‘An Introduction to Verbatim Theatre | YouTube’. n.d. https://www.youtube.com/watch?v=ui3k1wT2yeM.
Balme, Christopher B. 2008. ‘Performance Analysis’. In The Cambridge Introduction to Theatre Studies, 132–47. Cambridge: Cambridge University Press.
Blythe, Alecky. 2014. Little Revolution. London: Nick Hern Books.
———. 2016. Little Revolution. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781784602901.00000003.
Brater, Enoch. 1989. ‘Images of Women in Modern English Theater’. In Feminine Focus : The New Women Playwrights. New York: Oxford University Press.
Brecht, Bertolt. n.d. The Resistible Rise of Arturo Ui. https://doi.org/10.5040/9781408167984.00000054.
———. n.d. The Resistible Rise of Arturo Ui. https://doi.org/10.5040/9781408167984.00000054.
———. n.d. The Resistible Rise of Arturo Ui. https://doi.org/10.5040/9781408167984.00000054.
Brecht, Bertolt, John Willett, and Ralph Manheim. 2000a. ‘On Everyday Theatre’. In Poems, 1913-1956, 176–79. London: Methuen.
———. 2000b. ‘Showing Has to Be Shown’. In Poems, 1913-1956, 341–42. London: Methuen.
———. 2000c. ‘The Curtains’. In Poems, 1913-1956. London: Methuen.
———. 2000d. ‘The Lighting’. In Poems, 1913-1956. London: Methuen.
———. 2000e. ‘The Play Is Over’. In Poems, 1913-1956, 342–43. London: Methuen.
———. 2000f. ‘The Songs’. In Poems, 1913-1956, 426–27. London: Methuen.
———. 2000g. ‘The Theatre, Home of Dreams’. In Poems, 1913-1956, 341–341. London: Methuen.
Brothers, A. J. and Terence. 2000a. The Eunuch. Warminster: Aris & Phillips.
———. 2000b. The Eunuch. Warminster: Aris & Phillips.
———. 2000c. The Eunuch. Warminster: Aris & Phillips.
Churchill, Caryl, and David Lan. 1986. A Mouthful of Birds. London: Published by Methuen in association with Joint Stock Theatre Group.
———. 2015. A Mouthful of Birds. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781784602352.00000004.
Dickson, Andrew. 2016. ‘Activist Playwright Anders Lustgarten: “I Love Winding People Up”’. Guardian. https://www.theguardian.com/stage/2016/nov/22/anders-lustgarten-rsc-caravaggio-seven-acts-of-mercy-interview.
Easterling, P. E. 1997a. ‘A Show for Dionysus’. In The Cambridge Companion to Greek Tragedy, edited by P. E. Easterling, 36–54. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455.
———. 1997b. ‘Form and Performance’. In The Cambridge Companion to Greek Tragedy, edited by P. E. Easterling, 151–77. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455.
Easterling, P.A. 1997a. ‘A Show for Dionysus’. In The Cambridge Companion to Greek Tragedy, 36–54. Cambridge: Cambridge University Press.
———. 1997b. ‘A Show for Dionysus’. In The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455.
———. 1997c. ‘Form and Performance’. In The Cambridge Companion to Greek Tragedy, 151–77. Cambridge: Cambridge University Press.
———. 1997d. ‘Form and Performance’. In The Cambridge Companion to Greek Tragedy, 151–77. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521412455.
Esslin, Martin. 1959. ‘The Brechtian Theatre - Its Theory and Practice’. In Brecht, a Choice of Evils : A Critical Study of the Man, His Work and His Opinions, 106–29. London: Eyre & Spottiswoode.
Frye, Northrop. 1957a. ‘Mythos of Spring: Comedy’. In Anatomy of Criticism: Four Essays. Princeton, N.J.: Princeton University Press.
———. 1957b. ‘Mythos of Spring: Comedy’. In Anatomy of Criticism Four Essays. Princeton, N.J.: Princeton University Press. https://www.fulcrum.org/epubs/5999n397z?locale=en#/6/358[xhtml00000179]!/4/1:0.
Hammond, Will, and Dan Steward. 2008. Verbatim, Verbatim: Contemporary Documentary Theatre. London: Oberon.
Heddon, Deirdre. 2008. Autobiography and Performance. Basingstoke: Palgrave Macmillan.
Hersh, Allison. 1992. ‘“How Sweet the Kill”: Orgiastic Female Violence in Contemporary Re-Visions of Euripides’ The Bacchae’. Modern Drama 35 (3): 409–23. https://muse.jhu.edu/article/499423/pdf.
Holdsworth, Nadine. 2014. ‘"This Blessed Plot, This Earth, This Realm, This England”: Staging Treatments of Riots in Recent British Theatre’. Journal of Contemporary Drama in English 2 (1). https://doi.org/10.1515/jcde-2014-0007.
‘Imagination Stage: Evelyn Glennie and Playing from the Heart | YouTube’. n.d. https://www.youtube.com/watch?v=07MkA0UmMXA.
‘Initial Statement’. n.d. https://occupylondon.org.uk/about/statements/initial-statement/.
John, Errol. 2012. Moon on a Rainbow Shawl. London: Faber and Faber.
Lentricchia, Frank, and Thomas McLaughlin. 1995a. ‘Canon’. In Critical Terms for Literary Study, 2nd ed. Chicago: University of Chicago Press.
———. 1995b. ‘Canon’. In Critical Terms for Literary Study, 2nd ed. Chicago [Ill.]: University of Chicago Press. http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498.
———. 1995c. ‘Canon’. In Critical Terms for Literary Study, 2nd ed. Chicago: University of Chicago Press.
