Arnold, A. (2009) ‘Fish Tank | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01768AB8?bcast=68831645.
Arnold, A. (2010) ‘Fish Tank’. Artificial eye.
Arzner, D. (2007) ‘Dance Girl Dance’. Turner Home Entertainment.
Arzner, D. (2017) ‘Dance, Girl, Dance | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CBD7?bcast=124315906.
Blichert, F. (2018) ‘Jennifer’s Body’ Would Kill if It Came Out Today | VICE. Available at: https://www.vice.com/en_us/article/qv99y3/jennifers-body-would-kill-if-it-came-out-today.
Bolton, L. (2015) ‘A Phenomenology of Girlhood:  Being Mia in Fish Tank’, in F. Handyside and K.E. Taylor-Jones (eds) International Cinema and the Girl: Local Issues, Transnational Contexts. New York: Palgrave Macmillan.
Breillat, C. (2000) ‘Romance’. [S.l.]: Bluelight.
Buchanan, K. (no date) The Toughest Scene I Wrote:  Mark Boal on Zero Dark Thirty’s Torturous Opening | Vulture. Available at: http://www.vulture.com/2013/02/toughest-scene-zero-dark-thirtys-mark-boal.html#.
Burgoyne, R. (2014) ‘The Violated Body and Affect in Zero Dark Thirty’, in D. LaRocca (ed.) The Philosophy of War Films. Lexington, Kentucky: University Press of Kentucky.
Campion, J. (1993a) ‘The Piano’. [S.l.]: Optimum Releasing.
Campion, J. (1993b) ‘The Piano | Box of Broadcasts’. Arte. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000584DB?bcast=108335316.
Cook, S. (no date) Girl Dance Dance | Film Reference. Available at: http://www.filmreference.com/Films-Dah-Deu/Dance-Girl-Dance.html.
Ellender, C. (2007) ‘Transporting the Aquarium:  Overcoming the Challenges of Subtitling Andrea Arnold’s Fish Tank into French [open access]’, Translation Journal, 15(3). Available at: http://translationjournal.net/journal/57subtitling.htm.
Ellis, J. (1984) ‘Visions | YouTube’. Available at: https://www.youtube.com/watch?feature=em-upload_owner&v=R1zatfNiDBM&app=desktop.
Fowler, C. (2008) ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’, in Sally Potter. Baltimore: University of Illinois Press, pp. 55–86. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3414168.
Fowler, C. (2009) ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’, in Sally Potter. Urbana: University of Illinois Press, pp. 55–86.
Gorbman, C. (2000a) ‘Music in The Piano’, in Jane Campion’s The Piano. Cambridge: Cambridge University Press.
Gorbman, C. (2000b) ‘Music in The Piano’, in Jane Campion’s The Piano. Cambridge, U.K.: Cambridge University Press. Available at: http://hdl.handle.net/2027/heb.07683.
Greenwald, M. (2013) ‘The Ballad of Little Jo’. [S.l.]: Umbrella Entertainment.
Handyside, F. and Taylor-Jones, K.E. (2016) ‘A Phenomenology of Girlhood: Being Mia in Fish Tank’, in International Cinema and the Girl: Local Issues, Transnational Contexts. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137388926.
Hirsch, P. (2014) ‘Written on the Body’, Feminist Media Studies, 14(3), pp. 470–484. Available at: http://www.tandfonline.com/doi/abs/10.1080/14680777.2012.737345#.V3uMxdIrLcs.
Hughes, T. (no date) ‘The Unheightened Moment:  Work, Duration and Women’s Point of View in Meek’s Cutoff’, in Critical Perspectives on the Western : From A Fistful of Dollars to Django Unchained.
J. Robert Burgoyne (2014) ‘The Violated Body and Affect in Zero Dark Thirty’, in The Philosophy of War Films. Lexington: University Press of Kentucky. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1869117.
Johnston, C. and Johnston, C. (1975) The Work of Dorothy Arzner: towards a feminist cinema. London: British Film Institute.
