Arnold, Andrea, ‘Fish Tank’ (Artificial eye, 2010)
———, ‘Fish Tank | Box of Broadcasts’ (BBC2 England, 2009) <https://learningonscreen.ac.uk/ondemand/index.php/prog/01768AB8?bcast=68831645>
Arzner, Dorothy, ‘Dance Girl Dance’ (Turner Home Entertainment, 2007)
———, ‘Dance, Girl, Dance | Box of Broadcasts’ (BBC2 England, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CBD7?bcast=124315906>
Blichert, Frederick, ‘“Jennifer’s Body” Would Kill If It Came Out Today | VICE’, 2018 <https://www.vice.com/en_us/article/qv99y3/jennifers-body-would-kill-if-it-came-out-today>
Bolton, Lucy, ‘A Phenomenology of Girlhood: Being Mia in Fish Tank’, in International Cinema and the Girl: Local Issues, Transnational Contexts, ed. by Fiona Handyside and Kate E. Taylor-Jones (New York: Palgrave Macmillan, 2015), Global cinema
Breillat, Catherine, ‘Romance’ ([S.l.]: Bluelight, 2000)
Buchanan, Kyle, ‘The Toughest Scene I Wrote: Mark Boal on Zero Dark Thirty’s Torturous Opening | Vulture’ <http://www.vulture.com/2013/02/toughest-scene-zero-dark-thirtys-mark-boal.html#>
Burgoyne, Robert, ‘The Violated Body and Affect in Zero Dark Thirty’, in The Philosophy of War Films, ed. by David LaRocca (Lexington, Kentucky: University Press of Kentucky, 2014)
Campion, Jane, ‘The Piano’ ([S.l.]: Optimum Releasing, 1993)
———, ‘The Piano | Box of Broadcasts’ (Arte, 1993) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000584DB?bcast=108335316>
Cook, Samantha, ‘Girl Dance Dance | Film Reference’ <http://www.filmreference.com/Films-Dah-Deu/Dance-Girl-Dance.html>
Ellender, Claire, ‘Transporting the Aquarium: Overcoming the Challenges of Subtitling Andrea Arnold’s Fish Tank into French [Open Access]’, Translation Journal, 15.3 (2007) <http://translationjournal.net/journal/57subtitling.htm>
Ellis, John, ‘Visions | YouTube’, 1984 <https://www.youtube.com/watch?feature=em-upload_owner&v=R1zatfNiDBM&app=desktop>
Fowler, Catherine, ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’, in Sally Potter (Urbana: University of Illinois Press, 2009), Contemporary film directors, 55–86
———, ‘Towards Pleasure, Developing Style: Orlando and The Tango Lesson’, in Sally Potter (Baltimore: University of Illinois Press, 2008), pp. 55–86 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3414168>
Gorbman, Claudia, ‘Music in The Piano’, in Jane Campion’s The Piano (Cambridge: Cambridge University Press, 2000), The Cambridge University Press film handbooks series
———, ‘Music in The Piano’, in Jane Campion’s The Piano (Cambridge, U.K.: Cambridge University Press, 2000) <http://hdl.handle.net/2027/heb.07683>
Greenwald, Maggie, ‘The Ballad of Little Jo’ ([S.l.]: Umbrella Entertainment, 2013)
Handyside, Fiona, and Kate E. Taylor-Jones, ‘A Phenomenology of Girlhood: Being Mia in Fish Tank’, in International Cinema and the Girl: Local Issues, Transnational Contexts (Basingstoke: Palgrave Macmillan, 2016) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137388926>
Hirsch, Pam, ‘Written on the Body’, Feminist Media Studies, 14.3 (2014), 470–84 <http://www.tandfonline.com/doi/abs/10.1080/14680777.2012.737345#.V3uMxdIrLcs>
Hughes, Timothy, ‘The Unheightened Moment: Work, Duration and Women’s Point of View in Meek’s Cutoff’, in Critical Perspectives on the Western : From A Fistful of Dollars to Django Unchained
J. Robert Burgoyne, ‘The Violated Body and Affect in Zero Dark Thirty’, in The Philosophy of War Films (Lexington: University Press of Kentucky, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1869117>