———. 1995d. ‘Canon’. In Critical Terms for Literary Study, 2nd ed. Chicago [Ill.]: University of Chicago Press. http://ezproxy01.rhul.ac.uk/login?url=http://search.credoreference.com/content/title/uchicagols?institutionId=8498.
Lustgarten, Anders. 2013a. If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Bloomsbury Methuen Drama.
———. 2013b. If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Methuen Drama. http://dx.doi.org/10.5040/9781472506733.00000006.
———. 2013c. If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Bloomsbury Methuen Drama.
———. 2013d. If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Methuen Drama. http://dx.doi.org/10.5040/9781472506733.00000006.
———. 2013e. If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Bloomsbury Methuen Drama.
———. 2013f. If You Don’t Let Us Dream, We Won’t Let You Sleep. London: Methuen Drama. http://dx.doi.org/10.5040/9781472506733.00000006.
McDonald, Mariann, and J. Michael Walton. 2007a. ‘Comedy and Society from Menander to Terrence’. In The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge University Press.
———. 2007b. ‘Comedy and Society from Menander to Terrence’. In The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge University Press.
McDonald, Marianne, and J. Michael Walton. 2007a. ‘Comedy and Society from Menander to Terrence’. In The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08.
———. 2007b. ‘Comedy and Society from Menander to Terrence’. In The Cambridge Companion to Greek and Roman Theatre. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-greek-and-roman-theatre/D40B6939E9BA5E68865F6B5B1FB4FF08.
Moon on a Rainbow Shawl. n.d. https://doi.org/10.5040/9780571289462.00000004.
———. n.d. https://doi.org/10.5040/9780571289462.00000004.
———. n.d. https://doi.org/10.5040/9780571289462.00000004.
Norris, Bruce, and Bertolt Brecht. 2017. The Resistible Rise of Arturo Ui. London: Bloomsbury Methuen Drama.
Pavis, Patrice. 1985. ‘Theatre Analysis: Some Questions and a Questionnaire’. New Theatre Quarterly 1 (02). https://doi.org/10.1017/S0266464X00001573.
‘Podcast: Activist Playwright Anders Lustgarten Challenges the Ideology of Austerity | TheatreVoice’. n.d. http://www.theatrevoice.com/audio/playwright-anders-lustgarten-challenges-the-ideology-of-austerity/.
Rai, Shirin, and Janelle G. Reinelt. 2015. ‘Tahrir Square, EC4M: The Occupy Movement and the Dramaturgy of Public Order’. In The Grammar of Politics and Performance, edited by Shirin Rai and Janelle G. Reinelt, 121–33. London: Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1883889.
Raima Evan. 2002. ‘Women and Violence in “A Mouthful of Birds”’. Theatre Journal 54 (2). https://www.jstor.org/stable/25069056?seq=1#metadata_info_tab_contents.
Randall, Phyllis R. 1988. ‘Doing Dangerous History: Caryl Churchill and A Mouthful of Birds’. In Caryl Churchill: A Casebook, v.3:131–49. New York: Garland Pub.
Raphael, Frederic, Kenneth McLeish, and Euripides. 1998a. Bacchae. Vol. 35. London: Nick Hern.
———. 1998b. Bacchae. Vol. 35. London: Nick Hern.
———. 2016a. Bacchae. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781784602925.00000011.
———. 2016b. Bacchae. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781784602925.00000011.
Rich, Adrienne. 1998. ‘When We Dead Awaken: Writing as Re-Vision’. In On Lies, Secrets, and Silence: Selected Prose, 1966-1978. New York: W. W. Norton.
Sanders, Julie. 2006a. ‘“Introduction” and “Defining Terms”’. In Adaptation and Appropriation, 1–41. London: Routledge.
———. 2006b. ‘“Introduction” and “Defining Terms”’. In Adaptation and Appropriation. London: Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=308508.
Shakespeare, William. 2014a. Twelfth Night. Edited by Keir Elam. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781408160107.00000007.
———. 2014b. Twelfth Night. Edited by Keir Elam. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781408160107.00000007.
Shakespeare, William, and K Elam. 2008a. Twelfth Night, or What You Will. London: Arden.
———. 2008b. Twelfth Night, or What You Will. London: Arden.
Shakespeare, William, and Elizabeth Schafer. 2009. ‘Excerpt From the Introduction’. In Twelfth Night, 31–65. Cambridge, UK: Cambridge University Press.
Solomon, Alisa. 1997a. Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge.
———. 1997b. Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980.
———. 1997c. Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge.
———. 1997d. Re-Dressing the Canon: Essays on Theatre and Gender. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=179980.
Spunner, Suzanne. 1997. ‘Running Up a Dress’. In Australian Women’s Drama: Texts and Feminisms. Sydney: Currency. https://contentstore.cla.co.uk/secure/link?id=6bba0769-09f3-e811-80cd-005056af4099.
The Eunuch. n.d. https://doi.org/10.5040/9781408169094.00000017.
‘———’. n.d. In . https://doi.org/10.5040/9781408169094.00000017.
‘———’. n.d. In . https://doi.org/10.5040/9781408169094.00000017.
Way, Charles. 2001a. ‘Playing From the Heart’. In Plays for Young People. London: Aurora Metro Press.
———. 2001b. Plays for Young People. London: Aurora Metro Press.
Westall, C. 2005. ‘Men in the Yard and On the Street: Cricket and Calypso in Moon on a Rainbow Shawl and Miguel Street’. Arthurium: A Caribbean Studies Journal. https://scholarlyrepository.miami.edu/cgi/viewcontent.cgi?article=1095&context=anthurium.