Agamben, G. (1999) ‘Bartleby, or, On Contingency’, in Potentialities: collected essays in philosophy. Stanford, Calif: Stanford University Press.
Alsop, E. (2014) ‘“The Mercurial Quality of Being”: Sudden Moves in Beau Travail and Billy Budd’, Adaptation, 7(1), pp. 14–24. Available at: https://doi.org/10.1093/adaptation/apt021.
‘American Literary History’ (no date). Available at: https://www.jstor.org/journal/amerlitehist.
Anderson, D. (2008) ‘Re-Reading The Silence of Bartleby’, American Literary History, 20(3), pp. 479–486. Available at: https://doi.org/10.1093/alh/ajn021.
‘Arena: The Hunt for Moby-Dick’ (2009). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00B34C14?bcast=33003018.
Argersinger, J.L. and Person, L.S. (2008) Hawthorne and Melville: Writing a Relationship. Athens, Ga: University of Georgia Press.
Arsić, B. (2007) Passive constitutions, or, 7 1/2 times Bartleby. Stanford, Calif: Stanford University Press.
Arsić, Branka. (2007) ‘Melville’s Celibatory Machines \-\- Bartleby, Pierre, and The Paradise of Bachelors’, diacritics, 35(4), pp. 81–100. Available at: https://doi.org/10.1353/dia.2007.0025.
‘ATQ: Atlantic Transcendental Quarterly’ (no date).
Azzarello, R. (2016) Queer Environmentality: Ecology, Evolution, and Sexuality in American Literature. London: Taylor & Francis Ltd.
Barnard, J.L. (2017) ‘The Cod and the Whale: Melville in the Time of Extinction’, American Literature, 89(4), pp. 851–879. Available at: https://doi.org/10.1215/00029831-4257892.
Barnum, J., Kelley, W. and Sten, C. (2014) Whole Oceans Away: Melville and the Pacific. The Kent State University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4403836.
Barrett, F. (2012) To Fight Aloud Is Very Brave: American Poetry and the Civil War. Amherst: University of Massachusetts Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4533137.
‘"Bartleby”’ (2011) Law and Literature, 23(3), pp. 365–404. Available at: https://doi.org/10.1525/lal.2011.23.3.365.
BBC Radio 4 - In Our Time, Moby Dick (no date). Available at: https://www.bbc.co.uk/programmes/b09gzjm5.
Bercovitch, S. and Jehlen, M. (1986) Ideology and Classic American Literature. Cambridge: Cambridge University Press.
Bergmann, J.D. (1969) ‘The Original Confidence Man’, American Quarterly, 21(3). Available at: https://doi.org/10.2307/2711934.
Blum, H. (2008) The View From the Masthead: Maritime Imagination and Antebellum American Sea Narratives. Chapel Hill: University of North Carolina Press.
Brander Rasmussen, Birgit (no date) ‘Indigenous Literacies, Moby-Dick, and the Promise of Queequeg’s Coffin’, Queequeg’s Coffin: Indigenous Literacies and Early American Literature. Available at: https://escholarship.org/uc/item/8b2686z9.
British Association for American Studies (1967) ‘Journal of American studies’. Available at: https://www.cambridge.org/core/journals/journal-of-american-studies.
Bromell, N.K. (1993) By the Sweat of the Brow: Literature and Labor in Antebellum America. Chicago: University of Chicago Press.
Bryant, J. (2008) Melville unfolding: sexuality, politics, and the versions of Typee : a fluid-text analysis, with an edition of the Typee manuscript. Ann Arbor, Mich: University of Michigan Press.
Bryant, J. (2010) ‘Rewriting: Politics, Textual Identity, and the Revision Narrative’, PMLA, 125(4), pp. 1043–1060. Available at: https://doi.org/10.1632/pmla.2010.125.4.1043.
Bryant, John (1986) ‘Allegory and Breakdown in The Confidence-Man: Melville’s Comedy of Doubt’, Philological Quarterly, 65(1), pp. 113–130. Available at: https://search.proquest.com/docview/1290900960?rfr_id=info%3Axri%2Fsid%3Aprimo.
Cambridge Companions Complete Collection (1998) The Cambridge Companion to Herman Melville. Edited by R.S. Levine. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521554772.
Castiglia, C. (2018) ‘Approaching Ahab Blind’, J19: The Journal of Nineteenth-Century Americanists, 6(1), pp. 14–24. Available at: https://doi.org/10.1353/jnc.2018.0004.
