Alberstat, Philip, The Insider’s Guide to Film Finance (Focal, 2004) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643850002671&institutionId=2671&customerId=2670>
——, The Insider’s Guide to Film Finance (Focal Press, 2004) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100841>
Ascher, Steven, and Edward Pincus, The Filmmaker’s Handbook – A Comprehensive Guide for the Digital Age, Completely rev. and updated (Plume, 1999)
Atchity, Kenneth John, and Chi-Li Wong, Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry, 2nd ed (Henry Holt, 2003)
Bach, Steven, Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, Rev. ed (Pimlico, 1996)
Badal, Sharon, Swimming Upstream: A Lifesaving Guide to Short Film Distribution (Focal Press, 2008) <http://www.loc.gov/catdir/toc/ecip0724/2007032517.html>
Bainbridge, David I., Intellectual Property, 9th ed (Pearson, 2012)
——, Intellectual Property (Pearson, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408283257>
Baker, Rhonda, Media Law: A User’s Guide for Film and Programme Makers (Routledge, 1997) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113670002671&institutionId=2671&customerId=2670>
——, Media Law: A User’s Guide for Film and Programme Makers (Routledge, 1997) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315004716>
Baltruschat, Doris, and Mary Erickson (eds), Independent Filmmaking around the Globe (University of Toronto Press, 2015)
Baumgarten, Paul A., Donald C. Farber, and Mark Fleischer, Producing, Financing and Distributing Film, 2nd ed (Limelight Editions, 1992)
Bazin, André, What Is Cinema? (University of California Press, 1967) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214290002671&institutionId=2671&customerId=2670>
——, What Is Cinema? (University of California Press, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08209>
Berger, John, Ways of Seeing (Penguin, 2008)
——, Ways of Seeing (Penguin, 2008)
Bernardo, Nuno, The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories across Multiple Platforms (beActive Books, 2011)
Biskind, Peter, Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-’N’-Roll Generation Saved Hollywood (Simon & Schuster, 1998)
Bloore, Peter, The Screenplay Business: Managing Creativity and Script Development in the Film Industry (Routledge, 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113820002671&institutionId=2671&customerId=2670>
——, The Screenplay Business: Managing Creativity and Script Development in the Film Industry (Routledge, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203143711>
Bordwell, David, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema (Routledge & Kegan Paul, 1985)
——, and Kristin Thompson, Film Art: An Introduction, 8th ed (McGraw-Hill, 2005)
——, Kristin Thompson, and Janet Staiger, The Classical Hollywood Cinema (Routledge, 1985) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>
Braudy, Leo, and Marshall Cohen (eds), Film Theory and Criticism: Introductory Readings, Eighth edition (Oxford University Press, 2016)
Brook, Peter, The Empty Space (Penguin, 1972), Pelican books
Caldwell, John Thornton, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Duke University Press, 2008), Console-ing passions : television and cultural power
—— and Dawsonera, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Duke University Press, 2008), Console-ing passions : television and cultural power <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388968>
Cardullo, Bert, Playing to the Camera: Film Actors Discuss Their Craft (Yale University Press, 1997)
Clapperton, Guy, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success (Capstone, 2009) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643840002671&institutionId=2671&customerId=2670>
—— and Dawsonera, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success (Capstone, 2009) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781907293016>
Cleve, Bastian, Film Production Management, 3rd ed (Focal, 2006) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399203240002671&institutionId=2671&customerId=2670>
——, Film Production Management (Focal, 2006) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080477732>
Cowgill, Linda J., Writing Short Films, 2nd ed (Lone Eagle Pub, 2005)
Creeber, Glen, Serial Television: Big Drama on the Small Screen (BFI Publishing, 2004)
Dancyger, Ken, and Jeff Rush, Alternative Scriptwriting: Beyond the Hollywood Formula, 5th ed (Focal Press, 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214310002671&institutionId=2671&customerId=2670>
——, and Jeff Rush, Alternative Scriptwriting: Beyond the Hollywood Formula (Focal Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522470>
Davies, Adam P., and others, The Film Finance Handbook: How to Fund Your Film (Netribution, n.d.)
