Bibliography for MA Producing Film and Television (2016-17) BETA

Alberstat, Philip. The Insider’s Guide to Film Finance. Amsterdam: Focal, 2004. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643850002671&institutionId=2671&customerId=2670>.

---. The Insider’s Guide to Film Finance. Amsterdam: Focal Press, 2004. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100841>.

Ascher, Steven, and Edward Pincus. The Filmmaker’s Handbook – A Comprehensive Guide for the Digital Age,. Completely rev. and updated. New York: Plume, 1999. Print.

Atchity, Kenneth John, and Chi-Li Wong. Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry. 2nd ed. New York: Henry Holt, 2003. Print.

Bach, Steven. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Rev. ed. London: Pimlico, 1996. Print.

Badal, Sharon. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Amsterdam: Focal Press, 2008. Web. <http://www.loc.gov/catdir/toc/ecip0724/2007032517.html>.

Bainbridge, David I. Intellectual Property. 9th ed. Harlow: Pearson, 2012. Print.

---. Intellectual Property. Harlow: Pearson, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408283257>.

Baker, Rhonda. Media Law: A User’s Guide for Film and Programme Makers. London: Routledge, 1997. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113670002671&institutionId=2671&customerId=2670>.

---. Media Law: A User’s Guide for Film and Programme Makers. London: Routledge, 1997. Web. <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315004716>.

Baltruschat, Doris, and Mary Erickson, eds. Independent Filmmaking around the Globe. Toronto: University of Toronto Press, 2015. Print.

Baumgarten, Paul A., Donald C. Farber, and Mark Fleischer. Producing, Financing and Distributing Film. 2nd ed. New York: Limelight Editions, 1992. Print.

Bazin, André. What Is Cinema? Berkeley: University of California Press, 2005. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08209>.

---. What Is Cinema? Berkeley, Calif: University of California Press, 1967. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214290002671&institutionId=2671&customerId=2670>.

Berger, John. Ways of Seeing. London: Penguin, 2008. Print.

---. Ways of Seeing. London: Penguin, 2008. Print.

Bernardo, Nuno. The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories across Multiple Platforms. Lisboa, Portugal: beActive Books, 2011. Print.

Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-’N’-Roll Generation Saved Hollywood. New York, NY: Simon & Schuster, 1998. Print.

Bloore, Peter. The Screenplay Business: Managing Creativity and Script Development in the Film Industry. London: Routledge, 2013. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113820002671&institutionId=2671&customerId=2670>.

---. The Screenplay Business: Managing Creativity and Script Development in the Film Industry. London: Routledge, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203143711>.

Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema. London: Routledge & Kegan Paul, 1985. Print.

Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2005. Print.

Bordwell, David, Kristin Thompson, and Janet Staiger. The Classical Hollywood Cinema. London: Routledge, 1985. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>.

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. Eighth edition. New York: Oxford University Press, 2016. Print.

Brook, Peter. The Empty Space. Pelican books. Harmondsworth: Penguin, 1972. Print.

Caldwell, John Thornton. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Console-ing passions : television and cultural power. Durham, N.C.: Duke University Press, 2008. Print.

Caldwell, John Thornton and Dawsonera. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Console-ing passions : television and cultural power. Durham, N.C.: Duke University Press, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388968>.

Cardullo, Bert. Playing to the Camera: Film Actors Discuss Their Craft. New Haven: Yale University Press, 1997. Print.

Clapperton, Guy. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Mankato, Minn: Capstone, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643840002671&institutionId=2671&customerId=2670>.

Clapperton, Guy and Dawsonera. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Chichester, U.K.: Capstone, 2009. Web. <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781907293016>.

Cleve, Bastian. Film Production Management. 3rd ed. Amsterdam: Focal, 2006. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399203240002671&institutionId=2671&customerId=2670>.

---. Film Production Management. Amsterdam: Focal, 2006. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080477732>.

Cowgill, Linda J. Writing Short Films. 2nd ed. Los Angeles: Lone Eagle Pub, 2005. Print.

Creeber, Glen. Serial Television: Big Drama on the Small Screen. London: BFI Publishing, 2004. Print.

Dancyger, Ken, and Jeff Rush. Alternative Scriptwriting: Beyond the Hollywood Formula. 5th ed. Burlington, MA: Focal Press, 2013. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214310002671&institutionId=2671&customerId=2670>.