Castronovo, R. (2014) ‘Occupy Bartleby’, J19: The Journal of Nineteenth-Century Americanists, 2(2), pp. 253–272. Available at: https://doi.org/10.1353/jnc.2014.0028.
‘Chapter 2: Melville’s Zig-Zag World Circle’ (no date) in Novels, maps, modernity : the spatial imagination, 1850-2000.
Claviez, Thomas. (2006) ‘Rainbows, Fogs, and Other Smokescreens: Billy Budd and the Question of Ethics’, Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 62(4), pp. 31–46. Available at: https://doi.org/10.1353/arq.2006.0022.
Clymer, J.A. (2006) ‘Property and Selfhood in Herman Melville’s Pierre’, Nineteenth-Century Literature, 61(2), pp. 171–199. Available at: https://doi.org/10.1525/ncl.2006.61.2.171.
Cohen, L.L. (2011) The Fabrication of American Literature: Fraudulence and Antebellum Print Culture. Philadelphia: University of Pennsylvania Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3441922.
Cole, R. (2006) ‘At the Limits of Identity: Realism and American Personhood in Melville’s Confidence-Man’, Novel: A Forum on Fiction, 39(3), pp. 384–401. Available at: https://doi.org/10.1215/ddnov.039030384.
Collins, M.J. (2016) The Drama of the American Short Story, 1800-1865. Ann Arbor: University of Michigan Press. Available at: http://lib.myilibrary.com?id=971891.
Coviello, P. (2013) Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1177318.
Crain, C. (1994) ‘Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels’, American Literature, 66(1). Available at: https://doi.org/10.2307/2927432.
Creech, J. (1993) Closet Writing, Gay Reading: The Case of Melville’s Pierre. Chicago: University of Chicago Press.
Crimmins, J. (2010) ‘Nested Inversions: Genre and the Bipartite Form of Herman Melville’s’, Nineteenth-Century Literature, 64(4), pp. 437–464. Available at: https://doi.org/10.1525/ncl.2010.64.4.437.
Delbanco, A. (2013) Melville: His World and Work. London: Picador.
Deleuze, G. (1998) Essays critical and clinical. Verso.
DeLombard, J.M. (2009) ‘Salvaging Legal Personhood: Melville’s Benito Cereno’, American Literature, 81(1), pp. 35–64. Available at: https://doi.org/10.1215/00029831-2008-050.
Denis, C. and Lavant, D. (2000) ‘Beau travail’. [S.l.]: Artificial Eye.
Dimock, W. (1991) Empire for Liberty: Melville and the Poetics of Individualism. Princeton, NJ: Princeton University Press.
Dryden, E.A. (1979) ‘The Entangled Text: Melville’s Pierre and the Problem of Reading’, boundary 2, 7(3). Available at: https://doi.org/10.2307/303168.
Edelstein, S. (2013) ‘"May I Never Be a Man”: Melville’s Redburn and the Failure to Come of Age in Young America’, ESQ: A Journal of the American Renaissance, 59(4), pp. 553–584. Available at: https://doi.org/10.1353/esq.2013.0032.
Edgar Allan Poe Society of Baltimore - Works - Tales - Diddling Considered as One of the Exact Sciences [Text-02] (no date). Available at: https://www.eapoe.org/works/tales/diddlnga.htm.
‘ESQ: Studies in the American Renaissance’ (2005), 51(1–3). Available at: https://muse.jhu.edu/issue/19760.
Everton, M. (2006) ‘Melville in the Antebellum Publishing Maelstrom’, ESQ: A Journal of the American Renaissance, 52(3), pp. 227–268. Available at: https://doi.org/10.1353/esq.2006.0014.
Faggen, R. (2015) ‘Melville the Poet’, in The Cambridge companion to American poets. Cambridge: Cambridge University Press, pp. 104–118. Available at: https://doi.org/10.1017/CCO9781316403532.009.
Fee, T.R. (2012) ‘Irreconcilable Differences: Voice, Trauma, and Melville’s Moby-Dick’, Mosaic: a journal for the interdisciplinary study of literature, 45(4), pp. 137–153. Available at: https://doi.org/10.1353/mos.2012.0044.
Foote, H.C. (1852) Universal Counterfeit and Altered Bank Note Detector. New York: Mann, Spear & Co.
