Ahmed, Sara. ‘Recognising Strangers’. Strange Encounters: Embodied Others in Post-Coloniality, Routledge, 2000.
———. ‘Recognising Strangers’. Strange Encounters: Embodied Others in Post-Coloniality, Routledge, 2000, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203349700. Electronic book.
Andron, Sabina. ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’. Graffiti and Street Art: Reading, Writing and Representing the City, edited by Konstantinos Avramidis and Myrto Tsilimpounidi, Routledge, 2017.
———. ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’. Graffiti and Street Art: Reading, Writing and Representing the City, Taylor and Francis, 2016, http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4767335.
Avgikos, J. ‘Group Material Timeline: Activism as a Work of Art’. But Is It Art?: The Spirit of Art as Activism, Bay Press, 1995.
Barns, Sarah. ‘Sounds Different: Listening to the Proliferating Spaces of Technological Modernity in the City’. Space and Culture, vol. 17, no. 1, 2014, pp. 4–15, https://doi.org/10.1177/1206331213494733.
BAVO. Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification. 2007, http://www.bavo.biz/texts/view/45.
———. Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification. 2007, http://www.bavo.biz/texts/view/45.
Bellinck, T. ‘We Were Dying and Then We Got a Prize’. Art and Activism in the Age of Globalization, no. 8, NAi, 2010.
Beyes, T. ‘Summoning Art to Save the City: A Note’. Ephemera. Theory and Politics in Organization, vol. 15, no. 1, 2015, http://www.ephemerajournal.org/contribution/summoning-art-save-city-note.
———. ‘Summoning Art to Save the City: A Note’. Ephemera. Theory and Politics in Organization, vol. 15, no. 1, 2015, http://www.ephemerajournal.org/contribution/summoning-art-save-city-note.
Beyes, Timon. ‘Uncontained: The Art and Politics of Reconfiguring Urban Space’. Culture and Organization, vol. 16, no. 3, 2010, pp. 229–46, https://doi.org/10.1080/14759551.2010.503499.
Birch, Anna, and Joanne Tompkins. Performing Site-Specific Theatre: Politics, Place, Practice. Palgrave Macmillan, 2012.
———. Performing Site-Specific Theatre: Politics, Place, Practice. Palgrave Macmillan, 2012, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1058315. Electronic book.
Bishop, Claire. ‘The Social Turn: Collaboration and Its Discontents’. Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2012.
———. ‘The Social Turn: Collaboration and Its Discontents’. Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2012, http://hdl.handle.net/2027/heb.32115. Electronic resource.
———. ‘The Social Turn: Collaborations and Its Discontents’. Artforum International [New York], vol. 44, no. 6 (Feb), 2006, pp. 178–83, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0.
Bo, Zheng. ‘From Gongren to Gongmin: A Comparative Analysis of Ai Weiwei’s Sunflower Seeds and Nian’. Journal of Visual Art Practice, vol. 11, no. 2, 2012, pp. 117–33, https://doi.org/10.1386/jvap.11.2-3.117_1.
Bonnett, A. ‘Art, Ideology, and Everyday Space: Subversive Tendencies From Dada to Postmodernism’. Environment and Planning D: Society and Space, vol. 10, no. 1, 1992, pp. 69–86, https://doi.org/10.1068/d100069.
Borden, Iain. The Unknown City: Contesting Architecture and Social Space. MIT, 2002.
Boyd, Danah. ‘Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications’. A Networked Self: Identity, Community and Culture on Social Network Sites, Routledge, 2011.
Brejzek, Thea. ‘From Social Network to Urban Intervention: On the Scenographies of Flash Mobs and Urban Swarms’. International Journal of Performance Arts & Digital Media, vol. 6, no. 1, 2010, pp. 109–22, https://doi.org/10.1386/padm.6.1.109_1.
Bull, Michael, and Les Back. The Auditory Culture Reader. 2nd edition, Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2016.