Johnston, Claire, and Claire Johnston, The Work of Dorothy Arzner: Towards a Feminist Cinema (London: British Film Institute, 1975)
Johnston, Claire, Laura Mulvey, and Lynda Myles, ‘Women’s Film Festival’, 26th Edinburgh International Film Festival Programme, 1972 <https://copac.jisc.ac.uk/search?isn=0963-794X&rn=2>
Kusama, Karyn, Jennifer’s Body (20th Century Fox Home Ent, 2012)
———, ‘Jennifer’s Body | Box of Broadcasts’ (FilmFour, 2009) <https://learningonscreen.ac.uk/ondemand/index.php/prog/017777E1?bcast=123261869>
Langford, M., ‘Allegory and the Aesthetics of Becoming-Woman in Marziyeh Meshkini’s The Day I Became a Woman’, Camera Obscura: Feminism, Culture, and Media Studies, 22.1 64 (2007), 1–41 <https://doi.org/10.1215/02705346-2006-019>
Lupino, Ida, ‘Hard, Fast and Beautiful’ ([S.l.]: Warner Brothers, 2009)
Mayne, Judith, ‘Dance, Girls, Dance’, in Directed by Dorothy Arzner (Indiana: Indiana University Press, 1995), Women artists in film, 131–47
McHugh, Kathleen, ‘The Piano: Surrealism, Melodrama, and Mimetic Infection’, in Jane Campion (Urbana: University of Illinois Press, 2007), Contemporary film directors, 79–92
‘Meek’s Cutoff | Box of Broadcasts’ (FilmFour, 2010) <https://learningonscreen.ac.uk/ondemand/index.php/prog/028782D2?bcast=114062981>
Merck, Mandy, ‘Hard, Fast and Beautiful’, in Queen of the B’s: Ida Lupino Behind the Camera (Trowbridge, Wilts: Flicks, 1995), Cinema voices
Meshkini, Marziyeh, ‘The Day I Became a Woman’ ([S.l.]: Artificial Eye, 2002)
Modleski, Tania, ‘A Woman’s Gotta Do … What a Man’s Gotta Do? Cross-Dressing in the Western’, in Old Wives’ Tales: And Other Women’s Stories (New York: New York University Press, 1998)
———, ‘Axe the Piano Player’, in Old Wives’ Tales: Feminist Re-Visions of Film and Other Fictions (London: I. B. Tauris, 1999), pp. 31–46
Mulvey, Laura, ‘Visual Pleasure and Narrative Cinema’, in Visual and Other Pleasures, 2nd ed (Basingstoke: Palgrave Macmillan, 1989), Language, discourse, society
Paszkiewicz, Katarzyna, ‘When the Woman Directs (a Horror Film)’, in Women Do Genre in Film and Television, ed. by Mary Harrod and Katarzyna Paszkiewicz (New York: Routledge, Taylor & Francis Group, 2017), cxvii, 41–56
Pidduck, J, ‘Travels With Sally Potter’s Orlando: Gender, Narrative, Movement’, Screen, 38.2 (1997), 172–89 <https://doi.org/10.1093/screen/38.2.172>
Piotrowska, Agnieszka, ‘Zero Dark Thirty – "War Autism” or an Ethical Act’, in Embodied Encounters: New Approaches to Psychoanalysis and Cinema, ed. by Agnieszka Piotrowska (London: Routledge, 2015)
———, ‘Zero Dark Thirty – "War Autism” or an Ethical Act’, in Embodied Encounters: New Approaches to Psychoanalysis and Cinema, 2014 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1843554>
Potter, Sally, ‘Orlando: Based on the Novel by Virginia Woolf’ ([S.l]: Artificial Eye, 2003)
Reichardt, Kelly, ‘Meek’s Cutoff’ (Soda Pictures, 2011)
Taylor-Johnson, Sam, ‘Fifty Shades of Grey’ ([S.l.]: Universal Studios, 2015)
———, ‘Fifty Shades of Grey | Box of Broadcasts’, 2015 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EC63817?bcast=126620835>
Wilson, Elizabeth, ‘Gorgeous Girls’, in Love Game (Serpent’s Tail, 2014), pp. 146–55
Wilson, Emma, ‘Deforming Femininity: Catherine Breillat’s Romance’, in France on Film: Reflections on Popular French Cinema (London: Wallflower, 2001)
‘You Probably Owe “Jennifer’s Body” An Apology | Buzzfeed’ <https://www.buzzfeednews.com/article/louispeitzman/jennifers-body-diablo-cody-karyn-kusama-feminist-horror>