Foster, E. (1979) ‘Introduction’, in The Confidence Man. Hendricks House Inc.
Frank, J. (2013) A Political Companion to Herman Melville. Lexington: The University Press of Kentucky.
Garland-Thomson, R. (2004) ‘The Cultural Logic of Euthanasia: “Sad Fancyings” in Herman Melville’s “Bartleby”’, American Literature, 76(4), pp. 777–806. Available at: https://doi.org/10.1215/00029831-76-4-777.
Gilmore, M.T. (1985a) American Romanticism and the Marketplace. Chicago, Ill: University of Chicago Press.
Gilmore, M.T. (1985b) American Romanticism and the Marketplace. Chicago: University of Chicago Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=485969.
Gilmore, M.T. (2009) ‘“Speak, man!”: Billy Budd in the Crucible of Reconstruction’, American Literary History, 21(3), pp. 492–517. Available at: https://doi.org/10.1093/alh/ajp022.
Gilmore, M.T. (2010) The War on Words: Slavery, Race, and Free Speech in American Literature. Chicago, Ill: University of Chicago Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=570551.
Goldberg, S. (2013) Quiet Testimony: A Theory of Witnessing From Nineteenth-Century American Literature. New York: Fordham University Press.
Goldberg, Shari (2009) ‘Benito Cereno ’s Mute Testimony: On the Politics of Reading Melville’s Silences’, Journal Of American Literature, Culture, And Theory, 65(2), pp. 1–26. Available at: https://muse.jhu.edu/article/266667.
Goudie, S.X. (1998) ‘Fabricating Ideology: Clothing, Culture, and Colonialism in Melville’s Typee’, Criticism: A Quarterly for Literature and the Arts, 40(2), pp. 217–35. Available at: https://www.jstor.org/stable/23124331?seq=1#metadata_info_tab_contents.
Graham Thompson (2003) Male Sexuality Under Surveillance: The Office in American Literature. University of Iowa Press.
Greiman, J. (2016) ‘Melville in the Dark Ages of Democracy’, Leviathan, 18(3), pp. 11–30. Available at: https://doi.org/10.1353/lvn.2016.0039.
Greven, D. (2016) Gender Protest and Same-Sex Desire in Antebellum American Literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melvile. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315584072.
Hager, C. (2010) ‘Melville in the Customhouse Attic’, American Literature, 82(2), pp. 305–332. Available at: https://doi.org/10.1215/00029831-2010-003.
Harrison, H.L. (2007) The Temple and the Forum: The American Museum and Cultural Authority in Hawthorne, Melville, Stowe, and Whitman. Tuscaloosa, Al: University of Alabama Press.
Hawthorne and His Mosses (no date). Available at: http://xroads.virginia.edu/~ma96/atkins/cmmosses.html.
Herman Melville (1996) Typee: A Peep at Polynesian Life (Penguin Classics). Penguin Classics.
Howard, R. (2016) ‘In the Heart of the Sea’. [Burbank, California: Warner Brothers Home Entertainment.
Hurh, P. (2011) ‘The Sound of Incest: Sympathetic Resonance in Melville’s Pierre’, Novel: A Forum on Fiction, 44(2), pp. 249–267. Available at: https://doi.org/10.1215/00295132-1260977.
Hurh, P. and Paul, H. (2015) American Terror: The Feeling of Thinking in Edwards, Poe, and Melville. Palo Alto: Stanford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3568941.
Hustis, H. (2014) ‘"Universal Mixing” and Interpenetrating Standing’, Nineteenth-Century Literature, 69(1), pp. 26–55. Available at: https://doi.org/10.1525/ncl.2014.69.1.26.
Ivison, D. (2002) ‘“I Saw Everything but Could Comprehend Nothing”: Melville’s Typee, Travel Narrative, and Colonial Discourse.’, ATQ, 16(2). Available at: https://www.questia.com/library/journal/1G1-88583553/i-saw-everything-but-could-comprehend-nothing-melville-s.
James, C.L.R. (2001) Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In. Hanover, NH: Dartmouth College.
Johnson, B. (1979) ‘Melville’s Fist: The Execution of “Billy Budd”’, Studies in Romanticism, 18(4). Available at: https://doi.org/10.2307/25600211.
Jones, G.R. (2014) Failure and the American Writer: a Literary History. New York: Cambridge University Press.