Butler, Judith. Bodies in Alliance and the Politics of the Street. 2011, http://www.eipcp.net/transversal/1011/butler/en.
Butler, Toby. ‘A Walk of Art: The Potential of the Sound Walk as Practice in Cultural Geography’. Social & Cultural Geography, vol. 7, no. 6, 2006, pp. 889–908, https://doi.org/10.1080/14649360601055821.
Butler, Toby, and Graeme Miller. ‘Linked: A Landmark in Sound, a Public Walk of Art’. Cultural Geographies, vol. 12, no. 1, 2005, https://www.jstor.org/stable/44251015?sid=primo&seq=1#metadata_info_tab_contents.
Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Culicidae Architectural Press, 2017.
Carmona, Matthew. ‘Re-Theorising Contemporary Public Space: A New Narrative and a New Normative’. Journal of Urbanism: International Research on Placemaking and Urban Sustainability, vol. 8, no. 4, 2015, pp. 373–405, https://doi.org/10.1080/17549175.2014.909518.
Chilton, T. ‘Adventure Playgrounds in the Twenty-First Century’. Playwork: Theory and Practice, Open University Press, 2002.
City: Vol 16, No 4. https://www.tandfonline.com/toc/ccit20/16/4.
Cohen, Philip. On the Wrong Side of the Track?: East London and the Post-Olympics. Lawrence and Wishart, 2013.
Cornish, Matthew. ‘Performing the Archive: History and Memory in Recent German Theatre’. Theatre Journal, vol. 67, no. 1, 2015, pp. 63–82, https://doi.org/10.1353/tj.2015.0032.
Dawkins, Ashley, and Alex Loftus. ‘The Senses as Direct Theoreticians in Practice’. Transactions of the Institute of British Geographers, vol. 38, no. 4, 2013, pp. 665–77, https://doi.org/10.1111/j.1475-5661.2012.00551.x.
De Cautier, Lieven. ‘Notes on Subversion/Theses on Activism’. Art and Activism in the Age of Globalization, no. 8, NAi, 2010.
De Certeau, M. ‘Walking the City’. The Practice of Everyday Life, University of California Press, 1988.
de Souza de Silva, A., and J. Frith. ‘Location-Aware Technologies: Control and Privacy in Hybrid Spaces’. Communication Matters: Materialist Approaches to Media, Mobility and Networks, Routledge, 2012, https://www.safaribooksonline.com/library/view/-/9780415782241/?ar. Electronic resource.
de Souza e Silva, Adriana. ‘Location-Aware Mobile Technologies: Historical, Social and Spatial Approaches’. Mobile Media & Communication, vol. 1, no. 1, 2013, pp. 116–21, https://doi.org/10.1177/2050157912459492.
de Souza e Silva, Adriana, and Larissa Hjorth. ‘Playful Urban Spaces: A Historical Approach to Mobile Games’. Simulation & Gaming, vol. 40, no. 5, 2009, pp. 602–25, https://doi.org/10.1177/1046878109333723.
Deutsche, Rosalyn. ‘Art and Public Space: Questions of Democracy’. Thresholds, no. 2, 1992, https://www.jstor.org/stable/43875830.
———. ‘Uneven Development: Public Art in New York City’. October, vol. 47, 1988, https://doi.org/10.2307/778979.
Dias, Marcos. Digital Performance in Networked Public Spaces: Situating the Posthuman Subject | ISEA2011 Istanbul. 2011, https://isea2011.sabanciuniv.edu/paper/digital-performance-networked-public-spaces-situating-posthuman-subject.
Dias, Marcos Pereira. ‘A Machine to See With (And Reflect Upon)’. Liminalities, vol. 8, no. 1, 2012, http://liminalities.net/8-1/blast-theory.html.
Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2007.
Dolan, Jill. ‘Performance, Utopia, and the “Utopian Performative”’. Theatre Journal, vol. 53, no. 3, 2001, https://www.jstor.org/stable/25068953.
