Arnold, Andrea. 2009. ‘Fish Tank | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/01768AB8?bcast=68831645.
———. 2010. ‘Fish Tank’. Artificial eye.
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———. 2017. ‘Dance, Girl, Dance | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CBD7?bcast=124315906.
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Bolton, Lucy. 2015. ‘A Phenomenology of Girlhood:  Being Mia in Fish Tank’. In International Cinema and the Girl: Local Issues, Transnational Contexts, edited by Fiona Handyside and Kate E. Taylor-Jones. Vol. Global cinema. New York: Palgrave Macmillan.
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Burgoyne, Robert. 2014. ‘The Violated Body and Affect in Zero Dark Thirty’. In The Philosophy of War Films, edited by David LaRocca. Lexington, Kentucky: University Press of Kentucky.
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Ellender, Claire. 2007. ‘Transporting the Aquarium:  Overcoming the Challenges of Subtitling Andrea Arnold’s Fish Tank into French [Open Access]’. Translation Journal 15 (3). http://translationjournal.net/journal/57subtitling.htm.
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———. 2009. ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’. In Sally Potter, Contemporary film directors:55–86. Urbana: University of Illinois Press.
Gorbman, Claudia. 2000a. ‘Music in The Piano’. In Jane Campion’s The Piano. Vol. The Cambridge University Press film handbooks series. Cambridge: Cambridge University Press.
———. 2000b. ‘Music in The Piano’. In Jane Campion’s The Piano. Cambridge, U.K.: Cambridge University Press. http://hdl.handle.net/2027/heb.07683.
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J. Robert Burgoyne. 2014. ‘The Violated Body and Affect in Zero Dark Thirty’. In The Philosophy of War Films. Lexington: University Press of Kentucky. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1869117.
Johnston, Claire, and Claire Johnston. 1975. The Work of Dorothy Arzner: Towards a Feminist Cinema. London: British Film Institute.
Johnston, Claire, Laura Mulvey, and Lynda Myles. 1972. ‘Women’s Film Festival’. 26th Edinburgh International Film Festival Programme. https://copac.jisc.ac.uk/search?isn=0963-794X&rn=2.
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———. 2012. Jennifer’s Body. 20th Century Fox Home Ent.
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Lupino, Ida. 2009. ‘Hard, Fast and Beautiful’. [S.l.]: Warner Brothers.
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Merck, Mandy. 1995. ‘Hard, Fast and Beautiful’. In Queen of the B’s: Ida Lupino Behind the Camera. Vol. Cinema voices. Trowbridge, Wilts: Flicks.
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Modleski, Tania. 1998. ‘A Woman’s Gotta Do … What a Man’s Gotta Do? Cross-Dressing in the Western’. In Old Wives’ Tales: And Other Women’s Stories. New York: New York University Press.
———. 1999. ‘Axe the Piano Player’. In Old Wives’ Tales: Feminist Re-Visions of Film and Other Fictions, 31–46. London: I. B. Tauris.
Mulvey, Laura. 1989. ‘Visual Pleasure and Narrative Cinema’. In Visual and Other Pleasures, 2nd ed. Vol. Language, discourse, society. Basingstoke: Palgrave Macmillan.
Paszkiewicz, Katarzyna. 2017. ‘When the Woman Directs (a Horror Film)’. In Women Do Genre in Film and Television, edited by Mary Harrod and Katarzyna Paszkiewicz, 117:41–56. New York: Routledge, Taylor & Francis Group.
Pidduck, J. 1997. ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’. Screen 38 (2): 172–89. https://doi.org/10.1093/screen/38.2.172.
Piotrowska, Agnieszka. 2014. ‘Zero Dark Thirty – "War Autism” or an Ethical Act’. In Embodied Encounters: New Approaches to Psychoanalysis and Cinema. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1843554.
———. 2015. ‘Zero Dark Thirty – "War Autism” or an Ethical Act’. In Embodied Encounters: New Approaches to Psychoanalysis and Cinema, edited by Agnieszka Piotrowska. London: Routledge.
Potter, Sally. 2003. ‘Orlando: Based on the Novel by Virginia Woolf’. [S.l]: Artificial Eye.
Reichardt, Kelly. 2011. ‘Meek’s Cutoff’. Soda Pictures.
Taylor-Johnson, Sam. 2015a. ‘Fifty Shades of Grey’. [S.l.]: Universal Studios.
———. 2015b. ‘Fifty Shades of Grey | Box of Broadcasts’. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EC63817?bcast=126620835.
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Wilson, Emma. 2001. ‘Deforming Femininity: Catherine Breillat’s Romance’. In France on Film: Reflections on Popular French Cinema. London: Wallflower.
‘You Probably Owe “Jennifer’s Body” An Apology | Buzzfeed’. n.d. https://www.buzzfeednews.com/article/louispeitzman/jennifers-body-diablo-cody-karyn-kusama-feminist-horror.