Jonik, M. (2018) Herman Melville and the Politics of the Inhuman. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5312920.
Kado, M. (2018) ‘The Ship as Assemblage: Melville’s Literary Shipboard Geographies’, Atlantic Studies, 15(1), pp. 40–61. Available at: https://doi.org/10.1080/14788810.2017.1347380.
Kamuf, P. (1997) The Division of Literature: Or, the University in Deconstruction. Chicago: University of Chicago Press.
Karcher, C.L. 1945- (2017) Shadow Over the Promised Land: Slavery, Race, and Violence in Melville’s America. Andesite Press.
Kelley, W. (2009) Melville’s City: Literary and Urban Form in Nineteenth-Century New York. Cambridge: Cambridge University Press.
Kelley, W. (no date a) A Companion to Herman Melville. Malden, Mass: Blackwell. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251.
Kelley, W. (no date b) A Companion to Herman Melville. Malden, Mass: Blackwell. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=284251.
Lawson, A. (2012) ‘Moby Dick and the American Empire’, Comparative American Studies An International Journal, 10(1), pp. 45–62. Available at: https://doi.org/10.1179/1477570011Z.0000000003.
‘Leviathan: A Journal of Melville Studies - Special Issue Melville and the Civil War Poet’ (no date). Available at: https://muse.jhu.edu/issue/32590.
‘Leviathan: A Journal of Melville Studies - Special Issue on Clarel’ (no date). Available at: https://muse.jhu.edu/issue/26545.
Levine, R.S. (1998) The Cambridge Companion to Herman Melville. Camb.U.P.
Levine, R.S. (ed.) (2014) The New Cambridge Companion to Herman Melville. New York, NY: Cambridge University Press.
Levine, R.S. and Levine, R.S. (eds) (2014) The New Cambridge Companion to Herman Melville. Cambridge: Cambridge University Press. Available at: https://www.cambridge.org/core/books/new-cambridge-companion-to-herman-melville/68435327716B3FCEE89685D927BD90D6.
‘Lisa Gitelman : Emoji Dick and the Eponymous Whale on Vimeo’ (no date). Available at: https://vimeo.com/171102394.
Looby, C. (2015) ‘Of Billy’s Time: Temporality in Melville’s’, Canadian Review of American Studies, 45(1), pp. 23–37. Available at: https://muse.jhu.edu/article/578466.
Luciano, D. (2004) ‘Melville’s Untimely History: “Benito Cereno” as Counter-Monumental Narrative’, Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 60(3), pp. 33–60. Available at: https://doi.org/10.1353/arq.2004.0007.
‘Mapping Typee: Space and the Genres of Truth’ (2005) ESQ: A Journal of the American Renaissance, 51(1–3), pp. 115–120. Available at: https://doi.org/10.1353/esq.2010.0024.
Marovitz, S.E. (2013) Melville as Poet: The Art of Pulsed Life. Ashland: The Kent State University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3120197.
Marrs, C. (2010) ‘A Wayward Art: Battle-Pieces and Melville’s Poetic Turn’, American Literature, 82(1), pp. 91–119. Available at: https://doi.org/10.1215/00029831-2009-070.
Marrs, C. (2015a) Nineteenth-Century American Literature and the Long Civil War. New York: Cambridge University Press.
Marrs, C. (2015b) Nineteenth-Century American Literature and the Long Civil War. Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316362976.
Mastroianni, D. (2014) Politics and Skepticism in Antebellum American Literature. Cambridge: Cambridge University Press.
McGettigan, K. (2017) Herman Melville: Modernity and the Material Text. Durham, New Hampshire: University of New Hampshire Press.
Melville, H. (1989) ‘Journals’, in, pp. 79–91.
Melville, H. (1991) ‘Clarel: A Poem and Pilgrimage in the Holy Land’, in.
Melville, H. (1996) Pierre, or, The ambiguities. New York: Penguin Books.
Melville, H. (2008) The Confidence-Man: His Masquerade. New ed. Oxford: Oxford University Press.
Melville, H. (2009a) ‘An Uninscribed Monument’, in.
Melville, H. (2009b) ‘Donelson’, in, pp. 23–36.
Melville, H. (2009c) ‘Introduction Published Poems: Battle-Pieces’, in, pp. 1–3.
Melville, H. (2009d) ‘On a Natural Monument’, in.