Dreysse, Miriam, and Florian Malzacher. Experts of the Everyday: The Theatre of Rimini Protokoll. Alexander Verlag, 2008.
Edelman, Murray. From Art to Politics: How Artistic Creations Shape Political Conceptions. University of Chicago Press, 1995.
Edensor, Tim. ‘The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space’. Environment and Planning D: Society and Space, vol. 23, no. 6, 2005, pp. 829–49, https://doi.org/10.1068/d58j.
Eileraas, Karina. ‘Sex(t)Ing Revolution, Femen-Izing the Public Square: Aliaa Magda Elmahdy, Nude Protest, and Transnational Feminist Body Politics’. Signs: Journal of Women in Culture and Society, vol. 40, no. 1, 2014, pp. 40–52, https://doi.org/10.1086/677073.
Fenton, Jill. ‘Space, Chance, Time: Walking Backwards Through the Hours on the Left and Right Banks of Paris’. Cultural Geographies, vol. 12, no. 4, 2005, https://www.jstor.org/stable/44251056?sid=primo&seq=1#metadata_info_tab_contents.
Foster, Susan Leigh. ‘Choreographies of Protest’. Theatre Journal, vol. 55, no. 3, 2003, https://www.jstor.org/stable/25069277?seq=1#metadata_info_tab_contents.
Fraser, N. ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’. The Idea of the Public Sphere: A Reader, Lexington Books, 2010.
Games Monitor | Debunking Olympics Myths. http://www.gamesmonitor.org.uk/.
Gold, John R., and Margaret M. Gold. ‘Olympic Cities: Regeneration, City Rebranding and Changing Urban Agendas’. Geography Compass, vol. 2, no. 1, 2008, pp. 300–18, https://doi.org/10.1111/j.1749-8198.2007.00080.x.
Gold, John Robert, and Margaret M. Gold. Olympic Cities: City Agendas, Planning, and the World’s Games, 1896-2012. Routledge, 2007.
Graham, Stephen, and Simon Marvin. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. Routledge, 2001.
———. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. Routledge, 2001, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170145. Electronic book.
Hahn, Daniela. ‘Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll’. TDR/The Drama Review, vol. 58, no. 3, 2014, pp. 27–38, https://doi.org/10.1162/DRAM_a_00371.
Hall, Tim. ‘Art and Urban Change: Public Art in Urban Regeneration’. Cultural Geography in Practice, Arnold, 2003, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964. Electronic book.
Hannah, Dorita. Constructing Barricades: Politics of the Event and ‘Weak Architecture’. Architecture and the Political Fourth International Symposium on Architectural Theory, 2011, http://www.lau.edu.lb/news-events/conferences/architecture-political/docs/hannah.pdf.
Harvie, Jen. ‘Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin’. Auto/Biography and Identity: Women, Theatre and Performance, Manchester University Press, 2005.
———. ‘City and Performativity: Performing in the City’. Theatre & the City, Palgrave Macmillan, 2009.
———. ‘City and Performativity: Performing in the City’. Theatre & the City, Palgrave Macmillan, 2009.
———. ‘City and Performativity: Performing the City’. Theatre and the City, Palgrave Macmillan, 2006, http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.
———. ‘City and Performativity: Performing the City’. Theatre and the City, Palgrave Macmillan, 2006, http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.
———. ‘Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure’. Performance Research, vol. 16, no. 2, 2011, pp. 113–23, https://doi.org/10.1080/13528165.2011.578842.
———. ‘Space, Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism, 2013, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290. Electronic book.
———. ‘Space, Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism, 2013, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290. Electronic book.
———. ‘Space: Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism, Palgrave Macmillan, 2013.
———. ‘Space: Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism, Palgrave Macmillan, 2013.
———. Theatre & the City. Palgrave Macmillan, 2009.
Harvie, Jen, and Tim Etchells. Theatre and the City. Palgrave Macmillan, 2006, http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.
