Bibliography for MA Producing Film and Television (2016-17) BETA

Alberstat, P. (2004a) The Insider’s Guide to Film Finance. Amsterdam: Focal. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643850002671&institutionId=2671&customerId=2670.

Alberstat, P. (2004b) The Insider’s Guide to Film Finance [electronic book]. Amsterdam: Focal Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100841.

Ascher, S. and Pincus, E. (1999) The Filmmaker’s Handbook – A Comprehensive Guide for the Digital Age,. Completely rev. and updated. New York: Plume.

Atchity, K.J. and Wong, C.-L. (2003) Writing treatments that sell: how to create and market your story ideas to the motion picture and TV industry. 2nd ed. New York: Henry Holt.

Bach, S. (1996) Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Rev. ed. London: Pimlico.

Badal, S. (2008) Swimming upstream: a lifesaving guide to short film distribution. Amsterdam: Focal Press. Available at: http://www.loc.gov/catdir/toc/ecip0724/2007032517.html.

Bainbridge, D.I. (2012a) Intellectual Property. 9th ed. Harlow: Pearson.

Bainbridge, D.I. (2012b) Intellectual Property [electronic book]. Harlow: Pearson. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408283257.

Baker, R. (1997a) Media Law: A User’s Guide for Film and Programme Makers. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113670002671&institutionId=2671&customerId=2670.

Baker, R. (1997b) Media Law: A User’s Guide for Film and Programme Makers [electronic book]. London: Routledge. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315004716.

Baltruschat, D. and Erickson, M. (eds) (2015) Independent filmmaking around the globe. Toronto: University of Toronto Press.

Baumgarten, P.A., Farber, D.C. and Fleischer, M. (1992) Producing, Financing and Distributing Film. 2nd ed. New York: Limelight Editions.

Bazin, A. (1967) What is Cinema? Berkeley, Calif: University of California Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214290002671&institutionId=2671&customerId=2670.

Bazin, A. (2005) What is Cinema? [electronic book]. Berkeley: University of California Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08209.

Berger, J. (2008a) Ways of Seeing. London: Penguin.

Berger, J. (2008b) Ways of seeing. London: Penguin.

Bernardo, N. (2011) The producer’s guide to transmedia: how to develop, fund, produce and distribute compelling stories across multiple platforms. Lisboa, Portugal: beActive Books.

Biskind, P. (1998) Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-’N’-Roll Generation Saved Hollywood. New York, NY: Simon & Schuster.

Bloore, P. (2013a) The Screenplay Business: Managing Creativity and Script Development in the Film Industry. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113820002671&institutionId=2671&customerId=2670.

Bloore, P. (2013b) The Screenplay Business: Managing Creativity and Script Development in the Film Industry [electronic book]. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203143711.

Bordwell, D., Staiger, J. and Thompson, K. (1985) The Classical Hollywood Cinema. London: Routledge & Kegan Paul.

Bordwell, D. and Thompson, K. (2005) Film Art: An Introduction. 8th ed. New York: McGraw-Hill.

Bordwell, D., Thompson, K. and Staiger, J. (1985) The Classical Hollywood Cinema [electronic book]. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910.

Braudy, L. and Cohen, M. (eds) (2016) Film theory and criticism: introductory readings. Eighth edition. New York: Oxford University Press.

Brook, P. (1972) The empty space. Harmondsworth: Penguin.

Caldwell, J.T. (2008) Production culture: industrial reflexivity and critical practice in film and television. Durham, N.C.: Duke University Press.

Caldwell, J.T. and Dawsonera (2008) Production culture: industrial reflexivity and critical practice in film and television [electronic resource]. Durham, N.C.: Duke University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388968.

Cardullo, B. (1997) Playing to the Camera: Film Actors Discuss Their Craft. New Haven: Yale University Press.

Clapperton, G. (2009) This is social media: how to tweet, post, link and blog your way to business success. Mankato, Minn: Capstone. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643840002671&institutionId=2671&customerId=2670.

Clapperton, G. and Dawsonera (2009) This is social media: how to tweet, post, link and blog your way to business success [electronic resource]. Chichester, U.K.: Capstone. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781907293016.

Cleve, B. (2006a) Film Production Management. 3rd ed. Amsterdam: Focal. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399203240002671&institutionId=2671&customerId=2670.

Cleve, B. (2006b) Film Production Management [electronic book]. Amsterdam: Focal. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080477732.

Cowgill, L.J. (2005) Writing Short Films. 2nd ed. Los Angeles: Lone Eagle Pub.