Melville, H. (2009e) ‘On the Photograph of a Corps Commander’, in.
Melville, H. (2009f) ‘On the Slain Collegians’, in, pp. 118–121.
Melville, H. (2009g) ‘Shiloh’, in.
Melville, H. (2009h) ‘Stonewall Jackson’, in, pp. 59–61.
Melville, H. (2009i) ‘Supplement’, in, pp. 181–188.
Melville, H. and Beaver, H. (1976) Redburn, His First Voyage: Being the Sailor-Boy Confessions and Reminiscences of the Son-of-a-Gentleman in the Merchant Service. Harmondsworth: Penguin.
Melville, H. and Milder, R. (2009a) Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford: Oxford University Press.
Melville, H. and Milder, R. (2009b) Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford: Oxford University Press.
Melville, H. and Milder, R. (2009c) Billy Budd, Sailor and Selected Tales. [New ed.]. Oxford: Oxford University Press.
Melville, H. and Tanner, T. (1988) Moby-Dick, or, The whale. Oxford: Oxford University Press.
Melville Society (no date) ‘Leviathan: A Journal of Melville Studies’. Available at: https://muse.jhu.edu/journal/601.
‘Melville’s Battle-Pieces and the Environments of War’ (2014) Journal Of The American Renaissance, 60(4), pp. 557–592. Available at: https://muse.jhu.edu/article/564081.
Meyer, N. (no date) ‘Star Trek II: The Wrath of Khan’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001F4148?bcast=114177354.
Michaels, W.B., Pease, D.E., and English Institute (1985) The American Renaissance Reconsidered. Baltimore: Johns Hopkins University Press.
Middleton-Kaplan, R. (2009) ‘Play It Again, Herman: ’, Leviathan, 11(3), pp. 55–71. Available at: https://doi.org/10.1111/j.1750-1849.2009.01224.x.
‘Minding the Body: Benito Cereno and Melville’s Embodied Reading Practice’ (2010) Studies in the Novel, 41(2), pp. 157–177. Available at: https://doi.org/10.1353/sdn.0.0059.
Modern Language Association of America. American Literature Group (1929) ‘American Literature: A Journal of Literary History, Criticism and Bibliography’. Edited by J.B. Hubbell and C. Gohdes. Available at: https://read.dukeupress.edu/american-literature/issue.
Monnet, A.S. (2010) The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. Farnham: Ashgate. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=513945.
Monnet, A.S. (2016) The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature. London: Routledge.
Murison, J.S. (2017a) ‘"Nudity and other sensitive states”: Counterprivacy in Herman Melville’s Fiction’, American Literature, 89(4), pp. 697–726. Available at: https://doi.org/10.1215/00029831-4257823.
Murison, J.S. (2017b) ‘"Nudity and other sensitive states”: Counterprivacy in Herman Melville’s Fiction’, American Literature, 89(4), pp. 697–726. Available at: https://doi.org/10.1215/00029831-4257823.
Newbury, M. (1997) Figuring Authorship in Antebellum America. Stanford, Calif: Stanford University Press.
‘Nineteenth-Century Literature’ (1986). Available at: https://www.jstor.org/journal/ninecentlite.
Otter, S. (1999) Melville’s Anatomies. Berkeley: University of California Press.
Pardes, I. (2008) Melville’s Bibles. Berkeley, Calif: University of California Press.
Parker, H. (2005) Herman Melville: A Biography. Baltimore, Md: Johns Hopkins University Press.
Parsons, A. (2012) ‘"A Careful Disorderliness”: Transnational Labors in Melville’s Moby-Dick’, ESQ: A Journal of the American Renaissance, 58(1), pp. 71–101. Available at: https://doi.org/10.1353/esq.2012.0012.
Pinchevski, A. (2011) ‘Bartleby’s Autism: Wandering along Incommunicability’, Cultural Critique, 78(1), pp. 27–59. Available at: https://doi.org/10.1353/cul.2011.0019.
‘Pip’s Oceanic Voice: Speech and the Sea in <em>Moby-Dick</em>’ (2017) The Modern Language Review, 112(3). Available at: https://doi.org/10.5699/modelangrevi.112.3.0567.
Potter, W. (2004) Melville’s Clarel and the intersympathy of creeds. Kent, Ohio: Kent State University Press.
Putzi, J. (2012) Identifying Marks: Race, Gender and the Marked Body in Nineteenth-Century America. Georgia: University of Georgia Press.