Johnston, C., Mulvey, L. and Myles, L. (1972) ‘Women’s Film Festival’, 26th Edinburgh International Film Festival Programme [Preprint]. Available at: https://copac.jisc.ac.uk/search?isn=0963-794X&rn=2.
Kusama, K. (2009) ‘Jennifer’s Body | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/017777E1?bcast=123261869.
Kusama, K. (2012) Jennifer’s Body. 20th Century Fox Home Ent.
Langford, M. (2007) ‘Allegory and the Aesthetics of Becoming-Woman in Marziyeh Meshkini’s The Day I Became a Woman’, Camera Obscura: Feminism, Culture, and Media Studies, 22(1 64), pp. 1–41. Available at: https://doi.org/10.1215/02705346-2006-019.
Lupino, I. (2009) ‘Hard, Fast and Beautiful’. [S.l.]: Warner Brothers.
Mayne, J. (1995) ‘Dance, Girls, Dance’, in Directed by Dorothy Arzner. Indiana: Indiana University Press, pp. 131–147.
McHugh, K. (2007) ‘The Piano: Surrealism, Melodrama, and Mimetic Infection’, in Jane Campion. Urbana: University of Illinois Press, pp. 79–92.
‘Meek’s Cutoff | Box of Broadcasts’ (2010). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/028782D2?bcast=114062981.
Merck, M. (1995) ‘Hard, Fast and Beautiful’, in Queen of the B’s: Ida Lupino Behind the Camera. Trowbridge, Wilts: Flicks.
Meshkini, M. (2002) ‘The Day I Became a Woman’. [S.l.]: Artificial Eye.
Modleski, T. (1998) ‘A Woman’s Gotta Do … What a Man’s Gotta Do? Cross-Dressing in the Western’, in Old Wives’ Tales: And Other Women’s Stories. New York: New York University Press.
Modleski, T. (1999) ‘Axe the Piano Player’, in Old Wives’ Tales: Feminist Re-Visions of Film and Other Fictions. London: I. B. Tauris, pp. 31–46.
Mulvey, L. (1989) ‘Visual Pleasure and Narrative Cinema’, in Visual and Other Pleasures. 2nd ed. Basingstoke: Palgrave Macmillan.
Paszkiewicz, K. (2017) ‘When the Woman Directs (a Horror Film)’, in M. Harrod and K. Paszkiewicz (eds) Women Do Genre in Film and Television. New York: Routledge, Taylor & Francis Group, pp. 41–56.
Pidduck, J. (1997) ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’, Screen, 38(2), pp. 172–189. Available at: https://doi.org/10.1093/screen/38.2.172.
Piotrowska, A. (2014) ‘Zero Dark Thirty – "War Autism” or an Ethical Act’, in Embodied Encounters: New Approaches to Psychoanalysis and Cinema. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1843554.
Piotrowska, A. (2015) ‘Zero Dark Thirty – "War Autism” or an Ethical Act’, in A. Piotrowska (ed.) Embodied Encounters: New Approaches to Psychoanalysis and Cinema. London: Routledge.
Potter, S. (2003) ‘Orlando: Based on the Novel by Virginia Woolf’. [S.l]: Artificial Eye.
Reichardt, K. (2011) ‘Meek’s Cutoff’. Soda Pictures.
Taylor-Johnson, S. (2015a) ‘Fifty Shades of Grey’. [S.l.]: Universal Studios.
Taylor-Johnson, S. (2015b) ‘Fifty Shades of Grey | Box of Broadcasts’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0EC63817?bcast=126620835.
Wilson, E. (2001) ‘Deforming Femininity: Catherine Breillat’s Romance’, in France on Film: Reflections on Popular French Cinema. London: Wallflower.
Wilson, E. (2014) ‘Gorgeous Girls’, in Love Game. Serpent’s Tail, pp. 146–155.
You Probably Owe ‘Jennifer’s Body’ An Apology | Buzzfeed (no date). Available at: https://www.buzzfeednews.com/article/louispeitzman/jennifers-body-diablo-cody-karyn-kusama-feminist-horror.