, pp. 36–54 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
[64]
J. Sanders, ‘“Introduction” and “Defining Terms”’, in Adaptation and Appropriation, London: Routledge, 2006, pp. 1–41.
[65]
J. Sanders, ‘“Introduction” and “Defining Terms”’, in Adaptation and Appropriation, London: Routledge, 2006 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=308508
[66]
P. E. Easterling, ‘Form and Performance’, in The Cambridge Companion to Greek Tragedy, P. E. Easterling, Ed. Cambridge: Cambridge University Press, 1997, pp. 151–177 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455
[67]
C. Churchill and D. Lan, A Mouthful of Birds. London: Published by Methuen in association with Joint Stock Theatre Group, 1986.
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C. Churchill and D. Lan, A Mouthful of Birds. [London]: Bloomsbury, 2015 [Online]. Available: http://dx.doi.org/10.5040/9781784602352.00000004
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A. Hersh, ‘“How Sweet the Kill”: Orgiastic Female Violence in Contemporary Re-visions of Euripides’ The Bacchae’, Modern Drama, vol. 35, no. 3, pp. 409–423, 1992 [Online]. Available: https://muse.jhu.edu/article/499423/pdf
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Raima Evan, ‘Women and Violence in “A Mouthful of Birds”’, Theatre Journal, vol. 54, no. 2, 2002 [Online]. Available: https://www.jstor.org/stable/25069056?seq=1#metadata_info_tab_contents
[71]
P. R. Randall, ‘Doing Dangerous History: Caryl Churchill and A Mouthful of Birds’, in Caryl Churchill: A Casebook, vol. v.3, New York: Garland Pub, 1988, pp. 131–149.
[72]
A. Rich, ‘When We Dead Awaken: Writing as Re-Vision’, in On Lies, Secrets, and Silence: Selected Prose, 1966-1978, New York: W. W. Norton, 1998.
[73]
E. Brater, ‘Images of Women in Modern English Theater’, in Feminine Focus : The New Women Playwrights, New York: Oxford University Press, 1989.
[74]
C. Way, ‘Playing From the Heart’, in Plays for Young People, London: Aurora Metro Press, 2001.
[75]
C. Way, Plays for young people. London: Aurora Metro Press, 2001.
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S. Spunner, ‘Running Up a Dress’, in Australian Women’s Drama: Texts and Feminisms, Sydney: Currency, 1997 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=6bba0769-09f3-e811-80cd-005056af4099
[77]
‘Imagination Stage: Evelyn Glennie and Playing from the Heart | YouTube’. [Online]. Available: https://www.youtube.com/watch?v=07MkA0UmMXA
[78]
D. Heddon, Autobiography and Performance. Basingstoke: Palgrave Macmillan, 2008.
[79]
A. Blythe, Little Revolution. London: Nick Hern Books, 2014.
[80]
A. Blythe, Little Revolution. [London]: Bloomsbury, 2016 [Online]. Available: http://dx.doi.org/10.5040/9781784602901.00000003
[81]
N. Holdsworth, ‘"This Blessed Plot, This Earth, This Realm, This England”: Staging Treatments of Riots in Recent British Theatre’, Journal of Contemporary Drama in English, vol. 2, no. 1, 2014, doi: 10.1515/jcde-2014-0007.
[82]
‘An Introduction to Verbatim Theatre | YouTube’. [Online]. Available: https://www.youtube.com/watch?v=ui3k1wT2yeM
[83]
W. Hammond and D. Steward, Verbatim, Verbatim: Contemporary Documentary Theatre. London: Oberon, 2008.