Alberstat, Philip, The Insider’s Guide to Film Finance (Amsterdam: Focal, 2004) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643850002671&institutionId=2671&customerId=2670>
———, The Insider’s Guide to Film Finance (Amsterdam: Focal Press, 2004) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100841>
Ascher, Steven, and Edward Pincus, The Filmmaker’s Handbook – A Comprehensive Guide for the Digital Age, Completely rev. and updated (New York: Plume, 1999)
Atchity, Kenneth John, and Chi-Li Wong, Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry, 2nd ed (New York: Henry Holt, 2003)
Bach, Steven, Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, Rev. ed (London: Pimlico, 1996)
Badal, Sharon, Swimming Upstream: A Lifesaving Guide to Short Film Distribution (Amsterdam: Focal Press, 2008) <http://www.loc.gov/catdir/toc/ecip0724/2007032517.html>
Bainbridge, David I., Intellectual Property, 9th ed (Harlow: Pearson, 2012)
———, Intellectual Property (Harlow: Pearson, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781408283257>
Baker, Rhonda, Media Law: A User’s Guide for Film and Programme Makers (London: Routledge, 1997) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113670002671&institutionId=2671&customerId=2670>
———, Media Law: A User’s Guide for Film and Programme Makers (London: Routledge, 1997) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315004716>
Baltruschat, Doris, and Mary Erickson, eds., Independent Filmmaking around the Globe (Toronto: University of Toronto Press, 2015)
Baumgarten, Paul A., Donald C. Farber, and Mark Fleischer, Producing, Financing and Distributing Film, 2nd ed (New York: Limelight Editions, 1992)
Bazin, André, What Is Cinema? (Berkeley: University of California Press, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08209>
———, What Is Cinema? (Berkeley, Calif: University of California Press, 1967) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214290002671&institutionId=2671&customerId=2670>
Berger, John, Ways of Seeing (London: Penguin, 2008)
———, Ways of Seeing (London: Penguin, 2008)
Bernardo, Nuno, The Producer’s Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories across Multiple Platforms (Lisboa, Portugal: beActive Books, 2011)
Biskind, Peter, Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-’N’-Roll Generation Saved Hollywood (New York, NY: Simon & Schuster, 1998)
Bloore, Peter, The Screenplay Business: Managing Creativity and Script Development in the Film Industry (London: Routledge, 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113820002671&institutionId=2671&customerId=2670>
———, The Screenplay Business: Managing Creativity and Script Development in the Film Industry (London: Routledge, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203143711>
Bordwell, David, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema (London: Routledge & Kegan Paul, 1985)
Bordwell, David, and Kristin Thompson, Film Art: An Introduction, 8th ed (New York: McGraw-Hill, 2005)
Bordwell, David, Kristin Thompson, and Janet Staiger, The Classical Hollywood Cinema (London: Routledge, 1985) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>
Braudy, Leo, and Marshall Cohen, eds., Film Theory and Criticism: Introductory Readings, Eighth edition (New York: Oxford University Press, 2016)
Brook, Peter, The Empty Space (Harmondsworth: Penguin, 1972), Pelican books
Caldwell, John Thornton, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Durham, N.C.: Duke University Press, 2008), Console-ing passions : television and cultural power
Caldwell, John Thornton and Dawsonera, Production Culture: Industrial Reflexivity and Critical Practice in Film and Television (Durham, N.C.: Duke University Press, 2008), Console-ing passions : television and cultural power <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388968>
Cardullo, Bert, Playing to the Camera: Film Actors Discuss Their Craft (New Haven: Yale University Press, 1997)
Clapperton, Guy, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success (Mankato, Minn: Capstone, 2009) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643840002671&institutionId=2671&customerId=2670>
Clapperton, Guy and Dawsonera, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success (Chichester, U.K.: Capstone, 2009) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781907293016>
Cleve, Bastian, Film Production Management, 3rd ed (Amsterdam: Focal, 2006) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399203240002671&institutionId=2671&customerId=2670>
———, Film Production Management (Amsterdam: Focal, 2006) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080477732>