Rachman, S. (1997) ‘Reading Cities: Devotional Seeing in the Nineteenth Century’, American Literary History, 9(4), pp. 653–675. Available at: https://doi.org/10.1093/alh/9.4.653.
Reed, N.C. (2004) ‘The Specter of Wall Street: “Bartleby, the Scrivener” and the Language of Commodities’, American Literature, 76(2), pp. 247–273. Available at: https://doi.org/10.1215/00029831-76-2-247.
Renker, E. (1998) Strike Through the Mask: Herman Melville and the Scene of Writing. John Hopkins paperback ed. Baltimore: Johns Hopkins University Press.
Reynolds, D.S. (1988) Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Cambridge, Mass: Harvard University Press.
Richardson, M. (ed.) (2015) The Cambridge companion to American poets. New York: Cambridge University Press.
Riley, P. (2016) ‘Melville’s Retirement’, Leviathan, 18(3), pp. 112–128. Available at: https://doi.org/10.1353/lvn.2016.0043.
Rochlitz, H. (2012) Sea-changes Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation. [Place of publication not identified]: Universitätsverlag Göttingen. Available at: http://www.oapen.org/search?identifier=610287.
Rowe, Joyce A. (1993) ‘Social History and the Politics of Manhood in Melville’s Redburn’, Mosaic: A Journal for the Interdisciplinary Study of Literature, 26(1), pp. 53–68. Available at: https://www.jstor.org/stable/24780516?seq=1#page_scan_tab_contents.
Ruttenburg, N. (1994) ‘Melville’s Handsome Sailor: The Anxiety of Innocence’, American Literature, 66(1). Available at: https://doi.org/10.2307/2927434.
Ryan, S.M. (2000) ‘Misgivings: Melville, Race, and the Ambiguities of Benevolence’, American Literary History, 12(4), pp. 685–712. Available at: https://doi.org/10.1093/alh/12.4.685.
Salem Press (2017) Billy Budd, Sailor. Grey House Publishing Inc.
Sanborn, G. and Otter, S. (2011) Melville and Aesthetics. New York: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=797853.
Sanborn, Geoffrey (1996) ‘Where’s the Rest of Me?: The Melancholy Death of Benito Cereno’, Journal Of American Literature, Culture, And Theory, 52(1), pp. 59–93. Available at: https://muse.jhu.edu/article/444898/pdf.
Spanos, W.V. (2009) Herman Melville and the American Calling: The Fiction after Moby-Dick, 1851-1857. Albany, NY: State University of New York Press.
Steeves, H.P. (2017) ‘He Tasks Me! Khan, Ahab, and Star Trek’s White Whale’, Popular Culture Review. Available at: https://view.joomag.com/popular-culture-review-vol-28-no-1-february-2017/0017803001486486823?short.
Thomas, B. (1988) Cross-examinations of law and literature: Cooper, Hawthorne, Stowe, and Melville. Cambridge: Cambridge University Press.
Thompson, G. (2012) ‘The “Plain Facts” of Fine Paper in “The Paradise of Bachelors and the Tartarus of Maids”’, American Literature, 84(3), pp. 505–532. Available at: https://doi.org/10.1215/00029831-1664701.
Thompson, G. (2018) Herman Melville: Among the Magazines. Massachusetts: University of Massachusetts Press.
‘Thompson Lecture on Melville and Authorship’ (no date). Available at: https://www.youtube.com/watch?reload=9&v=117_QycXUDE.
Wadle, M.M. (2018) ‘"Rightly Enough Called Girls”: Melville’s Violated Virgins and Male Marketplace Fears’, American Literature, 90(1), pp. 55–82. Available at: https://doi.org/10.1215/00029831-4326403.
Washington State University. Department of English (no date) ‘ESQ’. Available at: https://muse.jhu.edu/journal/375.
Weaver, R. (no date) Herman Melville, Mariner and Mystic. Available at: https://archive.org/stream/melvillemariner00weavrich#page/n7.
Weinstein, C. and Looby, C. (2012) American Literature’s Aesthetic Dimensions. New York: Columbia University Press.
Wendy Anne, L. (2015) ‘The Scandal of Insensibility; or, The Bartleby Problem’, PMLA, 130(5), pp. 1405–1419. Available at: https://doi.org/10.1632/pmla.2015.130.5.1405.
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