Harvie, Jen, and Keren Zaiontz. Contemporary Theatre Review: Vol 23, No 4: The Cultural Politics of London 2012. 2013, https://www.tandfonline.com/toc/gctr20/23/4?nav=tocList.
Hawkins, Harriet. ‘Geography and Art. An Expanding Field’. Progress in Human Geography, vol. 37, no. 1, 2013, pp. 52–71, https://doi.org/10.1177/0309132512442865.
———. ‘Turn Your Trash Into… Rubbish, Art and Politics. Richard Wentworth’s Geographical Imagination’. Social & Cultural Geography, vol. 11, no. 8, 2010, pp. 805–27, https://doi.org/10.1080/14649365.2010.522719.
Heddon, Deirdre. ‘The Horizon of Sound Soliciting the Earwitness’. Performance Research, vol. 15, no. 3, 2010, pp. 36–42, https://doi.org/10.1080/13528165.2010.527200.
———. Walking, Writing and Performance: Autobiographical Texts. Intellect, 2009.
———. Walking, Writing and Performance: Autobiographical Texts. Intellect, 2009, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=457086. Electronic book.
Holub, B. ‘Why Is Taking Action Beautiful? Explorations for Actionology’. New Stakeholders of Urban Change: A Question of Culture and Attitude?, edited by Hilke Marit Berger and Gesa Ziemer, IV, Jovis, 2017.
Hopkins, D. J., Shelley Orr, et al. ‘Introduction: City/Text/Performance’. Performance and the City, Palgrave Macmillan, 2011.
———. Performance and the City. Palgrave Macmillan, 2011.
Hopkins, D. J., Kim Solga, et al. Performance and the Global City. Palgrave Macmillan, 2013, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514238. Electronic resource.
———. ‘Introduction: City/Text/Performance’. Performance and the Global City, edited by D. J. Hopkins and Kim Solga, Palgrave Macmillan, 2013, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137367853. Electronic resource.
Imrie, Robert, et al. Regenerating London: Governance, Sustainability and Community in a Global City. Routledge, 2009.
———. Regenerating London: Governance, Sustainability and Community in a Global City. Routledge, 2009, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=401856. Electronic resource.
Jackson, Shannon. ‘Quality Time: Social Practice Debates in Contemporary Art’. Social Works: Performing Art, Supporting Publics, Routledge, 2011.
———. ‘Quality Time: Social Practice Debates in Contemporary Art’. Social Works: Performing Art, Supporting Publics, Routledge, 2011, http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592. Electronic book.
———. Social Works: Performing Art, Supporting Publics. Routledge, 2011.
———. Social Works: Performing Art, Supporting Publics. Routledge, 2011, http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592. Electronic book.
Jenks, Chris. ‘Watching Your Step: The History and Practice of the Flâneur’. Visual Culture, Routledge, 1995.
Kelly, Paul. What Have You Done Today Mervyn Day? 2005.
Kester, Grant. ‘Response to Claire Bishop’s “Another Turn”’. Artforum International [New York], vol. 44, no. 9 (May), 2006, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0.
Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. University of California Press, 2004, http://www.loc.gov/catdir/toc/ecip048/2003018998.html.
———. ‘Eminent Domain: Art and Urban Space’. The One and the Many: Contemporary Collaborative Art in a Global Context, Duke University Press, 2011.
———. ‘Eminent Domain: Art and Urban Space’. The One and the Many: Contemporary Collaborative Art in a Global Context, Duke University Press, 2011, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037. Electronic resource.
Kuppers, Petra. ‘Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur’. New Theatre Quarterly, vol. 15, no. 04, 1999, https://doi.org/10.1017/S0266464X00013245.
Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. MIT Press, 2004.
———. One Place After Another: Site-Specific Art and Locational Identity. MIT Press, 2004, http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=138684&site=ehost-live.
LaBelle, Brandon. Background Noise: Perspectives on Sound Art. Continuum, 2006.