---. Alternative Scriptwriting: Beyond the Hollywood Formula. Burlington, MA: Focal Press, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522470>.

Davies, Adam P. et al. The Film Finance Handbook: How to Fund Your Film. London: Netribution. Print.

Eberts, Jake, and Terry Ilott. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990. Print.

Edwards, Rona, and Monika Skerbelis. The Complete Filmmaker’s Guide to Film Festivals. Studio City, Calif: Michael Wiese, 2012. Print.

Egri, Lajos. The Art of Dramatic Writing. 1st Touchstone ed. New York: Simon & Schuster, 2004. Print.

Eisenstein, Sergei, and Jay Leyda. The Film Sense. [Rev. ed.]. Harvest book. New York: Harcourt Brace Jovanovich, 1975. Print.

Ettedgui, Peter. Production Design and Art Direction. Screencraft. Hove: RotoVision, 1999. Print.

Evans, Robert. The Kid Stays in the Picture. London: Faber, 2004. Print.

Field, Syd. The Screenwriter’s Workbook. New York: Dell, 1984. Print.

Figgis, Mike. Digital Film-Making. New York: Faber and Faber, 2007. Print.

Finney, Angus. The International Film Business. London: Routledge, 2010. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014530002671&institutionId=2671&customerId=2670>.

---. The International Film Business. London: Routledge, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203851142>.

Goldman, William. Adventures in the Screen Trade. London New York: Grand Central Publishing, 1984. Print.

---. Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury, 2000. Print.

Gripsrud, Jostein. Understanding Media Culture. London: Arnold, 2002. Print.

Grove, Elliot. Raindance Producers’ Lab Lo-to-No Budget Filmmaking. Second edition. New York: Focal Press, 2014. Web. <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522197>.

---. Raindance Producers’ Lab Lo-to-No Budget Filmmaking. Oxford: Focal, 2013. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643780002671&institutionId=2671&customerId=2670>.

Halperin, Michael. Writing the Killer Treatment: Selling Your Story without a Script. Studio City, Calif: Michael Wiese, 2002. Print.

Harrison, Stephanie. Adaptations. New York: Three Rivers Press, 2005. Print.

Hein, Carolina. Laura Mulvey, Visual Pleasure and Narrative Cinema. Norderstedt: GRIN, 2006. Print.

Honthaner, Eve Light. The Complete Film Production Handbook. Amsterdam: Focal, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080884998>.

---. The Complete Film Production Handbook. 4th ed. Amsterdam: Focal, 2010. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399194450002671&institutionId=2671&customerId=2670>.

Hope, Ted, and Anthony Kaufman. Hope for Film: From the Frontline of the Independent Cinema Revolutions. Berkeley: Soft Skull Press, 2014. Print.

‘How to Write a Transmedia Production Bible’. Web. <https://www.screenaustralia.gov.au/getmedia/33694e05-95c2-4a05-8465-410fb8a224aa/Transmedia-production-bible-template.pdf?ext=.pdf>.

Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214600002671&institutionId=2671&customerId=2670>.

Jenkins, Henry, 1958-. Convergence Culture: Where Old and New Media Collide. New York University Press, 2006. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05936>.

Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value and Meaning in a Networked Culture. Postmillennial pop. New York: New York University Press, 2013. Print.

Katz, Steven D. Film Directing Shot by Shot: Visualizing from Concept to Screen. Studio City, Calif: Michael Wiese Productions in conjunction with Focal, 1991. Print.

Kellison, Cathrine, Dustin Morrow, and Kacey Morrow. Producing for TV and New Media. Third edition. New York: Focal Press, 2015. Print.

Kerrigan, Finola. Film Marketing. 1st ed. Amsterdam: Elsevier/Butterworth-Heinemann, 2009. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113760002671&institutionId=2671&customerId=2670>.

---. Film Marketing. Amsterdam: Butterworth-Heinemann, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080942919>.

Landau, Neil. TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series. New York: Focal Press, 2014. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203381106>.

---. TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series. New York: Focal Press, 2014. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401098250002671&institutionId=2671&customerId=2670>.

Landis, Deborah Nadoolman. Dressed: A Century of Hollywood Costume Design. New York, NY: HarperCollins Publishers, 2006. Print.

Lee, John J. The Producer’s Business Handbook. Amesterdam: Focal, 2011. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240814643>.

