Almodovar, Pedro, Pain and Glory, BFI, 2005
Anderson, Wes, The Grand Budapest Hotel, Twentieth Century Fox Home Entertainment LLC, 2014
Bazin, André, ‘An Exemplary Western’, in Cahiers Du Cinéma: Neo-Realism, Hollywood, New Wave, Vol. 1: The 1950s (Routledge & Kegan Paul in association with the British Film Institute, 1985), pp. 169–72
Boetticher, Budd, Seven Men from Now, Paramount, 2007
Bordwell, David, ‘Pillows and Curtains’, in Ozu and the Poetics of Cinema (Princeton University Press, 1994), pp. 143–60 <https://contentstore.cla.co.uk/secure/link?id=4bfcdc13-7da4-e811-80cd-005056af4099>
Cohan, Steven, ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals (Palgrave Macmillan, 2010), pp. 1–16
——, ‘Introduction: How Do You Solve a Problem like the Film Musical?’, in The Sound of Musicals (Palgrave Macmillan, 2010), pp. 1–16 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763453>
Farber, Manny, ‘White Elephant vs. Termite Art’, in Negative Space: Manny Farber on the Movies, Expanded ed (Da Capo Press, 1998), pp. 134–44
Graham, Peter John, and Ginette Vincendeau, The French New Wave: Critical Landmarks, New and expanded ed (British Film Institue/Palgrave Macmillan, 2009)
Harvey, James, Movie Love in the 50’s (Da Capo Press, 2002)
Hasumi, Shigehiko, ‘Ozu’s Angry Women’, 2004 <http://www.rouge.com.au/4/ozu_women.html>
Honoré, Christophe, Les Chansons D’Amour, Artificial Eye, 2007, videorecording
Kitses, Jim, ‘The Ranown Cycle: Form and Style’, in Horizons West: Anthony Mann, Budd Boetticher, Sam Peckinpah: Studies of Authorship Within the Western (Thames & Hudson, in association with the British Film Institute, 1969), pp. 109–21
Lang, Fritz, Rancho Notorious, Optimum, 2005
Leigh, Jacob, ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity (Bloomsbury Academic, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502>
——, ‘Chapter 1: La Cérémonie (1995): Diary of a Chambermaid’, in The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity (Bloomsbury Academic, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781501312502>
MacDowell, James, ‘Notes on Quirky’, in Movie: A Journal of Film Criticism, no. 1, 2010, pp. 1–16 <https://warwick.ac.uk/fac/arts/film/movie/contents/notes_on_quirky.pdf>
Martin, Adrian, ‘Mise En Scene Is Dead, or the Expressive, the Excessive, the Technical and the Stylish’, Continuum, 5.2 (1992), pp. 87–140, doi:10.1080/10304319209388230
Milne, Tom, ‘Summation’, in The Cinema of Carl Dreyer (Barnes, 1971), pp. 156–78
Mizoguchi, Kenji, Sansho the Bailiff, The Criterion Collection, 2007
——, Ugetsu Monogatari + Oyu-Sama, Eureka, n.d.
Ozu, Yasujiro, Late Autumn, Tartan Video, 2006, Volume three
Rendell, Ruth, La Ceremonie, Second Sight, 2006
Sirk, Douglas, Imitation of Life, Universal, 2007
Sternberg, Josef von, Shanghai Express, Universal Pictures, 2008
Welles, Orson, Citizen Kane, Turner Entertainment, 2001
Wood, Robin, ‘Rancho Notorious: A Noir Western in Colour’, CineAction!, 13/14.Summer (1988), pp. 83–93
——, ‘The Ghost Princess and the Seaweed-Gatherer’, in Personal Views: Explorations in Film, Rev. ed (Wayne State University Press, 2006), pp. 227–48 <https://contentstore.cla.co.uk/secure/link?id=63c7d37e-75a4-e811-80cd-005056af4099>
Yakir, Dan, and Claude Chabrol, ‘The Magical Mystery World of Claude Chabrol: An Interview’, Film Quarterly, 32.3 (1979), pp. 2–14 <https://www.proquest.com/docview/223105721>
Zucker, Carole, ‘Ch. 3: Performance’, in The Idea of the Image: Josef von Sternberg’s Dietrich  Films (Fairleigh Dickinson University Press, 1988)