1.
Alberstat P. The Insider’s Guide to Film Finance. Focal; 2004. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643850002671&institutionId=2671&customerId=2670
2.
Alberstat P. The Insider’s Guide to Film Finance. Focal Press; 2004. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100841
3.
Ascher S, Pincus E. The Filmmaker’s Handbook – A Comprehensive Guide for the Digital Age,. Completely rev. and updated. Plume; 1999.
4.
Atchity KJ, Wong CL. Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry. 2nd ed. Henry Holt; 2003.
5.
Bach S. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Rev. ed. Pimlico; 1996.
6.
Badal S. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Focal Press; 2008. http://www.loc.gov/catdir/toc/ecip0724/2007032517.html
7.
Bainbridge DI. Intellectual Property. 9th ed. Pearson; 2012.
8.
Bainbridge DI. Intellectual Property. Pearson; 2012. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408283257
9.
Baker R. Media Law: A User’s Guide for Film and Programme Makers. Routledge; 1997. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113670002671&institutionId=2671&customerId=2670
10.
Baker R. Media Law: A User’s Guide for Film and Programme Makers. Routledge; 1997. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315004716
11.
Baltruschat D, Erickson M, eds. Independent Filmmaking around the Globe. University of Toronto Press; 2015.
12.
Cleve B. Film Production Management. 3rd ed. Focal; 2006. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399203240002671&institutionId=2671&customerId=2670
13.
Cleve B. Film Production Management. Focal; 2006. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080477732
14.
Baumgarten PA, Farber DC, Fleischer M. Producing, Financing and Distributing Film. 2nd ed. Limelight Editions; 1992.
15.
Berger J. Ways of Seeing. Penguin; 2008.
16.
Biskind P. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-’N’-Roll Generation Saved Hollywood. Simon & Schuster; 1998.
17.
Bordwell D, Thompson K. Film Art: An Introduction. 8th ed. McGraw-Hill; 2005.
18.
Bloore P. The Screenplay Business: Managing Creativity and Script Development in the Film Industry. Routledge; 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113820002671&institutionId=2671&customerId=2670
19.
Bloore P. The Screenplay Business: Managing Creativity and Script Development in the Film Industry. Routledge; 2013. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203143711
20.
Caldwell JT, Dawsonera. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Vol Console-ing passions : television and cultural power. Duke University Press; 2008. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388968
21.
Caldwell JT. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Vol Console-ing passions : television and cultural power. Duke University Press; 2008.
22.
Creeber G. Serial Television: Big Drama on the Small Screen. BFI Publishing; 2004.
23.
Clapperton G, Dawsonera. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone; 2009. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781907293016
24.
Clapperton G. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone; 2009. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643840002671&institutionId=2671&customerId=2670
25.
Cowgill LJ. Writing Short Films. 2nd ed. Lone Eagle Pub; 2005.
26.
Dancyger K, Rush J. Alternative Scriptwriting: Beyond the Hollywood Formula. 5th ed. Focal Press; 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214310002671&institutionId=2671&customerId=2670
27.
Dancyger K, Rush J. Alternative Scriptwriting: Beyond the Hollywood Formula. Focal Press; 2013. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522470
28.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber; 1990.
29.
Edwards R, Skerbelis M. The Complete Filmmaker’s Guide to Film Festivals. Michael Wiese; 2012.
30.
Egri L. The Art of Dramatic Writing. 1st Touchstone ed. Simon & Schuster; 2004.
31.
Ettedgui P. Production Design and Art Direction. Vol Screencraft. RotoVision; 1999.
32.
Evans R. The Kid Stays in the Picture. Faber; 2004.
33.
Rea PW, Irving DK. Producing and Directing the Short Film and Video. 4th ed. Focal; 2010. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214590002671&institutionId=2671&customerId=2670
34.
Rea PW, Irving DK. Producing and Directing the Short Film and Video. Focal; 2010. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029
35.