---. The Producer’s Business Handbook. Boston: Focal, 2000. Print.

Levison, Louise. Filmmakers and Financing: Business Plans for Independents. Amsterdam: Focal Press, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=72909>.

---. Filmmakers and Financing: Business Plans for Independents. 5th ed. Amsterdam: Focal Press, 2007. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014360002671&institutionId=2671&customerId=2670>.

Lukk, Tiiu. Movie Marketing. Los Angeles: Silman-James Press, 1997. Print.

Mackendrick, Alexander, Paul Cronin, and Martin Scorcese. On Film-Making: An Introduction to the Craft of the Director. New York, NY: Faber and Faber, 2004. Print.

Mamet, David. On Directing Film. London: Penguin, 1992. Print.

McKee, Robert. Story. Methuen Drama, 1998. Print.

Miller, Pat P. Script Supervising and Film Continuity. 3rd ed. Oxford: Focal, 1999. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214340002671&institutionId=2671&customerId=2670>.

Miller, Pat P. and Dawsonera. Script Supervising and Film Continuity. 3rd ed. Boston: Focal Press, 1999. Web. <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080516769>.

Monaco, James. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. Oxford: Oxford University Press, 2009. Print.

Ondaatje, Michael. The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury, 2002. Print.

Parks, Stacey. The Insider’s Guide to Independent Film Distribution. Oxford: Focal, 2007. Print.

---. The Insider’s Guide to Independent Film Distribution. Oxford: Focal Press, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240817569>.

Rabiger, Michael. Developing Story Ideas. Oxford: Focal, 1998. Print.

Rea, Peter W., and David K. Irving. Producing and Directing the Short Film and Video. 4th ed. Amsterdam: Focal, 2010. Web. <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214590002671&institutionId=2671&customerId=2670>.

---. Producing and Directing the Short Film and Video. Amsterdam: Focal, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029>.

---. Producing and Directing the Short Film and Video. Amsterdam: Focal, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029>.

Reiss, Jon. Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Denver, Colo: Hybrid Cinema, 2010. Print.

Rotcop, Ken. The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood. 2nd ed. Studio City, CA: Michael Wiese Productions, 2009. Web. <http://catdir.loc.gov/catdir/toc/ecip0827/2008038616.html>.

Seger, Linda. Making a Good Script Great. 3rd ed. Los Angeles, [Calif.]: Silman-James, 2010. Print.

Singleton, Ralph S., Alain Silver, and Robert Koster. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, Calif: Lone Eagle, 1996. Print.

Stanislavski, Constantin. An Actor Prepares. London: Methuen Drama, 1980. Print.

---. An Actor Prepares. New York: Routledge, 2003. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611>.

Stanislavsky, K. S. An Actor Prepares. New York: Routledge, 2003. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611>.

---. An Actor Prepares. London: Methuen Drama, 1980. Print.

Tharp, Twyla, and Mark Reiter. The Creative Habit. 1st Simon & Schuster pbk. ed. New York: Simon & Schuster, 2006. Print.

Thompson, Kristin. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge, Mass: Harvard University Press, 1999. Print.

Thomson, David. The Big Screen: The Story of the Movies and What They Did to Us. London: Allen Lane, 2012. Print.

---. The Whole Equation. London: Abacus, 2006. Print.

---. The Whole Equation: A History of Hollywood. 1st Vintage Books ed. New York: Vintage, 2006. Print.

Tierno, Michael. Aristotle’s Poetics for Screenwriters. New York: Hyperion, 2002. Print.

Truby, John. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. 1st pbk. ed. New York: Faber and Faber, 2008. Print.

Truffaut, Francois. Hitchcock. Rev. ed. New York: Simon & Schuster, 1984. Print.

Vachon, Christine. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Simon & Schuster, 2006. Print.

---. Shooting to Kill. New York: Quill, 2002. Print.

Vogler, Christopher. The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters. 2nd Rev. ed. Pan, 1998. Print.

Von Sternberg, Josef. Fun in a Chinese Laundry. New York: Macmillan, 1965. Print.

Weston, Judith. Directing Actors: Creating Memorable Performances for Film and Television. Studio City, CA: M. Wiese Productions, 1996. Print.

Yorke, John. Into the Woods: A Five-Act Journey into Story. New York, NY: The Overlook Press, 2014. Print.