Arnold, Andrea. ‘Fish Tank’. 2010 : n. pag. Print.
---. ‘Fish Tank | Box of Broadcasts’. 2009. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/01768AB8?bcast=68831645>.
Arzner, Dorothy. ‘Dance Girl Dance’. 2007 : n. pag. Print.
---. ‘Dance, Girl, Dance | Box of Broadcasts’. 2017. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CBD7?bcast=124315906>.
Blichert, Frederick. ‘“Jennifer’s Body” Would Kill If It Came Out Today | VICE’. N.p., 2018. Web. <https://www.vice.com/en_us/article/qv99y3/jennifers-body-would-kill-if-it-came-out-today>.
Bolton, Lucy. ‘A Phenomenology of Girlhood: Being Mia in Fish Tank’. International Cinema and the Girl: Local Issues, Transnational Contexts. Ed. Fiona Handyside and Kate E. Taylor-Jones. Global cinema. New York: Palgrave Macmillan, 2015. Print.
Breillat, Catherine. ‘Romance’. 2000 : n. pag. Print.
Buchanan, Kyle. ‘The Toughest Scene I Wrote: Mark Boal on Zero Dark Thirty’s Torturous Opening | Vulture’. N.p., n.d. Web. <http://www.vulture.com/2013/02/toughest-scene-zero-dark-thirtys-mark-boal.html#>.
Burgoyne, Robert. ‘The Violated Body and Affect in Zero Dark Thirty’. The Philosophy of War Films. Ed. David LaRocca. Lexington, Kentucky: University Press of Kentucky, 2014. Print.
Campion, Jane. ‘The Piano’. 1993 : n. pag. Print.
---. ‘The Piano | Box of Broadcasts’. 1993. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000584DB?bcast=108335316>.
Cook, Samantha. ‘Girl Dance Dance | Film Reference’. N.p., n.d. Web. <http://www.filmreference.com/Films-Dah-Deu/Dance-Girl-Dance.html>.
Ellender, Claire. ‘Transporting the Aquarium: Overcoming the Challenges of Subtitling Andrea Arnold’s Fish Tank into French [Open Access]’. Translation Journal 15.3 (2007): n. pag. Web. <http://translationjournal.net/journal/57subtitling.htm>.
Ellis, John. ‘Visions | YouTube’. 1984. Web. <https://www.youtube.com/watch?feature=em-upload_owner&v=R1zatfNiDBM&app=desktop>.
Fowler, Catherine. ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’. Sally Potter. Contemporary film directors. Urbana: University of Illinois Press, 2009. 55–86. Print.
---. ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’. Sally Potter. Baltimore: University of Illinois Press, 2008. 55–86. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3414168>.
Gorbman, Claudia. ‘Music in The Piano’. Jane Campion’s The Piano. The Cambridge University Press film handbooks series. Cambridge: Cambridge University Press, 2000. Print.
---. ‘Music in The Piano’. Jane Campion’s The Piano. Cambridge, U.K.: Cambridge University Press, 2000. Web. <http://hdl.handle.net/2027/heb.07683>.
Greenwald, Maggie. ‘The Ballad of Little Jo’. 2013 : n. pag. Print.
Handyside, Fiona, and Kate E. Taylor-Jones. ‘A Phenomenology of Girlhood: Being Mia in Fish Tank’. International Cinema and the Girl: Local Issues, Transnational Contexts. Basingstoke: Palgrave Macmillan, 2016. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137388926>.
Hirsch, Pam. ‘Written on the Body’. Feminist Media Studies 14.3 (2014): 470–484. Web. <http://www.tandfonline.com/doi/abs/10.1080/14680777.2012.737345#.V3uMxdIrLcs>.
Hughes, Timothy. ‘The Unheightened Moment: Work, Duration and Women’s Point of View in Meek’s Cutoff’. Critical Perspectives on the Western : From A Fistful of Dollars to Django Unchained. N.p. Print.
J. Robert Burgoyne. ‘The Violated Body and Affect in Zero Dark Thirty’. The Philosophy of War Films. Lexington: University Press of Kentucky, 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1869117>.
Johnston, Claire, and Claire Johnston. The Work of Dorothy Arzner: Towards a Feminist Cinema. London: British Film Institute, 1975. Print.