Creeber, G. (2004) Serial Television: Big Drama on the Small Screen. London: BFI Publishing.

Dancyger, K. and Rush, J. (2013a) Alternative Scriptwriting: Beyond the Hollywood Formula. 5th ed. Burlington, MA: Focal Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214310002671&institutionId=2671&customerId=2670.

Dancyger, K. and Rush, J. (2013b) Alternative Scriptwriting: Beyond the Hollywood Formula [electronic book]. Burlington, MA: Focal Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522470.

Davies, A.P. et al. (no date) The film finance handbook: how to fund your film. London: Netribution.

Eberts, J. and Ilott, T. (1990) My Indecision is Final: The Rise and Fall of Goldcrest Films. London: Faber.

Edwards, R. and Skerbelis, M. (2012) The Complete Filmmaker’s Guide to Film Festivals. Studio City, Calif: Michael Wiese.

Egri, L. (2004) The Art of Dramatic Writing. 1st Touchstone ed. New York: Simon & Schuster.

Eisenstein, S. and Leyda, J. (1975) The film sense. [Rev. ed.]. New York: Harcourt Brace Jovanovich.

Ettedgui, P. (1999) Production Design and Art Direction. Hove: RotoVision.

Evans, R. (2004) The Kid Stays in the Picture. London: Faber.

Field, S. (1984) The Screenwriter’s Workbook. New York: Dell.

Figgis, M. (2007) Digital film-making. New York: Faber and Faber.

Finney, A. (2010a) The International Film Business. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014530002671&institutionId=2671&customerId=2670.

Finney, A. (2010b) The International Film Business [electronic book]. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203851142.

Goldman, W. (1984) Adventures in the Screen Trade. London New York: Grand Central Publishing.

Goldman, W. (2000) Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury.

Gripsrud, J. (2002) Understanding Media Culture. London: Arnold.

Grove, E. (2013) Raindance Producers’ Lab Lo-to-No Budget Filmmaking. Oxford: Focal. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643780002671&institutionId=2671&customerId=2670.

Grove, E. (2014) Raindance Producers’ Lab Lo-to-No Budget Filmmaking [electronic book]. Second edition. New York: Focal Press. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522197.

Halperin, M. (2002) Writing the killer treatment: selling your story without a script. Studio City, Calif: Michael Wiese.

Harrison, S. (2005) Adaptations. New York: Three Rivers Press.

Hein, C. (2006) Laura Mulvey, Visual Pleasure and Narrative Cinema. Norderstedt: GRIN.

Honthaner, E.L. (2010a) The complete film production handbook [electronic book]. Amsterdam: Focal. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080884998.

Honthaner, E.L. (2010b) The complete film production handbook. 4th ed. Amsterdam: Focal. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399194450002671&institutionId=2671&customerId=2670.

Hope, T. and Kaufman, A. (2014) Hope for film: from the frontline of the independent cinema revolutions. Berkeley: Soft Skull Press.

‘How to write a transmedia production bible’ (no date). Available at: https://www.screenaustralia.gov.au/getmedia/33694e05-95c2-4a05-8465-410fb8a224aa/Transmedia-production-bible-template.pdf?ext=.pdf.

Jenkins, H. (2006) Convergence Culture: Where Old and New Media Collide. New York: New York University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214600002671&institutionId=2671&customerId=2670.

Jenkins, H., Ford, S. and Green, J. (2013) Spreadable media: creating value and meaning in a networked culture. New York: New York University Press.

Jenkins, Henry, 1958- (2006) Convergence culture: where old and new media collide. New York University Press. Available at: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05936.

Katz, S.D. (1991) Film directing shot by shot: visualizing from concept to screen. Studio City, Calif: Michael Wiese Productions in conjunction with Focal.

Kellison, C., Morrow, D. and Morrow, K. (2015) Producing for TV and new media. Third edition. New York: Focal Press.

Kerrigan, F. (2009) Film Marketing. 1st ed. Amsterdam: Elsevier/Butterworth-Heinemann. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113760002671&institutionId=2671&customerId=2670.

Kerrigan, F. (2010) Film Marketing [electronic book]. Amsterdam: Butterworth-Heinemann. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080942919.

Landau, N. (2014a) TV showrunner’s roadmap: 21 navigational tips for screenwriters to create and sustain a hit TV series [electronic resource]. New York: Focal Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203381106.

Landau, N. (2014b) TV showrunner’s roadmap: 21 navigational tips for screenwriters to create and sustain a hit TV series. New York: Focal Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401098250002671&institutionId=2671&customerId=2670.