Cowgill, Linda J., Writing Short Films, 2nd ed (Los Angeles: Lone Eagle Pub, 2005)
Creeber, Glen, Serial Television: Big Drama on the Small Screen (London: BFI Publishing, 2004)
Dancyger, Ken, and Jeff Rush, Alternative Scriptwriting: Beyond the Hollywood Formula, 5th ed (Burlington, MA: Focal Press, 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214310002671&institutionId=2671&customerId=2670>
———, Alternative Scriptwriting: Beyond the Hollywood Formula (Burlington, MA: Focal Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522470>
Davies, Adam P., Nic Wistreich, James MacGregor, Catharine Allen, Hiu Wan Au-Yeung, Stephen Applebaum, and others, The Film Finance Handbook: How to Fund Your Film (London: Netribution)
Eberts, Jake, and Terry Ilott, My Indecision Is Final: The Rise and Fall of Goldcrest Films (London: Faber, 1990)
Edwards, Rona, and Monika Skerbelis, The Complete Filmmaker’s Guide to Film Festivals (Studio City, Calif: Michael Wiese, 2012)
Egri, Lajos, The Art of Dramatic Writing, 1st Touchstone ed (New York: Simon & Schuster, 2004)
Eisenstein, Sergei, and Jay Leyda, The Film Sense, [Rev. ed.] (New York: Harcourt Brace Jovanovich, 1975), Harvest book
Ettedgui, Peter, Production Design and Art Direction (Hove: RotoVision, 1999), Screencraft
Evans, Robert, The Kid Stays in the Picture (London: Faber, 2004)
Field, Syd, The Screenwriter’s Workbook (New York: Dell, 1984)
Figgis, Mike, Digital Film-Making (New York: Faber and Faber, 2007)
Finney, Angus, The International Film Business (London: Routledge, 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014530002671&institutionId=2671&customerId=2670>
———, The International Film Business (London: Routledge, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203851142>
Goldman, William, Adventures in the Screen Trade (London New York: Grand Central Publishing, 1984)
———, Which Lie Did I Tell?: More Adventures in the Screen Trade (London: Bloomsbury, 2000)
Gripsrud, Jostein, Understanding Media Culture (London: Arnold, 2002)
Grove, Elliot, Raindance Producers’ Lab Lo-to-No Budget Filmmaking, Second edition (New York: Focal Press, 2014) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240522197>
———, Raindance Producers’ Lab Lo-to-No Budget Filmmaking (Oxford: Focal, 2013) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13398643780002671&institutionId=2671&customerId=2670>
Halperin, Michael, Writing the Killer Treatment: Selling Your Story without a Script (Studio City, Calif: Michael Wiese, 2002)
Harrison, Stephanie, Adaptations (New York: Three Rivers Press, 2005)
Hein, Carolina, Laura Mulvey, Visual Pleasure and Narrative Cinema (Norderstedt: GRIN, 2006)
Honthaner, Eve Light, The Complete Film Production Handbook (Amsterdam: Focal, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080884998>
———, The Complete Film Production Handbook, 4th ed (Amsterdam: Focal, 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399194450002671&institutionId=2671&customerId=2670>
Hope, Ted, and Anthony Kaufman, Hope for Film: From the Frontline of the Independent Cinema Revolutions (Berkeley: Soft Skull Press, 2014)
‘How to Write a Transmedia Production Bible’ <https://www.screenaustralia.gov.au/getmedia/33694e05-95c2-4a05-8465-410fb8a224aa/Transmedia-production-bible-template.pdf?ext=.pdf>
Jenkins, Henry, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214600002671&institutionId=2671&customerId=2670>
Jenkins, Henry, 1958-, Convergence Culture: Where Old and New Media Collide (New York University Press, 2006) <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb05936>
Jenkins, Henry, Sam Ford, and Joshua Green, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York: New York University Press, 2013), Postmillennial pop
Katz, Steven D., Film Directing Shot by Shot: Visualizing from Concept to Screen (Studio City, Calif: Michael Wiese Productions in conjunction with Focal, 1991)
Kellison, Cathrine, Dustin Morrow, and Kacey Morrow, Producing for TV and New Media, Third edition (New York: Focal Press, 2015)
Kerrigan, Finola, Film Marketing, 1st ed (Amsterdam: Elsevier/Butterworth-Heinemann, 2009) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399113760002671&institutionId=2671&customerId=2670>
———, Film Marketing (Amsterdam: Butterworth-Heinemann, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080942919>
Landau, Neil, TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series (New York: Focal Press, 2014) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203381106>
———, TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series (New York: Focal Press, 2014) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13401098250002671&institutionId=2671&customerId=2670>