Johnston, Claire, Laura Mulvey, and Lynda Myles. ‘Women’s Film Festival’. 26th Edinburgh International Film Festival Programme (1972): n. pag. Web. <https://copac.jisc.ac.uk/search?isn=0963-794X&rn=2>.
Kusama, Karyn. Jennifer’s Body. 20th Century Fox Home Ent, 2012. Print.
---. ‘Jennifer’s Body | Box of Broadcasts’. 2009. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/017777E1?bcast=123261869>.
Langford, M. ‘Allegory and the Aesthetics of Becoming-Woman in Marziyeh Meshkini’s The Day I Became a Woman’. Camera Obscura: Feminism, Culture, and Media Studies 22.1 64 (2007): 1–41. Web.
Lupino, Ida. ‘Hard, Fast and Beautiful’. 2009 : n. pag. Print.
Mayne, Judith. ‘Dance, Girls, Dance’. Directed by Dorothy Arzner. Women artists in film. Indiana: Indiana University Press, 1995. 131–147. Print.
McHugh, Kathleen. ‘The Piano: Surrealism, Melodrama, and Mimetic Infection’. Jane Campion. Contemporary film directors. Urbana: University of Illinois Press, 2007. 79–92. Print.
‘Meek’s Cutoff | Box of Broadcasts’. 2010. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/028782D2?bcast=114062981>.
Merck, Mandy. ‘Hard, Fast and Beautiful’. Queen of the B’s: Ida Lupino Behind the Camera. Cinema voices. Trowbridge, Wilts: Flicks, 1995. Print.
Meshkini, Marziyeh. ‘The Day I Became a Woman’. 2002 : n. pag. Print.
Modleski, Tania. ‘A Woman’s Gotta Do … What a Man’s Gotta Do? Cross-Dressing in the Western’. Old Wives’ Tales: And Other Women’s Stories. New York: New York University Press, 1998. Print.
---. ‘Axe the Piano Player’. Old Wives’ Tales: Feminist Re-Visions of Film and Other Fictions. London: I. B. Tauris, 1999. 31–46. Print.
Mulvey, Laura. ‘Visual Pleasure and Narrative Cinema’. Visual and Other Pleasures. 2nd ed. Language, discourse, society. Basingstoke: Palgrave Macmillan, 1989. Print.
Paszkiewicz, Katarzyna. ‘When the Woman Directs (a Horror Film)’. Women Do Genre in Film and Television. Ed. Mary Harrod and Katarzyna Paszkiewicz. Vol. 117. New York: Routledge, Taylor & Francis Group, 2017. 41–56. Print.
Pidduck, J. ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’. Screen 38.2 (1997): 172–189. Web.
Piotrowska, Agnieszka. ‘Zero Dark Thirty – "War Autism” or an Ethical Act’. Embodied Encounters: New Approaches to Psychoanalysis and Cinema. Ed. Agnieszka Piotrowska. London: Routledge, 2015. Print.
---. ‘Zero Dark Thirty – "War Autism” or an Ethical Act’. Embodied Encounters: New Approaches to Psychoanalysis and Cinema. N.p., 2014. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1843554>.
Potter, Sally. ‘Orlando: Based on the Novel by Virginia Woolf’. 2003 : n. pag. Print.
Reichardt, Kelly. ‘Meek’s Cutoff’. 2011 : n. pag. Print.
Taylor-Johnson, Sam. ‘Fifty Shades of Grey’. 2015 : n. pag. Print.
---. ‘Fifty Shades of Grey | Box of Broadcasts’. 2015. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EC63817?bcast=126620835>.
Wilson, Elizabeth. ‘Gorgeous Girls’. Love Game. Serpent’s Tail, 2014. 146–155. Print.
Wilson, Emma. ‘Deforming Femininity: Catherine Breillat’s Romance’. France on Film: Reflections on Popular French Cinema. London: Wallflower, 2001. Print.
‘You Probably Owe “Jennifer’s Body” An Apology | Buzzfeed’. N.p., n.d. Web. <https://www.buzzfeednews.com/article/louispeitzman/jennifers-body-diablo-cody-karyn-kusama-feminist-horror>.