Finney A. The International Film Business. Routledge; 2010. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014530002671&institutionId=2671&customerId=2670
36.
Finney A. The International Film Business. Routledge; 2010. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203851142
37.
Eisenstein S, Leyda J. The Film Sense. Vol Harvest book. [Rev. ed.]. Harcourt Brace Jovanovich; 1975.
38.
Field S. The Screenwriter’s Workbook. Dell; 1984.
39.
Figgis M. Digital Film-Making. Faber and Faber; 2007.
40.
Grove E. Raindance Producers’ Lab Lo-to-No Budget Filmmaking. Second edition. Focal Press; 2014. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522197
41.
Grove E. Raindance Producers’ Lab Lo-to-No Budget Filmmaking. Focal; 2013. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643780002671&institutionId=2671&customerId=2670
42.
Goldman W. Adventures in the Screen Trade. Grand Central Publishing; 1984.
43.
Goldman W. Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury; 2000.
44.
Halperin M. Writing the Killer Treatment: Selling Your Story without a Script. Michael Wiese; 2002.
45.
Harrison S. Adaptations. Three Rivers Press; 2005.
46.
Honthaner EL. The Complete Film Production Handbook. Focal; 2010. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080884998
47.
Honthaner EL. The Complete Film Production Handbook. 4th ed. Focal; 2010. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399194450002671&institutionId=2671&customerId=2670
48.
Hope T, Kaufman A. Hope for Film: From the Frontline of the Independent Cinema Revolutions. Soft Skull Press; 2014.
49.
Katz SD. Film Directing Shot by Shot: Visualizing from Concept to Screen. Michael Wiese Productions in conjunction with Focal; 1991.
50.
Kellison C, Morrow D, Morrow K. Producing for TV and New Media. Third edition. Focal Press; 2015.
51.
Kerrigan F. Film Marketing. 1st ed. Elsevier/Butterworth-Heinemann; 2009. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113760002671&institutionId=2671&customerId=2670
52.
Kerrigan F. Film Marketing. Butterworth-Heinemann; 2010. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080942919
53.
Landau N. TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series. Focal Press; 2014. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203381106
54.
Landau N. TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series. Focal Press; 2014. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401098250002671&institutionId=2671&customerId=2670
55.
Landis DN. Dressed: A Century of Hollywood Costume Design. HarperCollins Publishers; 2006.
56.
Lee JJ. The Producer’s Business Handbook. Focal; 2011. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240814643
57.
Lee JJ. The Producer’s Business Handbook. Focal; 2000.
58.
Levison L. Filmmakers and Financing: Business Plans for Independents. Focal Press; 2007. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=72909
59.
Levison L. Filmmakers and Financing: Business Plans for Independents. 5th ed. Focal Press; 2007. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014360002671&institutionId=2671&customerId=2670
60.
Lukk T. Movie Marketing. Silman-James Press; 1997.
61.
Mackendrick A, Cronin P, Scorcese M. On Film-Making: An Introduction to the Craft of the Director. Faber and Faber; 2004.
62.
Mamet D. On Directing Film. Penguin; 1992.
63.
McKee R. Story. Methuen Drama; 1998.
64.
Miller PP. Script Supervising and Film Continuity. 3rd ed. Focal; 1999. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214340002671&institutionId=2671&customerId=2670
65.
Miller PP, Dawsonera. Script Supervising and Film Continuity. 3rd ed. Focal Press; 1999. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080516769
66.
Monaco J. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. Oxford University Press; 2009.
67.
Ondaatje M. The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury; 2002.
68.
Parks S. The Insider’s Guide to Independent Film Distribution. Focal; 2007.
69.
Parks S. The Insider’s Guide to Independent Film Distribution. Focal Press; 2012. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240817569
70.
Rea PW, Irving DK. Producing and Directing the Short Film and Video. Focal; 2010. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029
71.
Rabiger M. Developing Story Ideas. Focal; 1998.
72.
Reiss J. Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Hybrid Cinema; 2010.