Eberts, Jake, and Terry Ilott, My Indecision Is Final: The Rise and Fall of Goldcrest Films (Faber, 1990)
Edwards, Rona, and Monika Skerbelis, The Complete Filmmaker’s Guide to Film Festivals (Michael Wiese, 2012)
Egri, Lajos, The Art of Dramatic Writing, 1st Touchstone ed (Simon & Schuster, 2004)
Eisenstein, Sergei, and Jay Leyda, The Film Sense, [Rev. ed.] (Harcourt Brace Jovanovich, 1975), Harvest book
Ettedgui, Peter, Production Design and Art Direction (RotoVision, 1999), Screencraft
Evans, Robert, The Kid Stays in the Picture (Faber, 2004)
Field, Syd, The Screenwriter’s Workbook (Dell, 1984)
Figgis, Mike, Digital Film-Making (Faber and Faber, 2007)
Finney, Angus, The International Film Business (Routledge, 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014530002671&institutionId=2671&customerId=2670>
——, The International Film Business (Routledge, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203851142>
Goldman, William, Adventures in the Screen Trade (Grand Central Publishing, 1984)
——, Which Lie Did I Tell?: More Adventures in the Screen Trade (Bloomsbury, 2000)
Gripsrud, Jostein, Understanding Media Culture (Arnold, 2002)
Grove, Elliot, Raindance Producers’ Lab Lo-to-No Budget Filmmaking, Second edition (Focal Press, 2014) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522197>
——, Raindance Producers’ Lab Lo-to-No Budget Filmmaking (Focal, 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643780002671&institutionId=2671&customerId=2670>
Halperin, Michael, Writing the Killer Treatment: Selling Your Story without a Script (Michael Wiese, 2002)
Harrison, Stephanie, Adaptations (Three Rivers Press, 2005)
Hein, Carolina, Laura Mulvey, Visual Pleasure and Narrative Cinema (GRIN, 2006)
Honthaner, Eve Light, The Complete Film Production Handbook, 4th ed (Focal, 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399194450002671&institutionId=2671&customerId=2670>
——, The Complete Film Production Handbook (Focal, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080884998>
Hope, Ted, and Anthony Kaufman, Hope for Film: From the Frontline of the Independent Cinema Revolutions (Soft Skull Press, 2014)
How to Write a Transmedia Production Bible, n.d. <https://www.screenaustralia.gov.au/getmedia/33694e05-95c2-4a05-8465-410fb8a224aa/Transmedia-production-bible-template.pdf?ext=.pdf>
Jenkins, Henry, Convergence Culture: Where Old and New Media Collide (New York University Press, 2006) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214600002671&institutionId=2671&customerId=2670>
Jenkins, Henry, 1958-, Convergence Culture: Where Old and New Media Collide (New York University Press, 2006) <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05936>
Jenkins, Henry, Sam Ford, and Joshua Green, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York University Press, 2013), Postmillennial pop
Katz, Steven D., Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions in conjunction with Focal, 1991)
Kellison, Cathrine, Dustin Morrow, and Kacey Morrow, Producing for TV and New Media, Third edition (Focal Press, 2015)
Kerrigan, Finola, Film Marketing, 1st ed (Elsevier/Butterworth-Heinemann, 2009) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113760002671&institutionId=2671&customerId=2670>
——, Film Marketing (Butterworth-Heinemann, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080942919>
Landau, Neil, TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series (Focal Press, 2014) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203381106>
——, TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series (Focal Press, 2014) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401098250002671&institutionId=2671&customerId=2670>
Landis, Deborah Nadoolman, Dressed: A Century of Hollywood Costume Design (HarperCollins Publishers, 2006)
Lee, John J., The Producer’s Business Handbook (Focal, 2000)
——, The Producer’s Business Handbook (Focal, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240814643>
Levison, Louise, Filmmakers and Financing: Business Plans for Independents, 5th ed (Focal Press, 2007) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014360002671&institutionId=2671&customerId=2670>
——, Filmmakers and Financing: Business Plans for Independents (Focal Press, 2007) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=72909>
Lukk, Tiiu, Movie Marketing (Silman-James Press, 1997)
Mackendrick, Alexander, Paul Cronin, and Martin Scorcese, On Film-Making: An Introduction to the Craft of the Director (Faber and Faber, 2004)
Mamet, David, On Directing Film (Penguin, 1992)
McKee, Robert, Story (Methuen Drama, 1998)
Miller, Pat P., Script Supervising and Film Continuity, 3rd ed (Focal, 1999) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214340002671&institutionId=2671&customerId=2670>
—— and Dawsonera, Script Supervising and Film Continuity, 3rd ed (Focal Press, 1999) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080516769>
Monaco, James, How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory, 4th ed., completely rev. and expanded (Oxford University Press, 2009)
Ondaatje, Michael, The Conversations: Walter Murch and the Art of Editing Film (Bloomsbury, 2002)
Parks, Stacey, The Insider’s Guide to Independent Film Distribution (Focal, 2007)
——, The Insider’s Guide to Independent Film Distribution (Focal Press, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240817569>
Rabiger, Michael, Developing Story Ideas (Focal, 1998)
Rea, Peter W., and David K. Irving, Producing and Directing the Short Film and Video, 4th ed (Focal, 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214590002671&institutionId=2671&customerId=2670>
——, and David K. Irving, Producing and Directing the Short Film and Video (Focal, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029>
——, and David K. Irving, Producing and Directing the Short Film and Video (Focal, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029>
Reiss, Jon, Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era (Hybrid Cinema, 2010)
Rotcop, Ken, The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood, 2nd ed (Michael Wiese Productions, 2009) <http://catdir.loc.gov/catdir/toc/ecip0827/2008038616.html>
Seger, Linda, Making a Good Script Great, 3rd ed (Silman-James, 2010)
Singleton, Ralph S., Alain Silver, and Robert Koster, Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? (Lone Eagle, 1996)
Stanislavski, Constantin, An Actor Prepares (Methuen Drama, 1980)
——, An Actor Prepares (Routledge, 2003) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611>
Stanislavsky, K. S, An Actor Prepares (Methuen Drama, 1980)
——, An Actor Prepares (Routledge, 2003) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611>
Tharp, Twyla, and Mark Reiter, The Creative Habit, 1st Simon & Schuster pbk. ed (Simon & Schuster, 2006)
Thompson, Kristin, Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999)
Thomson, David, The Big Screen: The Story of the Movies and What They Did to Us (Allen Lane, 2012)
——, The Whole Equation (Abacus, 2006)
——, The Whole Equation: A History of Hollywood, 1st Vintage Books ed (Vintage, 2006)
Tierno, Michael, Aristotle’s Poetics for Screenwriters (Hyperion, 2002)
Truby, John, The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, 1st pbk. ed (Faber and Faber, 2008)
Truffaut, Francois, Hitchcock, Rev. ed (Simon & Schuster, 1984)
Vachon, Christine, A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond (Simon & Schuster, 2006)
——, Shooting to Kill (Quill, 2002)
Vogler, Christopher, The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters, 2nd Rev. ed (Pan, 1998)
Von Sternberg, Josef, Fun in a Chinese Laundry (Macmillan, 1965)
Weston, Judith, Directing Actors: Creating Memorable Performances for Film and Television (M. Wiese Productions, 1996)
Yorke, John, Into the Woods: A Five-Act Journey into Story (The Overlook Press, 2014)