Lavery, Carl. ‘The Pepys of London E11: Graeme Miller and the Politics of Linked’. New Theatre Quarterly, vol. 21, no. 2, 2005, pp. 148–60, https://doi.org/10.1017/S0266464X05000059.
Lavrinec, Jekaterina. ‘From a “Blind Walker” to an “Urban Curator”: Initiating “Emotionally Moving Situations” in Public Spaces’. Creativity Studies, vol. 4, no. 1, 2011, pp. 54–63, https://doi.org/10.3846/20290187.2011.577176.
———. ‘Revitalization of Public Space: From "Non-Places” to Creative Playgrounds’. Santalka: Filosofija, Komunikacija, vol. 19, no. 2, 2011, pp. 70–75, https://doi.org/10.3846/coactivity.2011.16.
Leeson, Loraine. Art for Change: Loraine Leeson : Works From 1975-2005. Neue Gesellschaft f�r Bildende Kunst, 2005.
Lefebvre, Henri. ‘Seen From the Window’. Rhythmanalysis: Space, Time, and Everyday Life, Continuum, 2004.
———. ‘Seen From the Window’. Rhythmanalysis: Space, Time, and Everyday Life, Continuum, 2004, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364. Electronic book.
———. ‘The Rythmanalyst: A Previsionary Portrait’. Rhythmanalysis: Space, Time, and Everyday Life, Continuum, 2004.
———. ‘The Rythmanalyst: A Previsionary Portrait’. Rhythmanalysis: Space, Time, and Everyday Life, Continuum, 2004, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364. Electronic book.
Lester, S. ‘Play as Protest: Clandestine Moments of Disturbance and Hope’. Education, Childhood and Anarchism, Routledge; 1 edition, 2014, https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism.
———. ‘Play as Protest: Clandestine Moments of Disturbance and Hope’. Education, Childhood and Anarchism, Routledge; 1 edition, 2014, https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism.
London 2012 Olympics | Citizens UK. https://web.archive.org/web/20130812091807/http://www.citizensuk.org/campaigns/london-2012-olympics/.
Malzacher, Florian. ‘Putting the Urinal Back in the Restroom’. Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, edited by Florian Malzacher and Anne Faucheret, Second edition, Sternberg Press, 2014.
———. ‘Putting the Urinal Back in the Restroom’. Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, edited by Florian Malzacher and Anne Faucheret, Second edition, Sternberg Press, 2014.
McCreery, Sandy. ‘The Claremont Road Situation’. The Unknown City: Contesting Architecture and Social Space, MIT, 2001.
McDonough, Tom. The Situationists and the City. Verso, 2009.
McKeon, O. ‘Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade’. Activate, vol. 3, no. 1, 2014.
Melville, Sandra. ‘Creating Spaces for Adventure’. Built Environment, vol. 25, no. 1, 1999, https://www.jstor.org/stable/23289146.
Merx, Sigrid. ‘Public Pie Performing Public Space’. Performance Research, vol. 16, no. 2, 2011, pp. 132–37, https://doi.org/10.1080/13528165.2011.578844.
———. ‘The Politics of Scenography: Disrupting the Stage’. Performance Research, vol. 18, no. 3, 2013, pp. 54–58, https://doi.org/10.1080/13528165.2013.818314.
Miller, Graeme. Linked: A Landmark in Sound, an Invisible Artwork, a Walk. Arts Admin, 2003.
———. ‘Walking the Walk, Talking the Talk: Re-Imagining the Urban Landscape’. New Theatre Quarterly, vol. 21, no. 2, 2005, pp. 161–65, https://doi.org/10.1017/S0266464X05000060.
Mouffe, C. ‘Artistic Activism and Antagonistic Spaces’. Art and Research: A Journal of Ideas, Contexts and Methods, vol. 1, no. 2, 2007, http://www.artandresearch.org.uk/v1n2/mouffe.html.