Landis, D.N. (2006) Dressed: a century of hollywood costume design. New York, NY: HarperCollins Publishers.

Lee, J.J. (2000) The Producer’s Business Handbook. Boston: Focal.

Lee, J.J. (2011) The Producer’s Business Handbook [electronic book]. Amesterdam: Focal. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240814643.

Levison, L. (2007a) Filmmakers and Financing: Business Plans for Independents [electronic book]. Amsterdam: Focal Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=72909.

Levison, L. (2007b) Filmmakers and Financing: Business Plans for Independents. 5th ed. Amsterdam: Focal Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014360002671&institutionId=2671&customerId=2670.

Lukk, T. (1997) Movie Marketing. Los Angeles: Silman-James Press.

Mackendrick, A., Cronin, P. and Scorcese, M. (2004) On film-making: an introduction to the craft of the director. New York, NY: Faber and Faber.

Mamet, D. (1992) On Directing Film. London: Penguin.

McKee, R. (1998) Story. Methuen Drama.

Miller, P.P. (1999) Script Supervising and Film Continuity. 3rd ed. Oxford: Focal. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214340002671&institutionId=2671&customerId=2670.

Miller, P.P. and Dawsonera (1999) Script supervising and film continuity [electronic book]. 3rd ed. Boston: Focal Press. Available at: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080516769.

Monaco, J. (2009) How to read a film: movies, media, and beyond : art, technology, language, history, theory. 4th ed., completely rev. and expanded. Oxford: Oxford University Press.

Ondaatje, M. (2002) The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury.

Parks, S. (2007) The Insider’s Guide to Independent Film Distribution. Oxford: Focal.

Parks, S. (2012) The Insider’s Guide to Independent Film Distribution [electronic book]. Oxford: Focal Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240817569.

Rabiger, M. (1998) Developing Story Ideas. Oxford: Focal.

Rea, P.W. and Irving, D.K. (2010a) Producing and Directing the Short Film and Video. 4th ed. Amsterdam: Focal. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214590002671&institutionId=2671&customerId=2670.

Rea, P.W. and Irving, D.K. (2010b) Producing and Directing the Short Film and Video [electronic book]. Amsterdam: Focal. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029.

Rea, P.W. and Irving, D.K. (2010c) Producing and Directing the Short Film and Video [electronic book]. Amsterdam: Focal. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029.

Reiss, J. (2010) Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Denver, Colo: Hybrid Cinema.

Rotcop, K. (2009) The perfect pitch: how to sell yourself and your movie idea to Hollywood. 2nd ed. Studio City, CA: Michael Wiese Productions. Available at: http://catdir.loc.gov/catdir/toc/ecip0827/2008038616.html.

Seger, L. (2010) Making a Good Script Great. 3rd ed. Los Angeles, [Calif.]: Silman-James.

Singleton, R.S., Silver, A. and Koster, R. (1996) Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, Calif: Lone Eagle.

Stanislavski, C. (1980) An Actor Prepares. London: Methuen Drama.

Stanislavski, C. (2003) An Actor Prepares [electronic book]. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611.

Stanislavsky, K.S. (1980) An actor prepares. London: Methuen Drama.

Stanislavsky, K.S. (2003) An actor prepares [electronic book]. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611.

Tharp, T. and Reiter, M. (2006) The Creative Habit. 1st Simon & Schuster pbk. ed. New York: Simon & Schuster.

Thompson, K. (1999) Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge, Mass: Harvard University Press.

Thomson, D. (2006a) The Whole Equation. London: Abacus.

Thomson, D. (2006b) The whole equation: a history of Hollywood. 1st Vintage Books ed. New York: Vintage.

Thomson, D. (2012) The big screen: the story of the movies and what they did to us. London: Allen Lane.

Tierno, M. (2002) Aristotle’s Poetics for Screenwriters. New York: Hyperion.

Truby, J. (2008) The anatomy of story: 22 steps to becoming a master storyteller. 1st pbk. ed. New York: Faber and Faber.

Truffaut, F. (1984) Hitchcock. Rev. ed. New York: Simon & Schuster.

Vachon, C. (2002) Shooting to Kill. New York: Quill.

Vachon, C. (2006) A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Simon & Schuster.

Vogler, C. (1998) The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters. 2nd Rev. ed. Pan.

Von Sternberg, J. (1965) Fun in a Chinese Laundry. New York: Macmillan.

Weston, J. (1996) Directing actors: creating memorable performances for film and television. Studio City, CA: M. Wiese Productions.

Yorke, J. (2014) Into the woods: a five-act journey into story. New York, NY: The Overlook Press.