Landis, Deborah Nadoolman, Dressed: A Century of Hollywood Costume Design (New York, NY: HarperCollins Publishers, 2006)
Lee, John J., The Producer’s Business Handbook (Amesterdam: Focal, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240814643>
———, The Producer’s Business Handbook (Boston: Focal, 2000)
Levison, Louise, Filmmakers and Financing: Business Plans for Independents (Amsterdam: Focal Press, 2007) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=72909>
———, Filmmakers and Financing: Business Plans for Independents, 5th ed (Amsterdam: Focal Press, 2007) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399014360002671&institutionId=2671&customerId=2670>
Lukk, Tiiu, Movie Marketing (Los Angeles: Silman-James Press, 1997)
Mackendrick, Alexander, Paul Cronin, and Martin Scorcese, On Film-Making: An Introduction to the Craft of the Director (New York, NY: Faber and Faber, 2004)
Mamet, David, On Directing Film (London: Penguin, 1992)
McKee, Robert, Story (Methuen Drama, 1998)
Miller, Pat P., Script Supervising and Film Continuity, 3rd ed (Oxford: Focal, 1999) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214340002671&institutionId=2671&customerId=2670>
Miller, Pat P. and Dawsonera, Script Supervising and Film Continuity, 3rd ed (Boston: Focal Press, 1999) <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080516769>
Monaco, James, How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory, 4th ed., completely rev. and expanded (Oxford: Oxford University Press, 2009)
Ondaatje, Michael, The Conversations: Walter Murch and the Art of Editing Film (London: Bloomsbury, 2002)
Parks, Stacey, The Insider’s Guide to Independent Film Distribution (Oxford: Focal, 2007)
———, The Insider’s Guide to Independent Film Distribution (Oxford: Focal Press, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240817569>
Rabiger, Michael, Developing Story Ideas (Oxford: Focal, 1998)
Rea, Peter W., and David K. Irving, Producing and Directing the Short Film and Video, 4th ed (Amsterdam: Focal, 2010) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13399214590002671&institutionId=2671&customerId=2670>
———, Producing and Directing the Short Film and Video (Amsterdam: Focal, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029>
———, Producing and Directing the Short Film and Video (Amsterdam: Focal, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080890029>
Reiss, Jon, Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era (Denver, Colo: Hybrid Cinema, 2010)
Rotcop, Ken, The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood, 2nd ed (Studio City, CA: Michael Wiese Productions, 2009) <http://catdir.loc.gov/catdir/toc/ecip0827/2008038616.html>
Seger, Linda, Making a Good Script Great, 3rd ed (Los Angeles, [Calif.]: Silman-James, 2010)
Singleton, Ralph S., Alain Silver, and Robert Koster, Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? (Los Angeles, Calif: Lone Eagle, 1996)
Stanislavski, Constantin, An Actor Prepares (London: Methuen Drama, 1980)
———, An Actor Prepares (New York: Routledge, 2003) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611>
Stanislavsky, K. S, An Actor Prepares (New York: Routledge, 2003) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203827611>
———, An Actor Prepares (London: Methuen Drama, 1980)
Tharp, Twyla, and Mark Reiter, The Creative Habit, 1st Simon & Schuster pbk. ed (New York: Simon & Schuster, 2006)
Thompson, Kristin, Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Cambridge, Mass: Harvard University Press, 1999)
Thomson, David, The Big Screen: The Story of the Movies and What They Did to Us (London: Allen Lane, 2012)
———, The Whole Equation (London: Abacus, 2006)
———, The Whole Equation: A History of Hollywood, 1st Vintage Books ed (New York: Vintage, 2006)
Tierno, Michael, Aristotle’s Poetics for Screenwriters (New York: Hyperion, 2002)
Truby, John, The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, 1st pbk. ed (New York: Faber and Faber, 2008)
Truffaut, Francois, Hitchcock, Rev. ed (New York: Simon & Schuster, 1984)
Vachon, Christine, A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond (New York: Simon & Schuster, 2006)
———, Shooting to Kill (New York: Quill, 2002)
Vogler, Christopher, The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters, 2nd Rev. ed (Pan, 1998)
Von Sternberg, Josef, Fun in a Chinese Laundry (New York: Macmillan, 1965)
Weston, Judith, Directing Actors: Creating Memorable Performances for Film and Television (Studio City, CA: M. Wiese Productions, 1996)
Yorke, John, Into the Woods: A Five-Act Journey into Story (New York, NY: The Overlook Press, 2014)