———. ‘Artistic Activism and Antagonistic Spaces’. Art and Research: A Journal of Ideas, Contexts and Methods, vol. 1, no. 2, 2007, http://www.artandresearch.org.uk/v1n2/mouffe.html.
Neal, Zachary P. ‘Introduction: Public Space as Art, Theatre and Performance’. Common Ground?: Readings and Reflections on Public Space, 2010.
———. ‘Introduction: Public Space as Art, Theatre and Performance’. Common Ground?: Readings and Reflections on Public Space, Routledge, 2010, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960. Electronic resource.
———. ‘Locating Public Space’. Common Ground?: Readings and Reflections on Public Space, 2010.
———. ‘Locating Public Space’. Common Ground?: Readings and Reflections on Public Space, Routledge, 2010, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960. Electronic resource.
Nibbelink, L. G. ‘The Mirror of Public Space – Interview With Dries Verhoven’. Intermedial Performance and Politics in the Public Sphere, edited by Katia Arfara et al., Palgrave Macmillan, 2015.
Olsen, Cecilie Sachs. Socially Engaged Art and the Neoliberal City. Routledge, 2019.
Orum, Anthony M., and Zachary P. Neal. Common Ground?: Readings and Reflections on Public Space. 2010.
———. Common Ground?: Readings and Reflections on Public Space. Routledge, 2010, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=446678. Electronic resource.
Parry, Ben, et al. Cultural Hijack: Rethinking Intervention. Liverpool University Press, 2011.
———. ‘Rethinking Intervention’. Cultural Hijack: Rethinking Intervention, Liverpool University Press, 2011.
Pearson, Mike. ‘Materiality’. Site-Specific Performance, Palgrave Macmillan, 2010.
Pinder, David. ‘Arts of Urban Exploration’. Cultural Geographies, vol. 12, no. 4, 2005, https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents.
———. ‘Arts of Urban Exploration’. Cultural Geographies, vol. 12, no. 4, 2005, https://www.jstor.org/stable/44251055?sid=primo#metadata_info_tab_contents.
———. ‘Ghostly Footsteps: Voices, Memories and Walks in the City’. Ecumene, vol. 8, no. 1, 2001, pp. 1–19, https://doi.org/10.1177/096746080100800101.
———. ‘Situationism/Situationist Geographies’. International Encyclopedia of Human Geography, vol. 10, 2009, pp. 144–50, https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography.
———. ‘Sound, Memory and Interruption: Ghosts of London’s M11 Link Road’. Cities Interrupted: Visual Culture and Urban Space, Bloomsbury Academic; 01 edition, 2016, https://www.amazon.co.uk/Cities-Interrupted-Shirley-Jordan/dp/1474224415/ref=sr_1_1?ie=UTF8&qid=1544003907&sr=8-1&keywords=Cities+Interrupted+jordan.
———. ‘Surrealism/Surrealist Geographies’. International Encyclopedia of Human Geography, vol. 11, 2009, pp. 87–94, https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography.
———. Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. Routledge, 2005.
———. Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. Routledge, 2005, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315870496. Electronic resource.
Pitsikali, A. ‘Examining the Playground as a Civic Space through the Lens of Play’. Journal of Playwork Practice, vol. 2, no. 1, 2015, pp. 45–59.
Powell, Hilary, and Isaac Marrero-Guillamn̤. The Art of Dissent: Adventures in London’s Olympic State. Marshgate, 2012.
Poynter, Gavin. Olympic Cities: 2012 and the Remaking of London. Edited by Iain MacRury, Routledge, 2016, http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315247748. Electronic resource.
Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. Edited by Gabriel Rockhill, Updated edition, Bloomsbury Academic, 2015.
———. The Politics of Aesthetics: The Distribution of the Sensible. Edited by Gabriel Rockhill, Updated edition, Bloomsbury Academic, 2015.
Rendell, Jane. Art and Architecture: A Place Between. I. B. Tauris, 2006.