73.
Rotcop K. The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood. 2nd ed. Michael Wiese Productions; 2009. http://catdir.loc.gov/catdir/toc/ecip0827/2008038616.html
74.
Seger L. Making a Good Script Great. 3rd ed. Silman-James; 2010.
75.
Singleton RS, Silver A, Koster R. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Lone Eagle; 1996.
76.
Stanislavski C. An Actor Prepares. Methuen Drama; 1980.
77.
Stanislavski C. An Actor Prepares. Routledge; 2003. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611
78.
Tharp T, Reiter M. The Creative Habit. 1st Simon & Schuster pbk. ed. Simon & Schuster; 2006.
79.
Thomson D. The Whole Equation. Abacus; 2006.
80.
Thompson K. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Harvard University Press; 1999.
81.
Tierno M. Aristotle’s Poetics for Screenwriters. Hyperion; 2002.
82.
Truby J. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. 1st pbk. ed. Faber and Faber; 2008.
83.
Truffaut F. Hitchcock. Rev. ed. Simon & Schuster; 1984.
84.
Vachon C. Shooting to Kill. Quill; 2002.
85.
Vachon C. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. Simon & Schuster; 2006.
86.
Vogler C. The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters. 2nd Rev. ed. Pan; 1998.
87.
Von Sternberg J. Fun in a Chinese Laundry. Macmillan; 1965.
88.
Davies AP, Wistreich N, MacGregor J, et al. The Film Finance Handbook: How to Fund Your Film. Netribution
89.
Yorke J. Into the Woods: A Five-Act Journey into Story. The Overlook Press; 2014.
90.
Bernardo N. The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories across Multiple Platforms. beActive Books; 2011.
91.
Jenkins, Henry, 1958-. Convergence Culture: Where Old and New Media Collide. New York University Press; 2006. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05936
92.
Jenkins H. Convergence Culture: Where Old and New Media Collide. New York University Press; 2006. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214600002671&institutionId=2671&customerId=2670
93.
Jenkins H, Ford S, Green J. Spreadable Media: Creating Value and Meaning in a Networked Culture. Vol Postmillennial pop. New York University Press; 2013.
94.
How to write a transmedia production bible. https://www.screenaustralia.gov.au/getmedia/33694e05-95c2-4a05-8465-410fb8a224aa/Transmedia-production-bible-template.pdf?ext=.pdf
95.
Brook P. The Empty Space. Vol Pelican books. Penguin; 1972.
96.
Cardullo B. Playing to the Camera: Film Actors Discuss Their Craft. Yale University Press; 1997.
97.
Stanislavsky KS. An Actor Prepares. Routledge; 2003. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611
98.
Stanislavsky KS. An Actor Prepares. Methuen Drama; 1980.
99.
Weston J. Directing Actors: Creating Memorable Performances for Film and Television. M. Wiese Productions; 1996.
100.
Braudy L, Cohen M, eds. Film Theory and Criticism: Introductory Readings. Eighth edition. Oxford University Press; 2016.
101.
Bazin A. What Is Cinema? University of California Press; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08209
102.
Bazin A. What Is Cinema? University of California Press; 1967. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214290002671&institutionId=2671&customerId=2670
103.
Berger J. Ways of Seeing. Penguin; 2008.
104.
Bordwell D, Staiger J, Thompson K. The Classical Hollywood Cinema. Routledge & Kegan Paul; 1985.
105.
Bordwell D, Thompson K, Staiger J. The Classical Hollywood Cinema. Routledge; 1985. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910
106.
Gripsrud J. Understanding Media Culture. Arnold; 2002.
107.
Hein C. Laura Mulvey, Visual Pleasure and Narrative Cinema. GRIN; 2006.
108.
Thomson D. The Whole Equation: A History of Hollywood. 1st Vintage Books ed. Vintage; 2006.
109.
Thomson D. The Big Screen: The Story of the Movies and What They Did to Us. Allen Lane; 2012.