———. Critical Spatial Practice. 2009, http://www.janerendell.co.uk/wp-content/uploads/2009/06/critical-spatial-practice.pdf.
Rodgers, Scott, et al. ‘Media Practices and Urban Politics: Conceptualizing the Powers of the Media-Urban Nexus’. Environment and Planning D: Society and Space, vol. 32, no. 6, 2014, pp. 1054–70, https://doi.org/10.1068/d13157p.
Rosler, Martha. ‘Culture Class: Art, Creativity, Urbanism, Part I’. E-Flux, vol. 21, 2010, https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/.
———. ‘Culture Class: Art, Creativity, Urbanism, Part I’. E-Flux, vol. 21, 2010, https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/.
———. ‘Culture Class: Art, Creativity, Urbanism, Part II’. E-Flux, vol. 23, 2011, https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.
———. ‘Culture Class: Art, Creativity, Urbanism, Part II’. E-Flux, vol. 23, 2011, https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.
———. ‘Culture Class: Art, Creativity, Urbanism, Part III’. E-Flux, vol. 25, 2011, https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/.
———. ‘Culture Class: Art, Creativity, Urbanism, Part III’. E-Flux, vol. 25, 2011, https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/.
Rosler, Martha, and Brian Wallis. If You Lived Here: The City in Art, Theory and Social Activism. Bay Press, U. S., 1999.
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———. ‘Materiality as Performance’. Performance Research, vol. 21, no. 3, 2016, pp. 37–46, https://doi.org/10.1080/13528165.2016.1176736.
———. ‘Performance and Urban Space: An Ambivalent Affair’. Geography Compass, 2018, https://doi.org/10.1111/gec3.12408.
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———. Performing Remains: Art and War in Times of Theatrical Reenactment. Routledge, 2011, https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668786. Electronic book.
Shaw, Ian Graham Ronald, and Barney Warf. ‘Worlds of Affect: Virtual Geographies of Video Games’. Environment and Planning A, vol. 41, no. 6, 2009, pp. 1332–43, https://doi.org/10.1068/a41284.
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———. Performance Affects: Applied Theatre and the End of Effect. Palgrave Macmillan, 2009, http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=250764. Electronic book.
Thompson, Nato. ‘Living as Form’. Living as Form: Socially Engaged Art from 1991-2011, MIT Press; Reprint edition, 2017, https://www.amazon.co.uk/Living-Form-Socially-Engaged-1991-2011/dp/0262534398/ref=sr_1_1?ie=UTF8&qid=1543999788&sr=8-1&keywords=living+as+form.
———. The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. MASS MoCA, 2004.
Turner, Cathy. ‘Mis-Guidance and Spatial Planning: Dramaturgies of Public Space’. Contemporary Theatre Review, vol. 20, no. 2, 2010, pp. 149–61, https://doi.org/10.1080/10486801003682351.
Vickery, Jonathan. Beyond the Creative City – Cultural Policy in an Age of Scarcity. 2012, https://vimeo.com/34525691.
Whybrow, Nicolas. Art and the City. I.B. Tauris, 2011.
———. Art and the City. I.B. Tauris, 2011.
———. Art and the City. I.B. Tauris, 2011, http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817. Electronic book.
———. Art and the City. I.B. Tauris, 2011, http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817. Electronic book.
———. Performance and the Contemporary City: An Interdisciplinary Reader. Palgrave Macmillan, 2010.
———. Performance and the Contemporary City: An Interdisciplinary Reader. Palgrave Macmillan, 2010.
Wilson, Elizabeth. ‘The Invisible Flâneur’. New Left Review, vol. 191, 1992, https://newleftreview.org/I/191/elizabeth-wilson-the-invisible-flaneur.
Wilson, Helen F. ‘On Geography and Encounter: Bodies, Borders, and Difference’. Progress in Human Geography, vol. 41, no. 4, 2017, pp. 451–71, https://doi.org/10.1177/0309132516645958.
